Francisco Casares
Forty years later, Guillermo Montesinos, the actor who played José María el Cepa in The Cuenca Crime (1980), directed by Pilar Miró, returns to the various locations where the shooting of the mythical film, narrating the infamous Grimaldos case (1910), took place.
Francesca is a pediatrician who is dedicated to both motherhood and children, married to another physician, Pedro. After the birth of a new child, Francesca begins to suffer from postpartum depression. Following the advice of friend and psychiatrist Jean, the couple move to a new home away from the city…
Petra and Matthias are a bad marriage. He works as a janitor at the school of anatomy. Petra has a bitter and uncompromising character, so that their discussions with Matthias are constant, but she is careful not to ever lift his voice. He, however, does not care who tell and shouts without hesitation. The neighbors, who are some gossips are at the end of the street everything that happens in the house of Petra and Matthias.
The argument between Enrique and Javier, his best friend and Marta's husband, his lover, ends with the accidental death of Javier. Faced with the difficulty of proving his innocence, Enrique decides to start, along with Marta and the corpse of Javier, a trip without direction.
Fifteen years after the plot a lawyer and a military ex-attorney meet and recall the intense days of 1975 when both participated in the decission of war or peace. The film is told in flashbacks of the two protagonists.
Two brothers plan to steal the precious jewel of Nefertiti's eye in a famous exhibition hall, but they are not the only ones who want it. There is a scuffle in which a policeman dies and one of the robbers falls on the dead man.
Madrid, 1924. A ne'er-do-well in his 30s, perpetual disappointment to his aging military father, hatches a plan to rob the mail train to Andalusia. He intends the hit to be bloodless, but complications arise soon.
Carmen, a journalist with two children, is on her third marriage, to Antonio, a record producer. Over the course of a year, we follow her through her discontents: Antonio's lateness, his fatigue when she wants to make love, his insistence on her company when she prefers solitude, his treating her work as less important than his, his casual and cruel dismissal of her opinions, her boss assigning her an incompetent editor, bartenders ignoring her, her passage into middle age. She can be feisty and edgy, which sometimes gets in the way of what would make her happy. And she regularly threatens to leave Antonio. Will she, and on what terms? What will he do?
Daniya is the story of a trip. A man of culture and resolute, the younger brother of the Countess of Barcelona, leaves the Catalan court for the kingdom of Denia (Daniya). The purpose of his trip is to accept the ecclesiastical authority entrusted to him by the Muslim king of Mozarabic Christians living in the territory of the Kingdom of Denia. It is an interesting but dangerous journey, described as an adventure. A journey that will enrich the spirit of the youth that will be seduced by Al Andalus.
The two weeks leading up to the Spanish Civil War in 1936 are dramatized from many different locations in Spain, Morocco and London.
Ignacio Costa is a tyrannical businessman with a conflictive personal life. He has a large family, a woman he abuses and humiliates and five children with whom he does the same, except for Mariana one of the girls. Tired of so many vexations, his wife will begin to influence his children until together they will plot the murder of the father
Rafael, a young man from the provinces, works as a waiter in a resort and helps himself economically having sex for money with rich older women. During a bomb threat, he is discovered in bed with one of the guest, Leonor Marchioness of Montenegro, and he is fired as a consequence. The Marchioness of Montenegro is an aging aristocrat, ruined economically, but still with wealthy and influential friends. She helps Rafael finds a new job in Madrid as the gardener in the mansion of Antonio Fernández Herrador, Minister of economy in the new democratic Spanish government.
A mix of characters and actions create only a semblance of a plot in this confusing tale of intrigue, undefined crimes, and incest. A newspaper reporter is working on a story about a criminal serving time in jail. He interviews the prisoner, has an affair with the criminal's daughter, and also spends some time in bed with his editor's wife. His amorous life is an adjunct to his searching out the details of the prisoner's case -- though tragedy strikes before the journalist can wrap everything up. In the meantime, it becomes clear that the daughter and imprisoned father had an incestuous relationship, raising more questions than answers.
A political prisoner in a South American dictatorship escapes and is pursued throughout the country by a bloodthirsty dog.
The film depicts ten years of Catalan history, from 1899 with the defeat of the Spanish side in the Cuban War of Independence to the Tragic Week 1909.
