Franco Brusati
As a young boy, Tommaso's (Gerard Darier) interest in women and in his cousin Marta (Mariangela Melato) in particular, inspired him to bore peep holes into her wall and vicariously partake of her forbidden private life, including her wedding day. Time goes by, and after living through many changes going on around him, Tommaso has grown up and is now a soldier in the military. When he sees cousin Marta at a train station one day, he jumps off his train, talks to her for awhile, and tries to give her some strength to face the various problems in her life. Both Marta and Tommaso suffer deceptions over the next crucial period -- Marta becomes estranged from her husband, and her daughter is more distant with each passing day.
A brother, Earland Josephson, returns to his family home to visit his sister in the Italian countryside. He brings with him his young male lover. In the house with the sister are two women, one of whom, Mariangela Melato, takes care of the farm. The two women are friends and lovers since childhood and one senses that Melato's relationship is shadowed by the relationship she had with her mother shown through wonderful flashbacks. The brother also has wonderful memories of his and his sister's childhood in that same house with their father who was a magician. Following a night out at a lovely restaurant in the woods, other memories of the past are aroused in the Brother. The next day they all plan to drive to Venice where his sister sang opera in her youth for a holiday. Fate intervenes.
An Italian immigrant tries to make a new life in Switzerland, taking on a series of increasingly menial jobs in order to do it. He attempts to fit into his new home and society but fails at every turn. Unable to go home again, will his tenacity and optimism be enough to live on?
Two teenagers looking for love find each other in this tragic and cruel story of romance, co-dependence and psychological torment. Pierre (Frank Grimes) is the French boy who saves the British girl Sarah (Carole Andre) from suicide. Despondent over a broken affair, Sarah soon becomes fond of Pierre and agrees to stay with him. The twisted girl puts him through a series of humiliations before she intentionally blinds him so he will never leave her.
Director Franco Zeffirelli's beloved version of one of the most well-known love stories in the English language. Romeo Montague and Juliet Capulet fall in love against the wishes of their feuding families. Driven by their passion, the young lovers defy their destiny and elope, only to suffer the ultimate tragedy.
A thinly-disguised biography of African leader Patrice Lumumba, here called Lalubi. Lalubi, a Christ-like leader determined to save his people, by passive resistance, from the dictatorial regime propped up by European colonialists, is imprisoned and tortured, along with a thief who comes to a greater understanding through his contact with Lalubi.
Childhood friends Franco and Jolanda accidentally meet again after 15 years and both know it is love. This comedy traces their troubled relationship.
Tommaso Puzzilli is a boy who grew up in the suburb of Pietralata outside Rome. Not having a job, Tommaso and his friends are committing crimes to make money.
Salvatori pays a visit to his old ma who is bedridden in a gloomy old people’s home. He promises her that pretty soon he’ll be rich and they’ll live together in their house. The young man is hired as a catering assistant in a desirable mansion, but the owner of the place is dying. The wife and the daughter are trying to regain the old man’s love and affection while the son is busy gathering his friends for a feast.
Francesca, a seventeen-year-old Roman, is finally sure she has found love. Almost sure. She spends the day observing other lovers' behaviors and considering whether she is ready to jump. Her age notwithstanding, this movie is more about coming of age than about improper or illegal romantic relationships.
Stefano is a talented painter, devoted to his art but not interested in promoting himself, while many of his fellow artists are far more adept at selling their persona than creating art.
Collected at the age of two, under extreme conditions, by a company of Gypsies, Jolly grew up among them, together with the man who accompanied her.
A group of "respectable" people are all partly responsible for the suicide of a servant girl. They are pounced upon by a wily blackmailer (Pierre Cressoy), who knows that these people will pay dearly rather than inform on themselves or others.
Gino Bardi is a centre-forward in a football team which is about to be relegated to the second division. Just before a very important match a girl he has a relationship with proposes him to rig it. He refuses the offer but he actually begins playing like an amateur and the crowd begin to smell something fishy going on.
A demon bestows on a self-righteous working photographer's camera the power to smite from the Earth "evil-doers".
Anna is a 1951 Italian drama film directed by Alberto Lattuada and starring the same trio as Bitter Rice: Silvana Mangano as Anna, the sinner who becomes a nun; Raf Vallone as Andrea, the rich man who loves her; and Vittorio Gassman as Vittorio, the wicked waiter who sets Anna on a dangerous path. Silvana Mangano's real sister, Patrizia Mangano, acts as Anna's sister on the film. Sophia Loren has got a small uncredited role as a nightclub assistant. Future film directors Franco Brusati and Dino Risi cowrote the script. [Wikipedia]
A luckless young teacher it's suspected of committing two murders. When his lover begins to have doubt about his innocence, he seems to be doomed.
The plot weaves several episodes with several groups of people, Roman families, youth gangs and young love couples, who spend a Sunday at the beach of Ostia.
