Franco Interlenghi
Reunites the same cast, reprising their characters from the 2006 original film, but transplants them from the 1980s to the Italy of 2006. This leap allows the filmmaker to compare and contrast youth culture across generations, from the era of the call box to the era of cell phones, text messages and onli
Looks back at the Sciuscià, its success abroad, its influence on later filmmakers, its Oscar win, and the social conditions at the time of its production.
Actors Franco Interlenghi and Rinaldo Smordoni (who played Pasquale and Giuseppe respectively) recall how they landed the roles in the film Shoeshine and their experiences as young actors in post-war Rome.
The Lebanese has a dream: to conquer the underworld of Rome. To carry out this feat without precedent he puts together a ruthless and highly organized gang. Their progress and changes in leadership take place over 25 years, from the 1970s into the 90s, and are inseparably intertwined with the dark history of modern Italy: terrorism, kidnappings and corruption at the highest levels of government.
This is a two-part Italian television mini-series directed by Giorgio Capitani and broadcasted in April 2002 on Rai Uno. It is the life story of Pope John XXIII, nicknamed "the good Pope".
The people of Jerusalem are suffering under the reign of HEROD, and are hoping to be delivered from the Roman occupiers by the Messiah whose arrival, it is rumored, is to take place very soon. Unlike his nephew JUDAS, who wants to join the zealots (freedom fighters), the 35-year-old widower JOSEPH is not interested in participating in any fighting against the Romans.
The story of Padre Pio (1887-1968) from the onset of the stigmata during World War I, when he prayed that soldiers' suffering be his, until his death. The story is told by Emilia, Pio's friend, to a Vatican official reviewing Padre Pio's potential canonization. We watch local people venerate the humble Capuchin monk, we see petty jealousies within the Church almost bring him down, and we experience his decision to build a Home for the Relief of Suffering, a labor of love begun just after World War II. Emilia and her husband Dr. Sanguineti work tirelessly beside the humble but sensible Pio.
A young recruit to the Italian army discovers and rejects the seedy world of soldiers who prostitute themselves to supplement their income. But before leaving this world he is raped by a highly-respected senior officer and must decide whether to risk bringing proceedings against him.
Victor Derval is returning home after a performance when he is hailed by Lisa, a young Hungarian woman. Her motives are mysterious; is she simply a star-struck peasant girl, or an ambitious, manipulative aspiring star?
Carlo, an elderly widowed farmer, is about to marry Elena, a young Brazilian woman, and calls his children to his country home for a family gathering.
Kwaku, a young African medical student, arrives in Italy where he is to meet his brother Job (nicknamed Pummarò.) This one is a tomato picker in the Naples region and works in extreme conditions to be able to pay his brother's studies. But to Kwaku's dismay, Job has disappeared. The young student then decides to do everything he can to trace missing Pummarò.
Misery money-lender Arpagone is looking to arrange three weddings simultaneously - to cut down on costs. One for himself and the others for his two children. Of course he doesn't approve of the choices his son and daughter have made and conspires to arrange more well to do spouses against their will. However, fate will prove itself to be on the side of true love, not of the greedy.
The film attempts to fill in the "missing years" of Jesus, from ages 3 through 12. When King Herod fearing that the Messiah has indeed been born, orders that all Hebrew male children under the age of three be slain, Joseph moves his family near Egypt. Here, Jesus, sensing His divinity, expresses a desire to return to Nazareth. Travelling homeward with His mother Mary, Jesus flashes forward to events that will unfold in his adult life.
Vaguely inspired to the real story of boss of the Camorra's bosses Raffaele Cutolo, this is the story of the criminal career of "Il professore" (the professor). He is in prison, and by there he is able to build, step by step, an empire founded on murders and drugs. He starts a war to destroy all the old Camorra bosses and becoming the new "boss of the bosses". With his sister's help he manages to evade from prison and escape in New York. Here he starts immediately a new relationship with "Cosa Nostra" (Italian American Mafia). He is going to seat on the peak of the most powerful criminal organization, and the Italian authorities are almost impotent.
Miranda is a sensual tavern owner with a taste for men of all types. Over a year's time, Miranda copes with the death of her husband by enjoying the talents of a different lover for each of the four seasons. All the men are delightful, but which one is the best lover, and who will make a suitable husband?
Gunslinger Clayton Drumm (Testi) is about to be hanged when he is given a chance to live if he will agree to murder Matthew (Oates), a miner who has steadfastly refused to sell his land to the railroad company. Matthew’s refusal is a major obstacle to the railroad’s plans for expansion.
After a couple of 'special squad' cops are gunned down while chasing some kidnappers, the head of the squad takes it really personally! His violent path to find the kidnappers leads him to the upper echelons of the government. Now, the powers-that-be don't want to be found out and decide it's time to kill one more cop...
The Roman Emperor Trajan has just murdered all the local men of Dacia and holds a military stronghold in what will later become Rumania. He places a Roman centurion in his place to occupy his latest conquest. After lopping off the head of the Dacian warlord, the soldier uses his blood-stained hands to dine on cheese and bread, unable to suppress his laughter. The centurion has a change of heart when he is put in charge of the region, freely dispensing justice and forgiveness to the conquered inhabitants. When the peace is threatened by marauding barbarians in masks of fur, the locals help the Romans fend off the invasion.
The film shows how Italy's historic national hero Giuseppe Garibaldi (embodied by Renzo Ricci) leads a military campaign known as Expedition of the Thousand in 1860 and conquers Sicily and Naples. When the Bourbon monarchy has left Southern Italy, he supports Victor Emmanuel II of Italy who achieves a lasting unification under the aegis the House of Savoy. Roberto Rossellini has said he was prouder of this film than of any other film he ever made.
The exploits of three young Roman criminals are chronicled in this socially conscious drama. The young men commit petty crimes all day begin with arms theft, and culminating with a night with three streetwalkers. After their pleasure, the boys try to cheat the hookers, but they ladies are smarter than that and have stolen their cash ahead of time. The punks then return to the city for more crimes. Exploits include the harassment of three homosexuals, and attempts to seduce some women.
The Gestapo forces con man Victorio Bardone (Vittorio De Sica) to impersonate a dead partisan general in order to extract information from his fellow inmates.
The unfortunate journalist Fred falls in love with the young wife of an older business tycoon. Fred's involvement with her involves him in both blackmail and murder.
The title of this Italian slice-of-life drama translates to Young Husbands. The husbands in question rather casually enter into marriage, never intending true fidelity to their spouses. When they realize that they're committed for life, our immature heroes return to their home town for one last fling. In the course of their final hours of bachelorhood, they come to the sobering conclusion that their carefree youth is not only past, it's already long past. Somewhat reminiscent of Fellini's I Vitelloni, Giovani Mariti boasts excellent performances from all concerned.
Married French lawyer Andre defends succesfully the case of Yvette, who committed a robbery. He falls in love with her, but she isn't true to him.
A Farewell to Arms is a 1957 American drama film directed by Charles Vidor. The screenplay by Ben Hecht, based in part on a 1930 play by Laurence Stallings, was the second feature film adaptation of Ernest Hemingway's 1929 semi-autobiographical novel of the same name. It was the last film produced by David O. Selznick.
Despite of (or perhaps because of ) its sparse production values and unpretentiousness, the Italian Gli Innamorati was feted at the 1956 Cannes Film Festival. The bulk of the story takes place in a single Roman neighborhood. In the manner of the 1925 German classic A Joyless Street, director Mauro Bolognini studies the hopes, dreams, successes and failures of the neighborhood's various and sundry denizens. No one subplot dominates the proceedings, though a bit of extra time is afforded the story of a fickle seamstress and her seemingly meek-and-mild boyfriend. The cast is dotted with such reassuringly familiar faces as Nino Manfredi and Gino Cervi. Released in the US as Wild Love, Gli Innamorati was instrumental in bringing international fame to director Bolognini, whose career soon shifted into high drive.
Has-been director Harry Dawes gets a new lease on his career when independently wealthy Kirk Edwards hires him to write and direct a film. They go to Madrid to find Maria Vargas, a dancer who will star in the film. Millionaire Alberto Bravano takes Maria from Kirk. Count Vincenzo Torlato-Favrini takes Maria from Alberto.
Forced by her lover to sell her body, Renata is saved from a suicide attempt by Paolo Martelli, an engineer. She asks him to help her find a job. When Paolo's wife humiliates her, Renata gains revenge by seducing the woman's husband.
Five young men dream of success as they drift lazily through life in a small Italian village. Fausto, the group's leader, is a womanizer; Riccardo craves fame; Alberto is a hopeless dreamer; Moraldo fantasizes about life in the city; and Leopoldo is an aspiring playwright. As Fausto chases a string of women, to the horror of his pregnant wife, the other four blunder their way from one uneventful experience to the next.
The ever-growing popularity of Gina Lollobrigida was a decided box-office asset when the Italian La Provinciale was distributed to the U.S. as The Wayward Wife. Lollobrigida acquits herself quite nicely in the tensely dramatic role of a much-put-upon small-town girl named Cemma. Seduced by a lad who turns out to be a relative, Cemma is tossed out of her home. Seeking security, she impulsively marries bookish science professor Franco Vagnuzzi (Gabriele Ferzetti). Bored by her marriage, Cemma doesn't realize the true value of her loving husband until it's almost too late. The original 118-minute run time was reduced for U.S. release.
A film by Michelangelo Antonioni composed of three episodes: a French episode set in Paris, an Italian episode set in Rome and an English episode set in London. Three stories of well-off youths who commit murders.
In a village of the Po valley where the earth is hard and life miserly, the priest and the communist mayor are always fighting to be the head of the community. If in secret, they admired and liked each other, politics still divided them as it is dividing the country. And when the mayor wants his "People's House"; the priest wants his "Garden City" for the poor. Division exist between the richest and the poorest, the pious and the atheists and even between lovers. But if the people are hard as the country, they are good in the bottom of there heart.
Gino Bardi is a centre-forward in a football team which is about to be relegated to the second division. Just before a very important match a girl he has a relationship with proposes him to rig it. He refuses the offer but he actually begins playing like an amateur and the crowd begin to smell something fishy going on.
A gentle cultural clash between a band of Italian sports fans and the citizenry of Paris. DeAngelis has heard so much about “naughty Paree” that he’s determined to experience that naughtiness first hand. Ultimately, he realises that reports of French libertinism have been grossly exaggerated, but he has a high old time finding this out.
The plot weaves several episodes with several groups of people, Roman families, youth gangs and young love couples, who spend a Sunday at the beach of Ostia.
