François Ozon
He thrilled you with 'Swimming Pool', tickled you with '8 Women' and beguiled you with 'Young and Beautiful'. Dive into the the erotic twists and transgressive turns of the early short films of auteur director François Ozon.
What do you dream of when you're 16 years old and in a seaside resort in Normandy in the 1980s? A best friend? A lifelong teen pact? Scooting off on adventures on a boat or a motorbike? Living life at breakneck speed? No. You dream of death. Because you can't get a bigger kick than dying. And that's why you save it till the very end. The summer holidays are just beginning, and this story recounts how Alexis grew into himself.
Alexandre lives in Lyon with his wife and children. One day, he discovered by chance that the priest who abused him to scouts always officiates with children. He then starts a fight, quickly joined by François and Emmanuel, also victims of the priest, to "release their word" on what they suffered.
Chloé, a fragile young woman, falls in love with her psychoanalyst, Paul. A few months later she moves in with him, but soon discovers that her lover is concealing a part of his identity.
A young woman makes a surprising discovery about the husband of her late best friend.
Isabelle, a 17-year-old student, loses her virginity during a quick holiday romance. When she returns home, she begins a secret life as a prostitute for a year.
A sixteen-year-old boy insinuates himself into the house of a fellow student from his literature class and writes about it in essays for his French teacher. Faced with this gifted and unusual pupil, the teacher rediscovers his enthusiasm for his work, but the boy’s intrusion will unleash a series of uncontrollable events.
Mousse and Louis are young, beautiful, rich and in love. But drugs have invaded their lives. One day, they overdose and Louis dies. Mousse survives, but soon learns she's pregnant. Feeling lost, Mousse runs away to a house far from Paris. Several months later, Louis' brother joins her in her refuge.
Feature length documentary on the making of François Ozon's film Angel.
Mixing scenes of Douglas Sirk's All That Heaven Allows and Fassbinder's Ali: Fear Eats the Soul, François Ozon creates a new film about cinephilic contamination.
Edwardian England. A precocious girl from a poor background with aspirations to being a novelist finds herself swept to fame and fortune when her tasteless romances hit the best seller lists. Her life changes in unexpected ways when she encounters an aristocratic brother and sister, both of whom have cultural ambitions, and both of whom fall in love with her.
Bruno, a young Frenchman, is frustated by his girlfriend's constant lack of punctuality. He decides to end their relationship the next time she is again late.
Romain, 31, a gay photographer, learns that a malignancy may kill him within a few months. Decisions: treatment? work? how to tell his lover and his family. He remembers the sea and himself as a child. He stares in the mirror. He's cruel: facing death, he pushes people away - what's the point? He visits his grandmother to tell her; on the way, he chats briefly with a waitress. He looks at old photos, visits a childhood tree house. He takes pictures. Returning from his grandmother's, he stops for food and sees the waitress, Jany, again. She makes a request. He returns to an empty flat - his lover has left. Can Jany's proposition give him a way to move past self-pity?
As young French couple Gilles and Marion officially separate, we see, in reverse order, the milestone moments in their relationship: Gilles revealing his unfaithfulness at a tense dinner party; Marion giving birth to their premature son while Gilles is elsewhere; Gilles and Marion's joyous wedding; and, finally, the fateful moment when they meet as acquaintances at an Italian beach resort, and their love affair begins.
In the middle of this amusing thriller is a relationship between two different types of females, one is a well know British author and the other is a sex-crazed French teen. The two get into some relationship trouble while living together in this film of psychological imagery and an erotic exploration of the female body.
Three naked couples sleep, make love, and awake in an empty skyscraper littered with millennium party debris in one of four provocative shorts from France's most acclaimed young director, Francois Ozon.
When her husband goes missing at the beach, a female professor begins to mentally disintegrate as her denial of his disappearance becomes delusional.
The film is based on a German play by Rainer Werner Fassbinder, Tropfen auf heisse Steine. A 50-year-old business man Léopold arrives home with 20-year-old Franz, whom he has just met. Franz is not quite sure why he agreed to come home with Léopold as he is supposed to be meeting his fiancée Anna, but he accepts drinks from Léopold and they begin to get to know each other.
After a perverted impulse drives them to kill, Alice and her boyfriend, Luc, drag the body into the woods, only to find themselves hopelessly lost – much like the fairy-tale plight of Hansel and Gretel. Starving and with no hope of being found, they chance upon a dilapidated cottage where a hulking man takes them prisoner and proceeds to feed Luc's sexual appetite.
Seven brief scenes, each with a couple, explore the surprises and the changes of heart that can occur during sexual encounters. Only one of the seven couples has been in bed together before; several are strangers or new acquaintances. A prostitute and her john, an older woman and a youth who follows her home, two women friends, a gay man with a straight man, a man with distinctive ideas about soap and water, a woman who wants the light left on, and a Spanish-speaking woman with a French-speaking man make for an array of possibilities and unanticipated consequences.
The adventures of an upper-class suburban family abruptly confronted with the younger brother's discovery of his homosexuality, the elder sister's suicide attempt and sado-masochist tendencies, and the intrusion of a very free-spirited maid and her husband... And it all started with the arrival in the family of an innocent looking rat...
Sasha, a young British woman, is living with her baby daughter at Ile d'Yeu, a peaceful beach community. A stranger appears. Her name is Tatiana, she's passing through, and pitches her tent in Sasha's yard. The two women build an odd rapport, and tension builds as events unfold.
A Summer Dress opens with the straitlaced Frédéric criticizing the more flamboyant Sébastien for incessantly prancing around their cabin while blasting his favorite '60s pop singer, Sheila. Frédéric bikes to the beach to escape and meets an older woman named Lucia who, without much conversation, leads him to a secluded spot where they have sex. Frédéric notices an onlooker during their lovemaking; when he returns to the beach, his clothes have been stolen. With no choice but to wear Lucia's spare dress, Sébastien prepares himself for an odd confrontation with Frédéric.
Family ties. Paul is an artist, his current project is to take photos of the faces of men during orgasm. He lives with Martial, his lover. His sister Camille, who's running the family business, takes Paul to the hospital to see their father, who is dying. Paul hasn't seen him in six years, and all his life has believed his father thinks he's ugly and perhaps not even his child. There's no deathbed reconciliation, but subsequent exchanges of Paul with Martial and with Camille bring opportunities for growth and change to this temperamental and self-pitying young man.
Innocence gives way to experience. Two girls and two boys, probably about 14 or 15 years old, play a game of truth or dare. The questions and the challenges deal with sex; it's innocent and harmless, but at each turn, each youth tries to raise the ante. Then, Paul gives a dare to Rose, and the result brings on a sudden and complete silence.
An eccentric British woman picks up a young apprentice hairdresser on a wild night in Paris.
Portrait of Thomas, a young man of twenty years, through the testimonies of his relatives.
A fictional documentary on the representation of female genitalia in art - Director François Ozon
Two gay men at a seaside resort meet a straight woman. The young woman has an affair with one of them.
A young gay man is tested for AIDS. He won't use condoms; he prefers "skin against skin."
A gay man is diagnosed with AIDS. He puts a drop of his blood in his twin brother's glass... Inspired by Hervé Guibert.
A young woman wanders through Paris spending most of her time eating all the junk she can: in a fast-food, out of a tin can and so on. She steals some more food in a supermarket, meets a friend who gently carresses her belly in the street, then goes back home where she makes herself vomit in the toilets. She is then ready for the family dinner.
After a family dinner, the son poisons his mother, stabs his sister and chokes his father, then reunites the three of them on the living-room couch and takes a pictures of them, with him in the center, smiling, holding them still.
