François Périer
Bored with the limited and tedious nature of provincial life in 19th-century France, the fierce and sensual Emma Bovary finds herself in calamitous debt and purses scandalous sexual liaisons with absolute abandon. However, when her volatile lifestyle catches up to her, the lives of everyone around her are endangered.
To a non-French speaker, the word La Pagaille looks charming, elegant, even tidy. However, it means "a mess," and a mess is just what the happily divorced Martin gets into when he and his ex-wife Brigitte, the mother of his children, rekindle their long-dormant relationship and announce that they intend to move back in together. Not only do the children find this whole thing confusing, but the husband's and the wife's lovers are equally befuddled. Add to that the need for Martin to meet Brigitte's lover and vice-versa, and you have the beginnings of a mess. When it begins to seem to Brigitte's former lover that he has offended the Muslims with a book he translated and he is slated for death, the whole thing grows yet more complicated. In this comedy, this list only scratches the surface of the messes these people must confront.
On 9 January 1836, Pierre Lacenaire goes to the guillotine, a murderer and a thief. He gives Allard, a police inspector, his life story, written while awaiting execution. He also asks Allard to care for Hermine, a lass to whom he has been guardian for more than ten years. In flashbacks, from the prison as Lacenaire writes, from Allard's study as he and Hermine read, and from other readers' memory after the book is published, we see Lacenaire's childhood as he stands up to bullies, including priests, his youthful thieving, his first murder, his brief army career, his seduction of a princess, and his affair with Avril, a young man who dies beside him.
This film is made up several sketches in which certain actors play several real or fictional roles to a background of rock music. The lead character, played by Godard himself, is an annoyingly perfectionist film-maker determined to wring every last drop of the finest performance possible from his stars.
La Piovra is an acclaimed Italian Television drama miniseries about the Mafia. The story was by Sandro Petraglia. The production was designed by Luigi Perelli. The soundtrack was by Riz Ortolani and later by Ennio Morricone, who went on to compose music for several sequels. All 10 series have been released in Australia on DVD by Aztec International Entertainment, with English subtitles, having been originally aired on the Special Broadcasting Service television channel. It was also broadcast on MHz Networks in the United States. The first three series were shown in the UK on Channel 4. The TV drama was wildly successful in the USSR, where it appeared on state TV in 1986 and in Bulgaria, where is also appeared in the end of the 1980s bg:Октопод, offering to the viewers of both countries thrills and dark drama from beyond the Iron Curtain. La Piovra was also shown in 1987–1988 in communist Albania, where it became a huge hit and remains to date a cult film, whose characters and expressions have permeated culture, language and society.
A film of Chris Marker and the broadcasting(audiovisual) confederate Group - CFDT(FRENCH TRADE UNION)... For the centenarian of the law of 1884, which we agree to take for point of departure of the labor union, CFDT(FRENCH TRADE UNION) confided to Chris Marker the realisation of a film dedicated to hundred years of syndicalism in France. Chris Marker plans the question in the future and imagines a television news of 2084 for the anniversary of the second centenarian and three possible scenarios: the grey hypothesis, that of the "crisis", " a fearful society which hums and gives itself false safeties in the hope of a balance always questioned "; the black hypothesis, " a world where the technique took the place of the ideologies "; the blue hypothesis, finally, that of the dream and the imagination.
Orgon is a man of property duped by the false piety of the penniless Tartuffe. Orgon takes him into his house, believing him a paragon of virtue. Orgon orders his daughter to reject her fiancé and marry Tartuffe. First Dorine, the family servant, tries a strategy to avert the marriage; then Orgon's son tries his hand. They anger Orgon, and to prove paternal power, he disinherits his son and makes Tartuffe his heir. Next Orgon's wife tries to bring her husband insight, a stratagem that partially backfires. With the bailiff at the door ordering Orgon to vacate his own home and with Tartuffe at court to prove Orgon's a traitor, all seems lost.
Jacques Darnay has served 8 years for robbing a jeweller. Now he is out of prison and looking for his loot worth 6 million francs.
A gangster (Daniel Duval) incurs the wrath of the patriarch of a well-established crime family.
In response to a new friend's queries, Vera recounts the story of her life, beginning with marrying her no-good husband Cayre, who has been using her for some time as a kind of unpaid prostitute in order to keep his failing building business afloat.
French essay film focusing on global political turmoil in the 1960s and '70s, particularly the rise of the New Left in France and the development of socialist movements in Latin America.
Dr. Françoise Gailland has a hectic schedule, which causes her to have little time to spend with her family, which consists of her husband Gérard, her pregnant teenager daughter Élisabeth, and her sullen son Julien. However, she does manage to find the time to spend with her lover, Daniel Letessier. While her life in such disarray, she learns that she has cancer. Françoise tries to put a brave face on it, and is determined to face the life-threatening disease with courage.
A tough but honest cop must clear his name after a corrupt colleague implicates him in a murder in this French thriller. Ferrot is a hard-as-nails police detective who is attracted to a beautiful woman named Sylvia. Sylvia, however, is having an affair with Ganay, who happens to be Ferrot's superior on the force; Ganay happens to be married to Therese, who is handicapped. Sylvia is found murdered, and Ferrot is assigned to investigate; Ferrot is convinced that Ganay killed Sylvia because she wanted to end their relationship, but to his dismay, Ferrot discovers that the killer has placed a number of false clues that point the blame toward Ferrot.
Irresistible charm and talent helps Serge Alexandre alias Stavisky, small-time swindler, to make friends with even most influential members of French industrial and political elite during the early 30s. But nothing lasts forever and when his great scam involving hundreds millions of francs gets exposed result is an unprecedented scandal that almost caused a civil war.
This half-hour documentary focuses on Medvedkin and his CineTrain of the 1930s, a sort of mobile film workshop complete with post-production facilities, animation stations and a large laboratory. Traveling thousands of miles across the Russian countryside, the train stopped to have its film-makers document Ukranian harvest practices, steel production facilities in southern Russia and other industrial/agricultural matters. With each crew-member living in 1 sq. meter living quarters, all individuals on the train were responsible for various odd-jobs and other practical matters in addition to their own film-making concerns. - IMDb
Italy 1973. Giuseppe Tritoni (Ugo Tognazzi) is an ultra-right-wing congressman that doesn't agree anymore with his fascist party policy. He contacts many Italian Army officers and built a net of relationship in order to organize a Coup d'Etat (Golpe). Something goes wrong and the Interior Minister (Home Secretary) Mr. Li Masi (Lino Pugliesi) got the all information about the attempted Golpe. So the Minister organizes a counter-Golpe. Tritoni desperately, to save his project, kidnaps the Italian Republic President (Claude Dauphin) that immediately dies for heartache. Now Minister Mr. Li Masi is free to lay down the law to the rest of the country, realizing basically the actual Golpe! Tritoni surrenders and will spend rest of his time trying to sell his ideas about managing Golpe in Africa!
A youngish sales employee of a computer firm is blackmailed into helping a group of mysterious Bulgarian industrialists who have come to his office. A government contract is being sought for a businessman who is in danger of bankruptcy.
Sadiel, rebel leader in a North African state, takes refuge in Switzerland in the aftermath of a coup. Aware of the threat posed by Sadiel, the ruthless Colonel Kassar contacts the French security services to help in capturing the political activist. A police informer, Darien, is forced to lure Sadiel to Paris, allegedly to make a television coverage about the Third World. Arriving in Paris, Sadiel is captured and delivered to his opponents. Disgusted by the way he has been manipulated, Darien tries to turn back the clock, unknowing who’s dealing with.
A married man who killed the wife of his best friend during a tryst feels compelled to turn himself in.
Max is a Paris detective, aloof, independently wealthy, and frustrated by gangs of robbers whom he cannot catch. To re-establish his stature and save face, he decides to inveigle a group of petty thieves (led by an old acquaintance) to rob a bank. A reluctant captain provides Max intelligence and Max starts spending evenings with Lilly, a prostitute who's the girlfriend of the group's leader. He poses as a rich banker with money to burn and encourages Lilly to think about her future. He hints at a payroll that comes through his bank. The plot works, the petty thieves think they're ready for a big score, and the cops are in place. What could go wrong with Max's cold plan? Who's entrapped?
When French criminal Corey gets released from prison, he resolves to never return. He is quickly pulled back into the underworld, however, after a chance encounter with escaped murderer Vogel. Along with former policeman and current alcoholic Jansen, they plot an intricate jewel heist. All the while, quirky Police Commissioner Mattei, who was the one to lose custody of Vogel, is determined to find him.
Repression is the rule of the day in this film that skewers Greek governance of the 1960s. Z, a leftist rabble rouser, is killed in what appears to be a traffic accident. But given the political climate, the death of such a prominent activist raises troubling questions. Though it's too late to save Z's life, a postmortem examination suggests that the ruling party was behind his death. As the facts leak out, those who tell the truth pay the price for their honesty.
The harsh life of a troubled young man provides the basis of this grim French tragedy that begins when the fellow stops into a shop to buy a pack of the title cigarettes. There he meets a pretty shop girl with whom he falls in love and eventually marries. It was a foolish choice, for the two cannot get along and constantly fight. Things get worse when the husband resumes his criminal activities and gets caught. The two are about to divorce when the woman gets pregnant. The time comes for their baby to be born and while sitting in the waiting room, the husband reflects upon his past activities, which are revealed via flashback.
A French resistance group liberates some German prisoners. Turns out one of them is a spy.
In a career-defining performance, Alain Delon plays Jef Costello, a contract killer with samurai instincts. After carrying out a flawlessly planned hit, Jef finds himself caught between a persistent police investigator and a ruthless employer, and not even his armor of fedora and trench coat can protect him. An elegantly stylized masterpiece of cool by maverick director Jean‑Pierre Melville, Le samouraï is a razor-sharp cocktail of 1940s American gangster cinema and 1960s French pop culture—with a liberal dose of Japanese lone-warrior mythology.
In June 1940, during the Dunkirk evacuation of Allied troops to England, French sergeant Julien Maillat and his men debate whether to evacuate to Britain or stay and fight the German troops that are closing-in from all directions. - from IMDB
Professor Sinigaglia (Marcello Mastroianni) is the title character in this darkly comedic Italian drama about mistreated factory workers in the city of Turin. Toiling away in appalling conditions in a textile mill, these employees have no one to stand up for them until Sinigaglia puts his academic career on the line by helping them to start a strike. Although the teacher comes under scrutiny by unsympathetic authorities, he maintains his dedication to the workers' cause.
Certain that "the right man" is crucial to her escaping the confines of the Italian village where she lives, Pina (Sandra Milo) places an ad in the newspaper. She gets a response from Adolfo (Francois Perier), who agrees to travel from his residence in Rome to visit her. As flashbacks shed light on both their pasts, suspense builds about how they will relate to one another. Sharp, dark Italian comedy co-stars Mario Adorf, Gastone Moschin.
"Les petits matins" is a story of eighteen-year old Agathe (Agathe Aëms) with a firm independence of men even if she uses them to get to the côte d'azur. Along the way she meets a lot of people , mostly men. And the director does not spare the sterotypical image of early 60s middle aged male cliches to lampoon. But this is all very light stuff, nothing too intellectual. But it's often charming, and there's a bevy of well-known actors involved. Jean -Claude Brialy (the pompous, self absorbed male lead of Rohmer's "Claire's Knee"), Claude Rich, Lino Ventura, François Perrier, Pierre Brasseur, and the couple Bernard Blier & Arletty, who team up here for the first time since Marcel Carné's "Hôtel du Nord" (1938).
American actress Jean Seberg, stars as Claire, a wayward wife, in this routine sex comedy by director Philippe de Broca. Claire's husband is not especially exciting -- he is a button-down civil servant -- and so it is not unusual that she lapse into an affair with Antoine (Jean-Pierre Cassel). There is a serious problem with her choice of a lover, because Antoine happens to be the live-in, "significant other" of Claire's best friend Madeleine (Micheline Presle), a fashion designer. Claire's tangled love life gets worse when Antoine gives every indication he wants to marry her, get a job, and make himself legitimate for once.
Les amours de Paris focuses on three disparate couples and their problems in the arena of romantic love. One couple is comprised of a faithful husband and a sick wife whose stay in the hospital is not so bad because she has taken a sudden interest in her doctor. In the second pairing, a womanizer comes to see that the model who is in love with him is worth more than yet another conquest. And to complete the trio, two zany people finally realize they are a couple.
Outside time and reality, the experiences of a poet. The judgement of the young poet by Heurtebise and the Princess, the Gypsies, the palace of Pallas Athena, the spear of the Goddess which pierces the poet's heart, the temptation of the Sphinx, the flight of Oedipus and the final Assumption. This film is the third part of Cocteau's Orphic Trilogy, which consists of The Blood of a Poet (1930), Orpheus (1950) and Testament of Orpheus (1960).
The seven stages in the life of the modern Frenchwomen are disclosed by seven directors in a witty way: 1 - Childhood, 2 - Adolescence, 3 - Virginity, 4 - Marriage, 5 - Adultery, 6 - Divorce, 7 - The Single Woman.
Cora, the wife of a wealthy Parisian businessman, Daniel, is involved in an affair with Henri, an unscrupulous garage mechanic who has set his sights on Cora's fortune. Daniel becomes suspicious and hires a detective to investigate, but the detective is unsuccessful in pinpointing Cora's extramarital activities.
A group of fun-loving French soldiers manage to circumvent a band of cutthroat pirates and win the undying loyalty of a tribal potentate.
Rome, 1957. A woman, Cabiria, is robbed and left to drown by her boyfriend, Giorgio. Rescued, she resumes her life and tries her best to find happiness in a cynical world. Even when she thinks her struggles are over and she has found happiness and contentment, things may not be what they seem.
For Les étoiles ne meurent jamais, director/archivist Max De Vaucorbeil has assembled precious film clips of such Gallic greats as Louis Jouvet, Raimu, Harry Baur, Louis Salou and Marguerite Moreno. Francois Perier's narration links the various vignettes together. In its own way, Les Etoiles ne Maurent Jamais can be seen as a precursor to those now-ubiquitous "tributes" on such cable services as American Movie Classics and Turner Classic Movies.
Rendez-Vous a Melbourne is the official filmed record of the 1956 Olympic Games in Australia. At the time of its release, there was much controversy in the documentary-filmmaking world over the fact that the Aussies signed over exclusive distribution rights to a French firm, resulting in a boycott from other movie companies. None of this matters when the film is seen today: though not in the same league as Leni Reifenstahl's Olympiad, this 110-minute extravaganza is consistently entertaining. Fifteen cameras were utilized to lens every aspect of the event; it was then up to editors Jean Dudrumet and Monique Lacombe to burrow through miles and miles of film to cull the highlights seen herein. Portions of Rendez-Vous a Melbourne have since resurfaced in practically every Olympics documentary -- not to mention the many TV specials attending the now-biannual event.
Les Louves was also released as Demoniaque and She Wolves. By any name, it's a puzzler, at least until the final fast-paced scenes. Gervais (FranÁois Perier) escapes from a German concentration camp and assumes the identity of a recently deceased fellow prisoner. Knowing that the dead man has been carrying on a romance by correspondence with Helene (Micheline Presle), a woman whom he has never seen, Gervais makes the acquaintance of the woman and moves in with her. The woman's sister, Agnes (Jeanne Moreau), dabbles in the black arts, which should be warning enough for Gervais to make himself scarce. But he sticks around, intrigued that the dead man's sister, Julia (Madeleine Robinson), refuses to blow the whistle on him.
The holdup of the bank is a success. All happened according to plan. Now, Cyril Gad and his four accomplices must secure an alibi. What better place than a prison cell? As a result the five gangsters have themselves arrested on minor charges and start waiting until they are released. Unfortunately three of them die mysteriously, another one is openly murdered. The only man still alive, Tony, is scared. Easy to understand why...
Sylvie is a young cashier in a Montmartre café, "le bar des Philosophes", owned and run by Monsieur Marcel, a former safe cracker. One day, the pretty creature accepts to give a helping hand to two regulars, Francis and Josélito. But what the naive girl does not know is that the two men are gangsters and that they plan to steal 50 million francs deposited in the safe of Maître Roland Devert, a charming young notary. Actually things do not go according to plan all the more as a love story between the notary and Sylvie was not at all on the two gangsters' agenda.
One evening, professor André Barret sees the author of a murder in the darkness; cafe owner Cordelec is the victim. From then on, his suspicions fall on one of his students who had just arrived in his class, Bernard Cormiere.
In the south of France, in a vast plain region called the Camargue, lives White Mane, a magnificent stallion and the leader of a herd of wild horses too proud to let themselves be broken by humans. Only Folco, a young fisherman, manages to tame him. A strong friendship grows between the boy and the horse, as the two go looking for the freedom that the world of men won’t allow them.
At the Café des Poètes in Paris, a fight breaks out between the poet Orphée and a group of resentful upstarts. A rival poet, Cègeste, is killed, and a mysterious princess insists on taking Orpheus and the body away in her Rolls-Royce. Orphée soon finds himself in the underworld, where the Princess announces that she is, in fact, Death. Orpheus escapes in the car back to the land of the living, only to become obsessed with the car radio. This film is the central part of Cocteau's Orphic Trilogy, which consists of The Blood of a Poet (1930), Orpheus (1950) and Testament of Orpheus (1960).
As the title of this French documentary indicates, Ce Siecle a 50 Ans examines the 20th Century at its halfway point. Utilizing the archives of several European film reserves, director Denise Tua offers a fascinating mosaic of the people and events that shaped the years 1900 to 1950. Complementing the vintage film clips are three dramatized sketches, delineating the romantic customs of three different points in time. These sketches are inadequately performed, and can easily be ignored. Ce Siecle a 50 Ans both preserved and provided celluloid material for scores of future documentaries.
Return to Life (French: Retour à la vie) is a 1949 French drama film directed by Georges Lampin, André Cayatte, Henri-Georges Clouzot and Jean Dréville. It was entered into the 1949 Cannes Film Festival.
Marceline is pretty but inconstant. She has a brother, eccentric as well as invading, who serves as a go-between between the fickle young woman and her lovers. She has been the mistress of Richard for a while when Jeff, an engaging but but unrepentant dreamer, falls madly in love with her. Marceline first turns him down but finally accepts him after she breaks up with Richard. But the coquette has not given up her escapades to which the young florist, nicknamed "Jean de la Lune" for his naivety, turns a blind eye. Little time after their wedding , Marceline becomes infatuated with the good looks of a superficial young man, Alexandre. But Jeff, who has developed a fondness for Jean, intervenes to save the couple.
François, a young student at a provincial college, likes Colette, the daughter of the headmaster. Turlot his colleague, who commits suicide, left a diary where he writes of his relationship with Colette.
Emile is a French film producer at the beginning of the century. One of his friends leaves his daughter Lucette in his house, when he is starting a tour through France. Emile falls in love with her. Problems starts when his younger friend Jacques come back from military service and after complaining his misfortune with women, follows Emile's advice in starting affairs with women and he meets Lucette.
A teenager becomes fixated on the handsome suitor who died in a duel for her grandmother's love. On her sixteenth birthday, her uncle oversees three men who pretend to be the ghost of the suitor to entertain her - but little do they know, the ghost of the suitor himself is roaming the castle halls......
Daniel Gelin and Juliette Faber star as a blissfully happy honeymooning couple. They are so happy that they arouse the jealous attentions of Satan. The Dark Prince sends an emissary to beak up the romance, but his advocate is promptly challenged by a representative from "up above."
"A Lover's Return" - A ballet producer returns to his native town and schemes to avenge himself on the family who tried to murder him 20 years before.
A young mechanic is given a strange job: to convey the king of the gypsies' embalmed dead body on a very long route.
Bastien and Furet are a journalist and a photographer working together as a team on the newspaper 'L'Echo du Jour'. Just as they are about to go off on a weekend break with Micky, their boss's secretary, they are sent to a crime scene to report the murder of a Russian named 'le Moujik'.
A plucky businesswoman agrees to receive love letters to a prefect’s wife from a young official, and soon finds herself embroiled in a scandal that inflames a town’s class tensions.
Aged penniless actors are living in a old people's home. They always talk about their past glory or failures. One day Raphael Saint-Clair comes; he has been a famous actor and had a lot of love affairs. Passions come back, and jealousies... A bitter film about aging, failure and the entertainment.
The young Suzy is a nightclub hostess in a cabaret in which Frehel is the star. Because one night she gets propositions from a rich widower who would like to have her as his girlfriend, Suzy wishes to leave this place, where she has no future, for a better one. Abandoned by her protector, a young hoodlum named Robert, she gets the occasion to get away from it. She decides to go on vacation on the Riviera and stay at the Chateau des Cedres, the former residence of a noble family that has been transformed into a bourgeois guest house by the baroness Saint-Leu. Shy and elegant, in her modest suit, Suzy stays there under the name of Suzanne Michelet and soon makes new friends among the young people of very wealthy families.
A young couple, Renee and Pierre, take one night a room at the Hotel du Nord, in Paris, near the canal Saint-Martin. They want to die together, but having shot at Renee, Pierre lacked the courage to finish the job and fled. Another customer, Monsieur Edmond, a procurer, rescues her. When Renee goes out of the hospital, she is hired as a waitress at the hotel. Monsieur Edmond falls in love with her, but Renee is still thinking of Pierre...
