Frank Wedekind
The tale of teenagers growing up in an oppressed society, finding ways to fight back and discovering as individuals who they truly are.
William Kentridge's multi-layered production of Berg's masterpiece at the Metropolitan Opera stars charismatic soprano Marlis Petersen in the title role - the enigmatic and alluring woman who is equal parts femme fatale, innocent girl, and abused victim.
A performance of Alban Berg's opera recorded at the Schiller Theater in Berlin. The opera, dark and satirical in tone, charts the story of the rise and fall of a femme fatale, from life as a society hostess to prostitution and, eventually, a bloody death at the hands of Jack the Ripper.
A group of young girls are brought up in a college within dark forests and gloomy lakes. Young Hidalla and her friends Irene, Vera, Blanka, Melusine and Rain are brought up in an isolated world: the girls don't know anything about live outside the college's high walls. At the age of 16, some of them start asking questions about their origins, their parents and the true purposes of the Headmistresses strict rules. When two of them disappear mysteriously, the initial fairytale atmosphere grows more and more eerie...
Since its premiere on 2 June 1937 in Zurich, Alban Berg's second opera "Lulu" has the reputation of being surrounded by scandals. On the one hand, this is due to the dubious character of the subject, the man-eating femme fatale, which Berg had taken from Frank Wedekind's two Lulu tragedies – "The Earth Spirit" and "Pandora's Box" – and combined into one opera libretto. On the other hand, Berg's window had (for personal reasons) repeatedly refused to have the opera completed, which was unfinished when Berg died. This video is of the unfinished two-act torso of "Lulu."
At an unusual private school for girls, new students, including young Iris, show up in coffins. The establishment's teachers, Mademoiselle Eva and Mademoiselle Edith, introduce Iris and her fellow pupils to the school's curriculum, which includes fairy-like dances through a nearby forest. When night falls, the older girls, who are on the threshold of womanhood, are then given mysterious, life-changing lessons.
Alban Berg's black, satirical opera is one of the masterpieces of the 20th Century. It charts the rise and fall of a femme fatale "created to make trouble", from life as a society hostess to prostitution and eventual bloody death at the hands of Jack the Ripper. Berg's score is intensely beautiful, and the rich characterisation brilliantly executed.
This highly stylized, critically acclaimed film from the 70's mixes silent film cards, a soundscape, color, opera music and atmosphere to explore the Freudian truths about men's fear of women that Wedekind powerfully exposed. A kinetic melodrama of the rise of a femme-fatale and her fate at the hands of Jack-the-Ripper. Rethinking Pabst's silent film and Alban Berg's opera.
Evolves around the rooms of a house as one of the main characters, Lisiska, is waiting and is studied in depth as she prepares herself for a meeting. The film attempts to display sexual barriers and misconceptions, and about the role-playing and the confusion around the whole question of sexual and sensual involvement. The essence is the confrontation with self-deception, lies and the real fear of contact with both sexes.
Munich in the summer of 1899. In his insatiable greed for money, influence and enjoyment of life, the Marquis von Keith defies any moral law. Two women are obedient to him.
Lulu is a young woman so beautiful and alluring that few can resist her siren charms. The men drawn into her web include respectable newspaper publisher Dr. Ludwig Schön, his musical producer son Alwa, circus performer Rodrigo Quast and Lulu's seedy old friend, Schigolch. When Lulu's charms inevitably lead to tragedy, the downward spiral encompasses them all.
Moritz Stiefel faces expulsion due to poor marks. When he is caught with an essay titled “Shame and Lust”, he is indeed kicked out – instead of classmate Melchior Gabor, who actually penned it. Gabor was drawing on his experiences with neighbourhood girl Wendla. Then Wendla turns up pregnant. Stiefel descends into despair ... Exploitation between Eros and Thanatos in this “sexual tragedy of youth” based on Frank Wedekind’s play. Setting the film in the 1920s provided a chance to explore “modern” youth culture, complete with cigarettes, jazz music, the gramophone, and a goodly bit of alcohol. Richard Oswald, a master of films of manners and young sex beginning in the 1910s, fully explores the temptations of the youthful body, even early childhood flirtatiousness. At the same time, with his target audience in mind, the film laments the bigotry and double standards of the adult world.
Dr. Schön marries a lower class girl, Lulu. Young and voluptuous she attracts the attention of the all the male gender, but the doctor will not let her go.
King Nicolo through hit egoism and slackness has lost his fame and power is now deposed, completely alone and walks through his former empire, unrecognized, in constant fear of people whom are foreign to him.
The circus dancer Lulu is a thoroughly q liberal being. Although she loves her former savior, the clown Alfredo, she begins a relationship with the noble Henri von Reithofen. Henri kills himself ruined by the horrendous expenses for Lulu,.She however is fishing for the next rich patron, the much older Baron Waldheim. His son knows Lulu and warns his father that she will also hurt him. Waldheim succumbs to Lulus's insinuations and punishes his son.
A coming-of-age story set in 19th-century Germany and centered on a group of teens discovering their sexuality.
