Franz Hartwig

Berlin, 1943, during World War II. Martha Liebermann, an elderly upper-class Jewish woman, faces the decision of her life: should the widow of the world-famous and revered painter Max Liebermann continue to try to obtain an exit permit from the Nazis or, with the help of a resistance group, should she flee to Switzerland?

Shortly after the end of the Second World War: In 1945 and 1946, the men of the British "War Crimes Investigation Unit" drove through northern Germany on the hunt for Nazi criminals. One of them is Captain Anton Walter Freud, the grandson of Sigmund Freud, the founder of psychoanalysis. Anton Walter Freud fled to London with his family from the Nazis in 1938. Now an intelligence officer, he's back to track down killers on Allied wanted lists: hitmen in pinstripes, brutal SS henchmen, and ruthless doctors who conducted medical experiments even on children. The soldiers who witnessed the liberation of the Bergen-Belsen concentration camp months earlier are not squeamish about it. 24-year-old Freud is a free spirit known for his unorthodox methods. He knows how to make war criminals talk. So he comes across a crime that has hardly been known before, the murder of 20 children in Hamburg in the last days of the war.

When a gruesomely staged body is found, propped up on a mountain pass in the Alps close to the German-Austrian border, two detectives are sent to investigate. For German detective Ellie, this is the first real challenge of her career; her Austrian counterpart Gedeon though seems to have lost any ambitions in his job. Very soon, they discover more crime scenes with symbolically posed victims, reminiscent of pagan rituals. It all seems to be part of a bigger, sinister plan. Ellie finds herself under increasing pressure to understand the deranged killer's motives so she can stop him. The hunt leads them ever deeper in the dark valleys and archaic Alpine customs - and the paranoid world of the killer.

Starting from the year 1956, Brecht's year of death, the film looks back on the time of the First World War and the life Bertolt Brecht in a mixture of fiction and documentary.

While World War One is coming to an end, the Social Democrat Friedrich Ebert is trying to maintain political stability in Berlin. In the haughty Prince Max of Baden he finds an ally who offers him government participation under his chancellorship. In the meantime, discontent with the monarchy is steadily increasing in the last days of the war, but Emperor Wilhelm II remains steadfast in his throne.

What happens when an ambitious but unsuccessful actress in the middle of her life coaches a young, not a bit ambitious and equally unsuccessful pastor?

The sequel of the "Men in the city" movie which reunites all the characters.