Franz Seitz Junior
For fans of history, this glimpse of Munich society in the 1920s will be a much-treasured event. The story revolves around an art-gallery manager who puts on a show featuring the scandalous works of a woman artist who committed suicide. He is unjustly accused of having committed adultery with her, and for some reason the authorities decide to make an example of him. He is imprisoned at about the same time that Hitler and the nascent Nazi party attempt the infamous Beer Hall Putsch, and the gallery manager's girlfriend and a Swiss writer valiantly (and unsuccessfully) attempt to get better justice for him. Nobody in authority, it seems, has the courage to take up the challenge of righting this particular injustice.
Sometime during the 19th century in Switzerland: After a delirious night of drinking, three herdsmen who are all alone in the alps with their kettle, create a female doll from cloth and a strangely formed wooden root. When their creation comes to life in form of an evil and beautiful female demon, they have to fear for their lives...
Berlin Film Fest 1984. The best place for every cinema fan. Everyone wants to be in on the festival, but that may be really difficult, if one has no accreditation. Also Journalist Matthies gets to know the rules of being in or out when he wants to see a screening and is not welcome. Thus he watches an old German silent flick which he is barely interested in. The next day the newspapers are full of reports about a newly discovered German masterpiece from the silent era. It seems that Matthies had luck. He just saw *the* film everybody is talking about now. Also everybody is speculating about its director, who remains unknown. When Matthies talks to Ackrewa, an old befriended projectionist, about the film, the latter seems to recall the name of the director. Matthies decides to research the case. An odyssey into film-history begins and if it is successful Matthies will come up with a top story.
Bernhard „Big Mäc“ Maurer, Ex-Motorradfreak und gelangweilter Klavierlehrer, wird nach seiner Kündigung als Musiklehrer eines Münchner Gymnasiums von der Fachzeitschrift Motorrad zum „perfekten Motorradfahrer“ gewählt. Ihm wird eine Prämie von 50.000 Dollar versprochen, wenn er es schafft, einem japanischen Team in einer Abenteuerrallye von der Zugspitze zum Kilimandscharo zuvor zu kommen. Maurer sagt zu und wählt als zweiten Mann, den Techniker, seinen jungen Nachbarn Max aus. Max, für den es um einen Ausbildungsplatz geht, verletzt sich kurz vor Beginn der Rallye und muss aussetzen. Ohne Maurers Wissen übernimmt Max’ fast identisch aussehende Schwester Maxi die Rolle des Jungen.
Hans Castorp, fresh from university and about to become a civil engineer, comes to the Sanatorium Berghof in the Swiss Alps to visit his cousin Joachim, an army officer, who is recovering there from tuberculosis. Intending to remain at the Berghof for three weeks, Hans is gradually contaminated by the morbid atmosphere pervading the place. Wishing very much to be considered a patient like the others, he achieves his ends and stays in the sanatorium for ...seven years. During this time, he has enough time to take part in the furious philosophical debates pitting against each other Settembrini, a secular humanist, and Naphta, a totalitarian Jesuit. And to fall in love with the beautiful but enigmatic Clawdia Chauchat. When he is finally discharged in 1914 - along with all the other patients - it is only to plunge into the horrors of World War I.
A musician beds down a prostitute he knows is diseased in order to gain inspiration, an act he later believes to have been a tacit pact with Satan
Oskar is born in Germany in 1924 with an advanced intellect. Repulsed by the hypocrisy of adults and the irresponsibility of society, he refuses to grow older after his third birthday.
At the behest of his father, the young Karl Valentin is to complete a carpentry apprenticeship. When the father gets into a financial mess by a strict creditor, the boy works with growing success as a comedian to support his parents financiall
A boy who was once a perpetual outcast finds friends in a new boarding school, united with his new peers gets involved in a heated rivalry with a group of students from a neighboring school.
A German comedy from 1972 directed by Franz Josef Gottlieb. Mommsen Gymnasium director Taft reminisces about his own time as a student.
Pepe Nietnagel's father has a valuable stamp collection stolen in Amsterdam. Street musician Pit recovers it. To show his gratitude, Pit is invited to Baden Baden and enters the Mommsen Gymnasium. There, he joins Pepe in his pranks.
Principal Gottlieb Taft's twin brother Gotthold Taft partakes in the most recent prank by faking his death and promising a large inheritance to the Mommsen-Gymnasium and the principal. Of course, the inheritance is tied to many embarrassing conditions.
Mommsen Gymnasium director Taft secretly places his nephew as a spy with the difficult class of Pepe Nietnagel. During the celebration for the 100th anniversary, a simulated fire forces the school to shut down for a week. The director's attempt to get a tough teacher assigned by the department of education results in the exact opposite because of Nietnagel's intervention.
A new teacher, Dr. Dr. Bach, is transferred from his quiet village elementary school to the Mommsen Gymnasium, bringing along his nephew Jan. Bach's lackadaisical methods raise the suspicions of the other teachers.
Here's an interesting Italian/German co-production, full of subjects from 1968 protest, recalling the two infamous "bikini thrillers","Interrabang" and "Top sensation", in which three young beauties (Rosemarie Dexter, Doris Kunstmann and Laura Troschel), alluring their male friend (Bernard De Vries), embark on a journey in a luxury yacht around the coast of Yugoslavia, plenty of bedhopping, nudity and the usual hijinks occur before things take a sinister turn when they decide to lock themselves in a cabin and dose up on LSD
Pepe Notnagel (who inexplicably had his name changed from the first movie's Nietnagel) and his classmates scheme to get around doing any actual school work by cheating or sending their teachers to the sanatorium. A Swiss documentary film maker disguises himself as his brother in law, who got a position as an exchange teacher, to aid his project of making a movie about the current youth.
A drama dircted by Franz Josef Gottlieb. It was followed by "Every Night of the Week".
Pepe Nietnagel and his fellow students of the Mommsen school come up with all kinds of ideas to get out of doing any actual school work. This includes simulating suicides, setting off the air-raid sirens and abusing the school director's new broadcasting system. They succeed in sending their teacher to a sanatorium and get a replacement that turns out to not be so bad after all.
Five film directors were given the task of making short films based on titles of drawings by Paul Klee.
At an Austrian boys' boarding school in the early 1900s, shy, intelligent Törless observes the sadistic behavior of his fellow students, doing nothing to help a victimized classmate—until the torture goes too far. Adapted from Robert Musil's acclaimed novel, Young Törless launched the New German Cinema movement and garnered the 1966 Cannes Film Festival International Critics' Prize for first-time director Volker Schlöndorff.
The 13-year-old Ludwig is to have for every joke. At boarding school he cuts his stern teacher, Captain a. D. Semmelmaier, during the nap from the beard. The angry pedagogue then sends the spoiled flail back to his beloved Bavarian village. The long-suffering mother persuades the rector to resume her reforming boy at the Latin school. Everything seems to be working out for the better, but the upcoming marriage of his sister Ännchen with the Berlin beer brewer Karl Schultheiss presents Ludwig with new challenges.
This drama is taken from Thomas Mann's 1903 semi-autobiographical novel. Tonio (Jean Claude Brialy) is an aspiring writer and the son of a rigid aristocratic father and a music-loving mother. Wandering throughout Germany and Italy to "find himself," Tonio frequently remembers his childhood experiences in a series of flashbacks. The highlight of the film is the expert lensing by cinematographer Wolf Wirth. Erika Mann, the daughter of the late poet and author, collaborated with Ennio Flaiano on the screenplay.
His grandpa gives the orphan boy Robbie a foal that they call "little brother". The boy loves the animal and wants to train it as a racing horse - but then his grandpa dies. Robbie's sister isn't old enough to care for themselves, so they get a guardian who decides to sell all the horses. Robbie hides his "little brother" at a farm, but it's hard for him to come up with the rent regularly..
