Fritz Kortner
Based on extensive interviews, shot on 16mm in a series of static long takes, Filmemigration aus Nazideutschland, is one of the most fascinating examples of "Film history on film" ever produced. Straschek devoted years to researching the topic and accumulating both film and non-film materials. Apart from some radio features and articles, however, this 290-minute TV programme remains the only published trace of Straschek's lifelong work on the emigration of film personnel. He had intended to publish a three-volume book, encompassing all available data about 3,000 emigrants originating from the centre and peripheries of film production, but the book never materialised.
Just before wowing international critics and moviegoers with his adventure romp Fanfan la Tulipe, director Christian-Jaque dashed off the lampoonish Barbe-Bleue. Ostensibly the story of the famed wife-killing potentate Bluebeard (Pierre Brasseur), this lighthearted costumer begins as the title character is poised to march down the matrimonial aisle for the eighth time. Barbe-Bleue's newest spouse Aline (Cécile Aubry) is kept in line by her husband's claims of murdering her predecessors. But when Aline opens the famous locked door to the equally famous hidden room, both she and the audience are in for quite a surprise. The frivolous nature of Barbe-Bleue is underlined by its pleasing utilization of the French Gezacolor process.
The reporter Peter Zabel stumbles upon the sinking of the luxury yacht Orplid in Hamburg on August 14, 1949. The ship went down with a wedding party run by artists on a pleasure trip from Hamburg to Scotland . In spite of good weather and no technical problems. Out of personal curiosity, Zabel starts researching. Could the sinking of Orplid have political reasons? A German political thriller and film noir inspired by Carol Reed's "The Third Man".
Professor Mauthner, after many years of exile (having emigrated in 1933 to the USA), returns to Germany in 1948. He can in fact return to his teaching post, but the rejection and petty intrigues of his reactionary colleagues and students make his work almost unbearable.
In Hungary, a rich baron discovers that there are extensive oil deposits underneath nearby properties owned by villagers. He manages to convince all the property owners to sell to him, except for a few properties owned by Jewish families. Infuriated at their refusal to sell to him, he attempts, with the help of some corrupt local police, to have the men charged with the murder of a local woman, who in reality actually committed suicide.
Robert Ryan leads a group of Allied agents fighting an underground Nazi group in post-war Europe.
Mrs. Elizabeth Bright Murdock hires Marlowe to find an old rare coin, the Brasher Doubloon, that belonged in her deceased husband's collection. Marlowe begins investigating, but quickly finds himself entangled in a series of unexplained murders.
In this sequel to the original story, Monte Cristo count Edmund Dantes (Martin Kosleck) returns to Paris to get revenge but soon finds himself pursued by a cruel policeman (John Loder). The count's brave wife Haydée (Lenore Aubert) throws the cop off her husband's scent by dressing up as the masked avenger herself and proving that she too is most competent with a sword.
George Taylor returns from the WWII with amnesia. Back home in Los Angeles, he tries to track down his old identity, stumbling into a 3-year old murder case and a hunt for a missing $2 million.
An adventuresome young man goes off to find himself, and loses his socialite fiancée in the process. But when he returns 10 years later, she will stop at nothing to get him back, even though she is already married.
German expatriate Fritz Kortner plays the largest role, as an anti-Nazi schoolmaster who helps a downed American flyer (John Archer) reached Allied lines with vital war information. As usual, the Nazis are incredibly stupid and lead-footed, enabling the flyer to accomplish his mission.
A man who is a dead ringer for Adolf Hitler plans to murder him and take over his identity.
Third Reich documentary about the Jews intent on world domination and their role in cultural decay. Street scenes are shown, along with clips from Jewish cinema of the day and photos of Jewish celebrities, while the narrator explains the Jewish problem. The climax and resolution of the film is Hitler's 1939 announcement that the Jewish race will be forced off European ground should they achive their goal of turning the European people against one another again in the form of a second world war.
When a reporter is killed under mysterious circumstances, the political cartoonist on his paper begins to investigate on his own. He finds that a vengeful industrialist may be trying to manipulate an international peace conference to stage a bombing attack on London.
Set amid the turbulence of the Young Turk movement within the dying Ottoman Empire, Abdul the Damned was among the first films directed in Britain by Karl Grune, acclaimed director of 1923’s Die Strasse (The Street), who had fled Nazi Germany in 1933; the film also features starring roles for fellow German émigré and Pandora’s Box star Fritz Kortner, Scottish screen idol John Stuart, and Swedish silent-era heart-throb Nils Asther. Turkey, 1908: Sultan Abdul Hamid II becomes infatuated with Therese, a young Viennese opera singer and she is forced to give in to him to protect her fiancé, Young Turk Talak Pasha. Will the fervour of Talak’s popular opposition to the Sultan’s rule eventually lead to the monarch's downfall?
In 1915 during the First World War, a British secret agent is killed while stealing secret Turkish plans for the Gallipoli Campaign but manages to pass his information to an American journalist.
A girl becomes an unwilling witness in her parents' scandalous divorce case.
This pre-WW II German costume drama chronicles the French Revolution with a particular focus upon Danton, Robespierre, and Marat. It depicts the dramatic downfall and execution of Georges Danton in 1794 at the hands of Maximilien Robespierre. The film also presents an interesting, if not historically inaccurate, portrayal of Louis XVI.
Leopold Pichler (Pallenberg) is a very orderly and trustworthy chief cashier who is asked by his boss to get a large sum of money from the bank which the boss urgently needs on a trip to Vienna. Due to some circumstances, getting the money takes a little longer than expected and the director leaves for Vienna without it. But Pichler sees himself as a reliable man, and so he and his assistant Wittek (Rühmann) follow the director to Vienna with the money kept in a bag. In Vienna, the two provincials however are mistaken for guests of the director and spend an evening at a posh night club. But when it transpires that the director actually won't come to the night club that evening, Pichler and Wittek have to pay the bill with the money from the bank. And their subsequent attempts at reimbursing the money lead to situations of ever-increasing hilariousness...
Suspicion surrounds a lieutenant for killing his father; based on Dostoevsky's novel.
During lunch break at the movie studio, the extras rush to the canteen Hans Adalbert Schlettow, Maria Paudler and Luis Trenker are chatting. Eva von Loe a beautiful young extra rushes past; she is looking for her fiancé, Paul Wessel, who is also an extra. She has to return to the set where the famous director Regisseur Hall is shooting a scen. He is dissatisfied with his star, Carla Marventa, who is wrong for the scene he must photograph. Hall notices Eva, but laughs at her desire to replace Marventa. At that moment Conrad Veidt comes on the scene and assumes that Eva is the star.
After a chance meeting at a train station, Henry and Stascha, unhappy with their circumstances, are determined to leave and be together.
Originally named "The Clairvoyant" presenting the many talents of parapsychologist Elsbeth Günther-Geffers. First banned, later extensively reworked.
A young doctor gets stuck on a ship after treating an injured first mate. Later, he rescues a woman from plane wreckage, and with the help of the cook, he hides her away from the rowdy and dangerous crew.
Lulu is a young woman so beautiful and alluring that few can resist her siren charms. The men drawn into her web include respectable newspaper publisher Dr. Ludwig Schön, his musical producer son Alwa, circus performer Rodrigo Quast and Lulu's seedy old friend, Schigolch. When Lulu's charms inevitably lead to tragedy, the downward spiral encompasses them all.
"First Love" - Karsten, a college boy, oppressed to the point of suicide by harsh teachers, calls on the girl he loves Ellen. He finds her about to be raped by a seducer. Karsten shoots the attacker.
Mata Hari, die rote Tänzerin (English: Mata Hari: The Red Dancer), often shortened on release to Mata Hari, is a 1927 German silent drama film directed by Friedrich Feher and starring Magda Sonja, Wolfgang Zilzer and Fritz Kortner. It depicts the life and death of the German World War I spy Mata Hari. It was the first feature-length portrayal of Hari.
This film is held in the collections of Cinémathèque de Toulouse, Arhiva Nationala de Filme, Jugoslovenska Kinoteka, Filmarchiv Austria, and the CNC.
A world-famous pianist loses both hands in an accident. When new hands are grafted on, he is horrified to learn they once belonged to a murderer.
Deep in the forest lives the bitter Dr. Wislizenus, whose childhood sweetheart Maria committed suicide ten years ago. The visit of a childhood friend, he who wrote a poem about Mary, triggers a tragedy.
During a dinner given by a wealthy baron and his wife, attended by four of her suitors in a 19th century German manor, a shadow-player rescues the marriage by giving all the guests a vision what might happen tonight if the baron stays jealous and the suitors do not reduce their advances towards his beautiful wife. Or was it a vision?
The Maharaja of Odhapur goes on a trip to Europe and meet the young dancer Ellen Esmond. In her London accommodation, the Savoy Hotel, the Indian prince can prove to be a gallant gentleman and protect Ellen from an intrusive theatrical agent. The Maharaja asks the artist to entertain his guests the following evening with her dancing skills, including England's representatives in India. The maharaja is thrilled with both the person Ellen and her dance performances. His brother Bhima, who was always in the shadow of the Maharajah, drinks excessively and also is also magically attracted to Ellen Esmond.
A crippled mailman is in love with a maid who lives in the same building he does in one of the city's poor neighborhoods. She, however, is in love with a wealthy, handsome young man. Desperate to win her love, he begins to intercept love letters they send to each other and replaces them with his own messages, which each thinks is from the other. His plan seems to be succeeding, but then something happens that bring tragic results to them all.
Weltbrand is the first part of the two-part silent movie Christian Wahnschaffe.
The film depicts the marriage between the mad Charles VI of France and his wife Queen Isabeau.
The film traces the individual stages in the life of Ludwig van Beethoven.
