Fritz Odemar
Fatma has quite the talent for getting herself into trouble and escaping with her head intact. But when she's caught rifling through Caliph Omar's possessions, she finds herself in serious trouble. News of a theft makes the rounds and now the caliph's men are after her. Fortunately, she's able to find refuge with a sheikh, who isn't quite so thorough in checking his possessions. And it's thanks to him, that Fatma is able to get away with her newly acquired goods.
A screenwriter comes up with a story about an affair between a maid and her employer.
The day before chemist Dr. Hans Wynhold leaves for a six months business trip to Africa, he meets chemistry student Christa Weiden. They spend the evening together in St. Pauli and fall in love. She doesn't tell him that she'll start the next day at the chemistry laboratory he works at too, because he says he doesn't like women in "men's jobs". Only after his departure the next day Christa learns about Hans' reputation as a Don Juan. In fear that she'll lose him to another woman, she follows him... and starts a series of complications.
A circus film made as a deliberately escapist release at a time when the Second World War was starting to turn against Germany and its allies.
Marion Austerlitz is a stubborn person, much to the chagrin of her husband, Dr. Fritz Austerlitz. There's constantly some kind of excitement going on in their house: this time, Marion takes in a barking dog, much against the wishes of her husband; that time she's harrasses the old servant; then countless traffic tickets from the police come in the mail; or high bills for extravagant huts are delivered by the mailman. Finally, Fritz blows a fuse. In the presence of his friend, Professor Endres, and Marion's mother, a big fight breaks out between the couple.
It’s 1910 and we’re in the duchy of Lauffenburg. Everybody is celebrating the 600th birthday of the local hero, Otto the Ironman, who in his time saved the duchy from annexation and beat the enemy so badly, that he fled ... well, that’s what it says in the history books, at least. Local gossip asserts, however, that Otto wasn’t even part of the battle and was spending his time having fun with a pretty girl. When one day a piece is introduced at the court theatre, which tells the heroic story of Otto, the director rejects the mediocre story.
National-Socialist propaganda film that serves to memorialize one of the early representatives of colonialism: the German philologist Carl Peters. He is, at the end of the 1900′s, a noted advocate of the establishment of a German colony. Without support from Germany, he struggles on his own account against the English in East Africa. Later he is named Reichskommissar and promotes the expansion of a German colony. But Jewish and Social-Democrat opponents order him back to Germany and force him to resign.
On November 11, 1918, the last day of the First World War , Lieutenant Colonel Klaus Olden desperately tried to hold a lost post with his unit. The rescue appears in the form of pilot Jochen Wendler, who shows up with his plane and drops ammunition. When Jochen's machine is shot down immediately, Klaus manages to pull him out of the wreck at the last second. Both are injured and taken to the hospital , where they are cared for by the attractive nurse Barbara, a childhood friend of Jochen. The two men form a blood brotherhood and drive together with Barbara to East Prussia , where they want to visit relatives of Jochen on their estate . But the relatives' yard was destroyed in the war. The post-war period turns out to be an economic disaster.
When Dr Hartung (Fritz Odemar) hits Eva (Geraldine Katt) with his car, she decides to make him her "life's mission" and free him of his "unhappy marriage" which he never declares as such. In her way stands only her best friend Ursula (Hannelore Schroth) who happens to be Dr Hartung's daughter and is all but enthusiastic about her friend trying to seduce her father.
A composer finds commercial success but has to confront difficulties in his private life.
The daydreaming tailor Wenzel is fired from his job, because the fancy frock he was supposed to cut for the mayor, he instead made for himself. He is allowed, however, to take the frock, which he appropriated for himself and he puts it on as he leaves the shop. A puppeteer picks him up in his coach and addresses Wenzel as "Count". So is he received in Goldach, where people think he is Count Stroganoff, the ambassador to the Czar of Russia.
The setting is Lugano (Switzerland), where an apparently very important world conference takes place. The film tells the story of the young Kitty (Hannelore Schroth), who works as a manicurist at the Eden Hotel, and who in the course of events gets to know both a young journalist (Christian Gollong) and the English minister of economics (Fritz Odemar). A lot of wild mix-ups, comic situations, a love story and occasional singing ensue, and in the end most of the VIPs have gained their share of laughter… There’s also a great performance by Paul Hörbiger as the hotel porter. For a 1939 film made in Germany, “Kitty” is remarkably irreverent and satirical about politics.
The physician Dr. Deruga is suspected of having poisoned his wife out of greed. She died after naming Deruga, poor and in debt, the sole heir in her will. There are a lot of people willing to testify against him in court, including Marta, the dead woman's best friend. Only his niece Mingo believes him to be innocent and goes out on her own to prove it.
In a district of a small, German principality, things are going haywire. And this, even though Baron von Wehrhahn, who is loyal to the prince, does everything possible to make “his Highness” popular. The only problem is, he’s always using his zeal on the wrong crowd. He always seems to see free-thinkers or revolutionaries in the harmless of citizens; but the really bad ones get to go on their way unmolested! For example, the old woman Wolff: she steals everything that isn’t nailed down, while her husband pursues unhampered poaching.
Sherlock Holmes and Dr. Watson look into reports that a huge, vicious hound has killed Lord Charles Baskerville and that Lord Henry Baskerville is the next to be killed.
The story of the stormy relationship between King Friedrich Wilhelm and his son, who later became known as King Frederick the Great of Prussia.
Im weißen Rößl (English title: White Horse Inn or The White Horse Inn) is an operetta or musical comedy by Ralph Benatzky and Robert Stolz in collaboration with a number of other composers and writers, set in the picturesque Salzkammergut region of Upper Austria. It is about the head waiter of the White Horse Inn in St. Wolfgang who is desperately in love with the owner of the inn, a resolute young woman who at first only has eyes for one of her regular guests.
For three difficult orphans living by her aunt the former employee of the family searches a new premouth; he releases with it a result of tumultuous involvements. - Humble-entertaining mistake farce, completely fitted on Hans Moser.
Charley Wyckham and Jack Chesney pressure fellow student Fancourt Babberly to pose as Charley's Brazilian Aunt Donna Lucia. Their purpose is to have a chaperone for their amorous visits with Amy and Kitty, niece and ward of crusty Stephen Spettigue. Complications begin when Fancourt, in drag, becomes the love object of old Spettigue and Sir Francis Chesney.
Georg Alexander plays Douglas Mavis, the son of a rich English family who falls in love with a Berlin girl (Renate Müller) and marries her. However, he doesn't tell his family, and for a reason: the resolute head of the family (played by the inimitable Adele Sandrock) has other designs for her grandson. Further complications arise when the family lawyer (Adolf Wohlbrück) gets to know the Berlin lady without knowing who she is. And meanwhile, Mavis meets an alluring lady from a cabaret (Hilde Hildebrand).
An early short film by Douglas Sirk (Detlef Sierck) which takes a satirical look at dubious business practices during the Weimar Republic. It was banned under the title "Zwei Genies" but released as "Zwei Windhunde" after revisions were made.
Baron Franz von Naydek is constantly being mistaken for Prince Woronzeff, since both look identical. One day, Woronzeff decides that this similarity might come in handy. Since he is very ill and can no longer deal with the intrigues of his relatives, he begs his friend Naydek to play the role of prince for a while. Naydek agrees and everything seems to be going splendidly. Woronzeff’s ex-nag Diane sees through the game, however, but says nothing, since she’s fallen for Naydek. He, in turn, has the hots for Nadja, Woronzeff’s daughter, long thought lost and who has now reappeared. The prince’s relatives fear for their inheritance and so refuse to acknowledge Nadja’s existence. In the interim, Woronzeff dies. Now Naydek is obliged to play the role for a much longer time than he bargained for.
The story, set in Constantinople, of a young man who falls in love with a woman much older than he is, and her daughter falls in love with him also. An American critic was vastly impressed by the day-and-night locale shots, and wrote that the film-maker had discarded and soft-pedaled the soft and sentimental in favor of the realistic and logical.
Detective Hans Braumüller is trying to untange the conspiracy behind a bank robbery.
Aspiring singer Susanne takes over one night for her sick colleague, the slap-stick actor Viktor, at a small cabaret in Berlin where he works as a female impersonator. By chance, Susanne is then "discovered" by an agent, who thinks she′s really a man. She becomes famous and goes on tour to London. But when the local womanizer Robert catches on to her game, Viktor then has to jump in for Susanne as "Viktoria".
A taxi driver, (Piel), finds an odd contraption on the back seat that renders him invisible, but his friend steals the device to rob a bank. An inventive comedy.
Lilian Harvey plays Eva, a young girl taking some time in a health spa and spending her evenings in the town's vaudeville theatre enamoured by a heavily made-up clown called Quick. Quick takes a shine to her and tries to woo her without make-up and masquerading as the theatre's manager. Unable to resolve her feelings for Quick and the theatre manager, Eva is angered when she finally learns that they are one and the same.
A series of stupid coincidences causes the young Munich painter Paul to convert his uncle's castle into a hotel for four weeks. But he can't complain: business is good and he has plenty of guests. For exmple, there's Theo Muller with his revue troupe. For reasons of "sound", Muller calls himself "Miller", which, of course, causes more confusion. His daughter, the beautiful Evelyn, is confused with Mabel Miller, who has come to the hotel on a mission for her filthy rich father ... namely, to estimate the worth of the castle.
A dedicated editor, who is engaged to the daughter of a wealthy senator thrills her father with a lecture about convictions based on circumstantial evidence. When a corpse with a disfigured face is found in the house of the senator, evidence points to the editor. An entertaining thriller with a fairly intricate plot and some critical comments on the practice of the law. Based on the novel "Der geschlossene Ring" by Frank Arnau.
Based on the true story of a cobbler who bought a second-hand captain's uniform, assumed command of a troop of guardsmen, declared the town of Köpenick under military law, arrested the mayor and confiscated the town treasury.
In this German comedy, an enterprising American uncle comes from Chicago goes to the tiny town of Groditzkirchen to make a fortune on credit even though he only has $10 to his name. To do so, he enlists the aide of a bank clerk and begins posing as a millionaire.
A woman accompanies her husband to a party. Both leave with other partners.
In this classic German thriller, Hans Beckert, a serial killer who preys on children, becomes the focus of a massive Berlin police manhunt. Beckert's heinous crimes are so repellant and disruptive to city life that he is even targeted by others in the seedy underworld network. With both cops and criminals in pursuit, the murderer soon realizes that people are on his trail, sending him into a tense, panicked attempt to escape justice.
Wibbel the Tailor is a 1931 German comedy film directed by Paul Henckels and starring Henckels, Thea Grodyn and Wolfgang Zilzer. It is an adaptation of the 1913 play of the same title by Hans Müller-Schlösser.
This German crime drama was based on a true story. Willy Forst stars as a poverty-stricken Italian glazier who falls in love with French hotel maid Rosa Valletti. Struck by the girl's resemblance to Leonardo Da Vinci's Mona Lisa, Forst manages to steal the painting from the Louvre in hopes of impressing his sweetheart. But when the girl proves to be a fickle sort, the crestfallen hero confesses his crime and is carted off to jail. Unwilling to admit that he'd been led astray by a woman, Forst claims that he stole the Mona Lisa to restore it to his native Italy, and as a result is hailed as a national hero! Raub der Mona Lisa was distributed in the U.S. by RKO Radio, under the title The Theft of the Mona Lisa.
Das Lied ist Aus (The Song Is Ended) is a typical early-talkie German musical in every respect, save one. The story, concerning the lives and loves of show folk, ends unhappily -- and surprisingly so. The doleful denouement didn't seem to have much effect on the film's box-office appeal, since Das Lied ist Aus proved a major moneymaker.
Das Gestohlene Gesicht (The Stolen Face) is an old-fashioned detective yarn given credence by its talented cast. A set of peculiar circumstances force the heroine of the story to assume the identity of another woman. When a murder occurs, the wrong person is held responsible, and it is up to a methodical detective to separate fact from falsehood. Edith Edwards and Fridel Haerlin essay the female leads, doing what they can (and more) with the dialogue they're given.
An engaged woman discovers her fiancé has a four year old son. Pretending to take a cure she travels to the boy's foster-parents to make his acquaintance.
The young student Mary spends the beginning of her holiday with boat trips, visits to her wealthy groom, and gardening. In fast-paced, rhythmic cuts, Louise and Jakob Fleck draw their audience into a carefree, urban romantic comedy. With a single scene, however, it turns into a melodrama about sexual violence, shame and perpetrator-victim reversal.
Napoleon at Saint Helena (German: Napoleon auf Sankt Helena) is a 1929 German silent historical film directed by Lupu Pick and starring Werner Krauss, Hanna Ralph and Albert Bassermann. The film depicts the final years of Napoleon between 1815 and 1821 during his period of exile on the British Atlantic island of Saint Helena following his defeat at Waterloo.
Brigitte Helm stars as a woman neglected by her self-absorbed husband who begins to mix with a questionable crowd in a trendy nightclub. Her encounters eventually lead to disastrous results.
