Fritzi Haberlandt

Berlin, 1943, during World War II. Martha Liebermann, an elderly upper-class Jewish woman, faces the decision of her life: should the widow of the world-famous and revered painter Max Liebermann continue to try to obtain an exit permit from the Nazis or, with the help of a resistance group, should she flee to Switzerland?

Timm Thyler is poor, but he laughs a lot and he looks so charming. One day, the world’s richest man makes the boy a dubious offer: if Timm agrees to sell him his laugh, he’ll win every bet he ever makes in the future.

A Roma boy is placed in a mental hospital and experiences the Nazi euthanasia program. Aware of what was happening and attached to friends, the lad attempts to sabotage the program. The film addresses the complexities of the program director, the lives of the child victims, and the struggles of the child protagonist. More than five thousand children died in the Nazi euthanasia program.

Uli and Nora share an intimate, late love. But Uli always avoids the decision to stand on the common relationship. One morning Uli suffers a stroke during a tour of the harbor on the Elbe. He fights his way through the city to the reading room of the library where Nora works. At the last minute, an ambulance takes Uli to the hospital. In this situation, Nora is overwhelmed. When, on the initiative of her friend Eva, she fetches a few things for Uli from his apartment, a cell phone rings. At the other end there is an unknown female voice that sounds strangely familiar ...

Fifteen-year-old Maren wants to get away – far away. Aside from all the boys thinking she’s frigid, her recently love-struck mother is driving her round the twist. But she also has a father who she hasn’t seen for years. When Maren decides to get in touch with him, her mother finally spills the beans: He now goes by the name of Sophia and lives as a woman – just what she needs! Irrespective of her vexation, Maren risks a meeting and finds in Sophia a person just as hormonal and puerile as herself – a person who would actually prefer to be her best friend, at best even her mother. Can Maren accept that this life makes her father happy? TRANSPAPA is a compassionate and funny story of gender role-breaking, tolerance and the search for identity.

Throughout her life Marga has shown little feeling for her daughter Sofia. But now she reveals fear, wounds and a deep longing for her long-deceased husband Juris. She becomes increasingly lost in her forgetfulness and suddenly demands, like a child, gentleness. It’s an uncomfortable situation for Sofia who must now take care of her mother. Sofia’s growing realization that Marga’s past also affects her own gives Sofia impetus to make a sudden journey with her mother to Riga. This is where Marga grew up and where she married Juris. But the more Sofia learns about her mothers, the less clear it becomes who she herself is.

Udo is invisible - no one ever seems to notice him. He makes the most of it, working as a department store detective and living off other people's lives as they never notice him tagging along. Until he meets the one woman who sees him.

In his film "Berlin-Stettin", well-known documentary film director Volker Koepp embarks on a journey to the places of his own past: Born in 1944 in Stettin (now the Polish city of Szczecin) and grown up in Berlin-Karlshorst, Koepp has again and again met people and found places located between the two cities that he turned into the protagonists of his films – in Brandenburg, in Mecklenburg, and in Pomerania. Now, he once again returns to these places and finds out that his own biography overlaps with the biographies of his found again protagonists as well as with the history of this region. During his search for traces, Koepp at the same time finds new people, new regions, and new themes that are also worth becoming a part of Koepp′s narration.

Der Mond und andere Liebhaber narrates the story of Hanna, a woman who will not take lifes set-backs and knock-downs sitting down. Instead, she takes them in her stride, picks herself up and marches onward. This is a woman who continually draws new courage from her inexhaustible will to live. Whatever losses and uncertainties come her way, she remains true to herself.

Die zehnjährige Emma freut sich auf die Ferien bei Oma Dolly auf dem Land. Nach ihrer Ankunft muss sie jedoch erfahren, dass der alte Herr Klipperbusch gestorben ist und sein schmieriger Neffe Albert Gansmann, genannt „Der Alligator“, alles versucht, um an sein großes Erbe zu gelangen. Das alte Pferd Mississippi ist Teil seines Nachlasses, das er an den Schlachter Pit loszuwerden versucht, wovon ihn Emma nur durch ein höheres Gebot abhalten kann. Kurze Zeit später taucht Gansmann wieder auf und will Mississippi für 500 Euro zurückhaben. Sofort ist klar, dass dafür niemals reine Pferdeliebe der Grund sein kann. Nachdem Emma und ihre Freunde schließlich Albert Gansmanns Geheimnis aufgedeckt haben, schreckt dieser nicht einmal vor einer Entführung zurück.

Something terrible is about to happen in a small town in Germany. Nobody knows the reason why, except one person: Rico Bartsch. The 15-year old grammar school pupil, an absolute outsider, is in love with the most beautiful girl at his school. What in the beginning is a longing that can never be fulfilled will come true at the end of the story. Beautiful Regine will beg for Rico’s love. Until then several inhabitants of the town will die an unnatural death...

The film tells the story of the East Prussian landscape and its inhabitants. At one time Germans, Poles, Lithuanians and Jews lived here alongside and with one another. After World War II and the expulsion of Germans by Stalin, the Prussian province turned into a Russian enclave. Volker Koepp’s fourth film about the Kaliningrad region is dedicated to the generation, born in the '90s, and familiar with the Soviet Union and East Prussia only from school books. Parents and grandparents who were forcefully resettled to where they are now have never really felt at home. In the meantime they have hopelessly succumbed to unemployment and alcohol. Their children can only rely on themselves. Older siblings look after the younger ones, they play with what lies around, and the girl Ljuda can’t wait to finally turn eighteen, to be able to take her brothers home from the orphanage. The film has much confidence in the children. But what will become of them?

Episodes about different stages of relationships: from flirtation to falling out of love.

It all starts with a bang. The car breaks through the crash barrier and falls off the bridge. The lights go out. After that, he is not able to see anymore. His optic nerve is severed, from now on the young stage-director Jakob is blind. His life will change and nothing will ever be the same. Jakob cannot handle the idea of never being able to see again and screams at the only woman who is able and willing to help him, Lily. A rehabilitation teacher, she helps the blind deal with the darkness. Lily has been living with it since birth, she too is blind.

18-year-old school boy Helmut falls in love with fellow pupil Britta. He starts working for a Peace movement to get to know Britta. Britta, however, suddenly moves to San Francisco to live with her father and whilst there, finds a new boyfriend. Helmut studies, literature and politics in his home town and have a relationship with another girl from his former school, now studying medicine at the same university but they break up after having an affair with her roommate. Helmut begins a lot of short affairs with different women but still searches for his first girl.

Love story spanning 60 years of the lives of Charlotte and Hugo. As a teenager before the war she is in love with him, but he marries her sister. They share some brief happy moments during the difficult post-war period, then they are separated for the longest time. They meet again as 80-year olds.