Fumio Watanabe
Set in Aizuwakamatsu, where resort development is progressing, the sixth installment of the gangster action series that depicts the battle between the eastern and western gangsters aiming for national domination.
Two people who lead Japan to "Sanctuary". Hojo aims to unite the Yakuza organization in the Kanto region, and Asami to create a faction "Rifukakai," aiming to destroy Isaoka's system of the ruling Democratic Party. Meanwhile, the connection between Hojo and Asami is revealed.
A man is confined to a mental institution after trying to murder his fiancee. Two doctors relate his problem to an Asian philosophy that states that mental defects are transmitted from generation to generation. He learns that one of his distant ancestors murdered his wife as a way of demonstrating a point to his lord about the importance of love over the emptiness of lust and to drive home the point further, created a series of illustrations of the dead woman decaying which in turn trigger the memories of his distant descendant. But is the whole thing merely a game concocted by the two doctors, who may even have driven themselves mad?
A man and a little girl meet in a bicycle parking in Tokyo. The little girl says she wants to watch the sea, and their travel begins. The man has no conscience of being a kidnapper. He asks the girl to phone her mother and tell her she’s with him. During their trip they will meet various people. But they always have to go further, or the man would to get arrested...
In the middle of the 16th century, Hideyoshi, a power hungry warlord sets out to destroy the Momochi clan. He sends his war commander in search of the clan's hidden gold only to find that two daggers are the key to the hiding place of the treasured gold. Spanning decades, the quest for the missing daggers takes Shiranui through war and ancient tradition.
The three-film saga comes to a conclusion as three leaders of the underworld battle it out to determine who will become Don of Japan.
Terrorists hijack an oil tanker and threaten to blow it up unless Japan meets their demands.
One of the Japanese Shinkansen “Bullet Trains” is threatened with a bomb that will explode automatically if the train slows below 80 km/h, unless a ransom is paid. Police race to find the bombers and to learn how to defuse the bomb.
Kumi Taguchi is a model who leaves her boxer boyfriend after he sustains an injury. She meets and quickly marries Hideo, the heir to a corporate empire. Hideo's father, Takehiko, lusts after Kumi. Takehiko sends his son away, ostensibly on a business trip, but actually so that he can be murdered by Takehiko's henchmen. Takehiko seduces Kumi, but is frustrated when she refuses to perform oral sex on him. Angered, Takehiko forces Kumi to undergo surgery in which her clitoris is transferred to her throat, thereby requiring that she engage in oral sex in order to have an orgasm. Hideo, the supposedly murdered son, returns having paid off his assassins. Hideo shoots and kills his father, but Kumi grabs the gun and kills Hideo so that she can inherit the family's fortune
Akiyama is an intern, disgusted with the noise pollution caused by the bullet trains and the heart attacks that noise has been causing in older hospital patients, plots to disrupt and, in ten days, destroy a unit of the operation. He warns the Japan National Railway, that, if nothing is done to reduce the noise, he will derail a bullet train. Takigawa is the police detective sent to stop him.
With a Kansai syndicate vying for Tokyo, one man reunites with his roguish half-brother in the midst of negotiations, when all hell breaks loose.
A movie in which drug G-men play an important role in a big city where prostitution and drug organizations intervene. The Ministry of Health and Welfare's Narcotics Control Headquarters, which emphasizes the reality of the dark prostitution route in the city, which is said to be a hotbed of evil, sends in one talented G-men, Shiro Muraki. The drug G-Men, who succeeded in infiltrating alone, roams Turkey, cabaret, bars, etc., catches information that leads to the dismantling of the organization, and with the support of the city authorities, dares to challenge the organization.
Terry is a tough mercenary and a master of martial arts. When an important business magnate dies, leaving billions to his daughter, the Mafia and Yakuza try to hire Terry to kidnap the daughter. When they refuse to meet his exorbitant price, then try to kill him to conceal their secret plans, he promptly offers his services to protect her. Much ultra-violent martial-arts fighting action, as expected, ensues. This also includes a subplot of a family's blood-feud with Terry over a disputed debt.
Using a lesser mobster as bait, one government agent infiltrates a narcotics-smuggling gang to try to capture the boss. But his survival has a price.
When 150 guns are stolen from Iwakuni base and two police officers are shot dead, a detective criminal tries to find out the truth.
Set loose in a postwar world with no rules, an ex-juvenile delinquent begins building the most powerful gang in Tokyo's glittering Shibuya ward.
Upon his release from prison, Masa (Bunta Sugawara) is disappointed to not be picked up by his brother Katsu (Tamio Kawaji). After hitching a ride on a bus full of old women, Masa finds out that Katsu tried to fake a car accident and get some money for Masa to live on after prison. Together, the two decide to blackmail the woman (Yoko Horikoshi) who hit Katsu, who happens to be the daughter of a rich company president (Seizaburo Kawazu). 6th film in a series of 8.
Matsu, known to the prisoners as Scorpion, is locked away in the bowels of the prison as revenge for disrupting the smooth operation of the prison and for her disfiguring attack on the warden. Granted a one day reprieve due to the visit of a dignitary, she takes advantage and attacks the warden again. This leads to more brutal punishment and humiliation. But the punishment gives her an oppurtunity to escape along with six other female prisoners. Their surreal flight from prison pits the convicts against the guards, the warden and each other.
Hiroshi (Tatsuo Umemiya) has the biggest penis in all of Japan and everyone who touches (or is touched by) it, is blessed by good fortune. After buying his sister a washing machine for her wedding, he travels to Tokyo, where he must help his friend Masa out of a half-million yen debt. Among other hijinks, he becomes a penis god in the process.
Fujiko wanders aimlessly through the country, seeking vengence on the man she onced loved, who betrayed her, and destroying her family and her life. When she discovers that man had already died, she loses her will to live. But in a twist of fate, she meets Tatsumi, a raising star in the Horikawa Family. She quickly falls in love with him and his yakuza lifstyle. But when Tatsumi is chosen to but the next Boss of the family, his jealous sworn brother Morito kills him with the help of a mysterious man behind the scenes. Now Fujiko becomes a Bakuto, a wandering yakuza gambler, and once again, walks the bloody path of vengence...
In the gaudy world of 1930s Shinjuku, a violent youth known as Bakudan Match tangles explosively with prostitutes, politicians and the police.
The great Bunta stars as a gangster who is sent to jail for the sake of his gang, but when he’s released he finds everything completely changed and his gang has swept him aside for being too violent. He tries to start a new life with his two ”brothers” but can’t seem to escape old affiliations
Kiyohime, a daughter of Tokugawa Ienari is married-off to Tadateru Ogura, the lord of a Kyushu clan. However, the lord's sexual inexperience and Kiyohime's strict morals lead to significant crisis in their marriage. To improve his sexual prowess, the lord is introduced to Sandra, a French woman held captive by usurer-smuggler Hatakaya. This results in the lord's choosing Sandra as his mistress. Kiyohime's attendants see this move as an insult and have Sandra beaten and imprisoned. Nevertheless, Sandra escapes with the help of Morita, a retainer of the lord. Out of bitterness and as some sort of revenge, the lord imposes a sex ban on his subjects.
Undercover cop Kikuchi teams up with the Okinawa local police to clean up the narcotics and prostitution underworld.
After being cruelly set up by a crooked detective named Sugimi (Isao Natsuyagi), whom she loved, Nami Matsushima (aka Matsu the Scorpion) (Meiko Kaji) is sentenced to do hard time in a women's prison, which is run by sadistic and horny male guards. There are 700 other prisoners, making Matsu number 701. Her crime was making a failed attempt to stab Sugimi on the steps of the Tokyo Metropolitan Police Headquarters because he used her to win favor with the Yakuza. While in prison she meets inmates like Yuki Kida (Yayoi Watanabe) who was committed for fraud and theft, Otsuka (Akemi Negishi), jailed for burglary and extortion, and Katagiri (Rie Yokoyama) who has been impounded for arson and illegally disposing of a body.
In this first film of the Lone Wolf and Cub series, adapted from the manga by Kazuo Koike, we are told the story of the Lone Wolf and Cub's origin. Ogami Itto, the official Shogunate executioner, has been framed for disloyalty to the Shogunate by the Yagyu clan, against whom he now is waging a one-man war, along with his infant son, Daigoro.
President of the territorial yakuza organization is being manipulated by a crooked leader in the military and some capitalists Ishikiri. The plan is to get multiple family of the organized crime groups based in Osaka to war it out and order the Shima to the Onishi group of the branch to expand the territory. Now members of the same yakuza gang are forced to fight each other over territory and honor.
Young coal miner Takeda leaves Kyushu in search of a better job in Tokyo, only to fall into the lucrative yet dangerous life of a yakuza.
Oshima’s magisterial epic, centering on the ambivalent surviving heir of the Sakurada clan, uses ritual and the microcosm of the traditional family to trace the rise and fall of militaristic Japan across several decades.
A young woman, an experienced gambler, enters a nunnery to atone for some of her father's crimes. When the nunnery runs into debt, she resorts to gambling and challenges the racketeer threatening to sell the place to a game.
Several high-school friends spend their final summer together indulging in sex and leisure; their halcyon days are soon coming to an end.
As the Killer Priest Shinkai travels around Japan during the Meiji era, he comes to the aid of a village headman fighting corruption from up above. Before he can do anything for the townspeople, he must first face his nemesis, Whipmaster, the blind Priest, a master killer thirsting for revenge.
Violent Gang Re-Arms is a rousing tale of friction in yakuza and labor interactions with Koji Tsurata as a yakuza supervising a dockworker's union. He finds himself between a rock and a hard place, at odds with both the dockworkers' leader (Tomisaburo Wakayama) and sadistic, unprincipled bosses (Fumio Watanabe and Tetsuro Tamba).
A disgraced yakuza member, framed for the murder of his boss, emerges from prison eight years later with revenge on his mind.
Terajima, an ex-yakuza and current nightclub owner, is brought back into the world of crime when his former brother attempts a hostile take over.
Murase is a bodyguard of yakuza group. Ochiai is a police officer who once was a student activist. When they meet, they are surprised how identical they look.
An outlaw pushes the residents of Edo's red light district to rebel against a growing number of stifling, moralistic laws.
It takes place in the sunset days of the yakuza in the 1970s. The postwar turmoil that created the black market and lubricated illegal business opportunities was giving way to Japan Inc. A young Bunta Sugawara takes over as the oyabun of a crime syndicate in Yokohama, where he is struggling to keep operations at the port there alive. As his syndicate is eroding quickly, a major heavy industries company offers his gang the chance to chase some vagrants out of a shantytown where they are squatting on land where a factory is to be built. The job would secure steady profits for Bunta's crime ring for years to come. However, Bunta and other members of his outfit grew up in the shanty, and they would be muscling their friends and neighbors. This sets the stage for an internal struggle that complicates the violent struggle with a rival mafia organization in Tokyo.
An undercover cop insinuates himself into a yakuza family. Managing to avert an assassination attack on the boss he is assigned to kill a rival boss.
This is the sixth film in the series. There were seventeen Wolves of the City films between 1968 & 1974, in the main aimed at shock-value & “pinku” soft-core with sex, nudity, violence, gunplay, & a lot of mainly pointless foolishness when the biker gang coopts racist or nazi imagery, inventing a non-existent youth culture void of morality…
Michio Yamada, a recent school graduate, is sent to Tokyo to work as a fruit-packer in a department store as part of a government programme. He takes a gun from a house on an American base and uses it to kill several people. The scene changes to Yamada's childhood. Yamada is born the child of a reprobate and a weak-willed woman. As a boy Yamada, experiences poverty and the rape of his sister at first hand.
Fresh out of jail, a smart-mouth wise guy Goro takes the name “Big Brother Katsumata.” Not fitting in well with established gangs, he forms a rag-tag gang called “the Shinjuku Brothers.” The members of their gang are thugs who only wish they were traditional yakuza. When they turn up at the funeral for a gangster, they are not welcomed, but a senior boss intervenes to keep things calm. The boss of bosses invites them to join a respected local council of warlords. Katsumata is suspicious of why such powerful men would extend an invitation to lowlife like himself.
An honorable yakuza syndicate deeply rooted in Kyoto fights for survival when a new breed of gangsters threaten their very existence.
An Osaka gangster Shimamura just got married. His new bride, Mineko is also involved in drug trafficking. When she goes to China to make a deal, things get botched pretty badly. Shimamura must travel to save her and recoup his employers’ losses.
Back after four years, Goro learns his younger brother's been thrown out of the gang and his girlfriend's married another man. It's payback time.
A family of four lives off of scams in which they pretend to be injured by automobiles. After suffering an injury during the war, the father believes he is an invalid. He and his wife have a 10-year-old boy and another, younger boy. The adults pretend to be injured by autos in crowded traffic, blackmailing the fearful motorists with threats to call in the police.
This is the story of a bookstore thief named Birdy, who is led through various adventures in Tokyo's Shinjuku district by salesgirl Umeko.
A film about the construction of the Kasumigaseki Building, the first high-rise building in Japan.
After the war, Kijima (Bunta Sugawara) returns to Tokyo where he meets Ôba (Noboru Andô), an Ex-Kamikaze pilot, and the two ruffians gather hooligans to join their group. In Ginza, the Togawa gang have taken over Sakurada's territory. After several fights Kijima and Ôba gain control of the territory by chasing out the notorious Togawa Group in the name of Sakurada. But Kijima is arrested for assaulting an American soldier. A few years pass. Kijima has served his prison term and the sears of war have been erased from Ginza. Ôba is now president of a company specializing in collection of bad debts, cheque frauds and everything that means money. People call their organization the “Private Police,” and Kijima begins to work for Ôba. Now the Takegami gang waits a chance to seize the Ginza territory.
Three students spend their holidays at the seaside where they are mistaken for Koreans, a minority which is looked down on in Japan. The action develops into a crime story.
The titular "tarantula" is a murderous woman who, along with the brother who is in love with her, kill without warrant because they are wealthy & above the law. Kyoshiro the homeless masterless wandering samurai has nothing to lose, & no scruples anyway, so can reproach even the powerful with ease. He is thus, for all that he has broad streaks of villainy all his own, a champion of the people by default.
A Korean man is sentenced to death in Japan but survives his execution, sending the authorities into a panic about what to do next.
A young magistrate recalls three tales of heinous crimes committed by women, and the brutal punishments that ensued.
The story of men devoted to the yakuza lifestyle and their struggles during a time of fading yakuza power.
Goro Fujikawa (Tetsuya Watari) was indebted to Mitsugimoto. Sawada, a low rank yakuza with a gambling problem owed Mitsugimoto three million yen. This equation can only lead to one answer. Mitsugimoto needs to pay and Goro's coming to collect.
Coal miner Isamu Oba is forced to quit his village and leave his mother and siblings behind. Mining buddy Ichiro accompanies him to Tokyo, and the pair enjoy several "fish-out-of-water" sequences before finding employment at a boxing gym with trainer Sawada and his spunky sister Tomoko. The boys also find part time night jobs as roving minstrels in the club district courtesy of benevolent gang boss Asakawa. Of course, they run afoul of boss Karasawa's cruel gang. Karasawa also has it in for Asakawa, and this indirectly throws a spanner into the works as far as Isamu's burgeoning success as a kickboxer. When Asakawa 's HQ is burned to the ground by Karasawa's men, Asakawa tries to kill Karasawa - which, of course, leads to his own gruesome death. Isamu goes on the rampage with his sword, wiping out Karasawa and men.
The first in what would become Toei's most successful, longest-running bosozoku film series. It lasted from 1968 till 1972 through sixteen films.
The first film in the 2 part series about Ryuzen, a renegade martial-arts priest who, in addition to breaking all the commandments against sex and gambling, opens his own gambling den in direct defiance of the local yakuza boss. Exciting action and a twisty plot this movie breaks new barriers in Japanese cinema. Katsu Shintaro is superb in one of his better non-Zato Ichi roles as he fights off the advances of a love-lorn woman and risks his life to defeat the powerful gambling boss who has a stranglehold on the town.
Jiro, a smooth-talking, womanizing bartender, flees from a Yakuza boss to Yanagase.
Following the journey of a caterpillar along the Japanese islands from Nagasaki to Hokkaido, this allegorical and oblique first feature film by Kuroki depicts in exquisite images a series of encounters and life's turning points.
Hakuchu no Torima is the portrayal of a violent rapist as seen through the recollections of his wife and one of his victims. As the film starts, Eisuke (Kei Sato) encounters Shino (Saeda Kawaguchi), who works as a maid in a house. She is a former coworker from a failed collective farm, whose life he once saved -- only to rape her. Soon, Eisuke's criminal pattern of rapes and murders emerges as he goes on assaulting women (Shino being the witness of one of them, as Eisuke tries to violate her employer). When cooperating with the police on making a description of the rapist, Shino withholds her crucial knowledge of his identity. She prefers writing letters to Eisuke's dutiful wife, Matsuko, a schoolteacher (Akiko Koyama -- Mrs Oshima), in order to expose his true nature and perhaps induce her into turning Eisuke over to the police.
Onna no Toba, is the first film in long-running series Daiei Studio's Woman Gambler with Kyoko Enami starring where she plays the woman gambler Ogin. The series gets cited on lists of action yakuza films or woman avenger films, but once the films are actually viewed, it is quickly obvious they are not generally about action except in the nominal sense of acts of gambling. And while Ogin is in fact sometimes motivated by revenge, she is not as a rule a martial artist or a killer, & this series tends to place its female hero as far away from the "action babe" method as she can get. Ogin is an honest dealer in the criminal underworld of yakuza-run gambling. She is samurai-like in that she sets out to become Japan's number one dealer, much as a samurai might go on his "warrior's pilgrimage" to become Japan's number one swordsman.
A corrupt businessman blackmails the lovelorn reprobate Atsushi into watching over his suitcase full of embezzled cash while he serves a jail sentence. Rather than wait for the man to retrieve his money, however, Atsushi decides to spend it all in one libidinous rush—fully expecting to be tracked down and killed.
Two obaachans become fast friends listening to music in front of a record store. They both boast about their loving sons but in reality, one had just escaped a retirement home and the other was looking for an escape from her son and daughter-in-law. With nowhere to go, the two wander around, befriending a cosmetics salesman and a kind waitress who give them beer. This biting social satire starring two memorable grandmothers, scripted by Yôko Mizuki, picked up on Japan’s aging population problem far ahead of its time.
A story about the lives of four sisters and their manipulative mother who must come to terms with each of their decisions in life.
Mod-sixties visuals and black humor mark this wild New Wave masterpiece about a vengeful contractor who hires a series of young killers to target a woman muckraker. Trouble brews when an amateur marksman shows up his eclectic competition.
Ishihara Kiyoshi plans to marry the woman he loves, Chiee, a coffee shop girl. After an accident, Chiee loses her memory. A romance movie whose original work by Ayako Sono was made into a melodrama by a combination of Shinoda Masahiro and Terayama Shuji.
Yoshida's first feature follows the lives of young students against a background of jazz, emptiness and boredom. The plot is fairly simple: a "good-for-nothing" from a poor background falls in love with the young secretary of his rich friend's father. The woman senses good in him and tries to lead him on the right path.
Nagisa Oshima’s most personal film is a reflection by the director on his own disillusionment with the revolutionary student movement of the 1950s and the failure of political radicalism. Taking its title (as a reference or homage) from Alain Resnais’ pivotal 1956 documentary Nuit et Brouillard, the film has a group of former student revolutionaries who meet again years later at the wedding of one of their classmates. Old feelings, rivalries and grudges gradually erupt to the surface as the one-time friends recall the various treacheries by which their cause was defeated. Cutting between times past and the present, and unfolding the action from each of his characters viewpoints, Oshima creates an abstract and yet engrossing study of passions past and principles eroded. —Yume Pictures
A case of mistaken identity in which a woman assumes the role of widow to a man killed in a train accident.
In a time of continuous civil wars ravaging the fields of feudal Japan, the eldest son of a very poor peasant family, living alongside the bridge over the Fuefuki river, decides to serve a warlord to escape his miserable condition, being soon followed by his younger brothers. Although not all the men of the family take this tragic path of death, women of the family will be doomed to endure the pain of loss during the next five generations.
A 16-year-old youth is ordered to commit ritual suicide to follow his deceased lord into death and preserve the honor of his clan. His elder brother's wife, who has raised him as if he were her own child, asks her husband for permission to spend a single night with the young man and teach him the pleasures of the flesh, out of motherly mercy. However, the following day, an official decree is issued to ban suicide through fidelity...
A budding gangster enthralls a freeloading young woman, soon taking advantage of her knack for hitch-hiking to rob middle-class, middle-aged men.
In Osaka's slum, youths without futures engage in pilfering, assault and robbery, prostitution, and the buying and selling of identity cards and of blood. Alliances constantly shift. Tatsu and Takeshi, friends since boyhood, reluctantly join Shin's gang. Shin's an upstart and moves his gang often to avoid the local kingpin. Hanoko is a young woman with ambitions: first she's in the blood business with her father, then she joins forces with Shin. She soon breaks off that partnership, even though she's taken the sensitive Takeshi under her wing. Double crosses multiply. Those with the closest bonds become each others' murderers.
A young woman is attacked by a serial rapist and murderer whom her detective father is investigating. Though she survives, the impact of the event creates increasing discord and agony for her and her loved ones.
A mother gets help from her late husband's three friends in order to get her daughter married to a well-settled man.
A young man runs a scam selling pigeons that always return to his home. He falls under the wing of Kyoko, an older student whose heart is touched after Masuo sells his pigeons to her. However, after his scam is revealed, can these feelings truly remain the same?
As a conscript in war-time Japan's military, a pacifist struggles to maintain his determination to keep his ideals.
A woman diver in great peril is rescued by Shinji, a fisherman. But his deed is belittled by Takiko, another diver, as a rash act. Her attitude, however, is nothing but a cloak to hide her affection for him. Shinji, hard working and manly, becomes the focus of many yearning eyes and Seikichi, the boss' son, picks a quarrel with him and violent fight ensues in which Shinji kills a man in self-defense.
Later in his career, Ozu started becoming increasingly sympathetic with the younger generation, a shift that was cemented in Equinox Flower, his gorgeously detailed first color film, about an old-fashioned father and his newfangled daughter.
Alongside Tokyo's Sumida River is a ragpickers' settlement known as Ant Village. One night, a young Catholic girl, Satoko Kitahara, who has been baptized under the name of Maria, comes to offer her services. However, Ant Village is not just an ordinary vagrants' community but a fine autonomous organization, and as the municipal authorities have long been demanding that the people of Ant Village leave the site, Satoko is utilized to publicize the Village and win public sympathy. While being utilized in this manner, Satoko is nevertheless glad to be able to help the people of Ant Village, especially the children, and when the summer vacation comes she decides to take the children on an excursion to Hakone. To raise funds for this purpose she becomes a rag-picker herself.
A sensitive young woman aged 22 fell in love with a middle aged man who was troubled by his unfaithful wife.
The story follows a university student who moves into an apartment building and becomes involved with a waitress. The landlord then attempts to evict the tenants and sell the building through illicit means.
