Gabriela Míčová

When the son of Ukrainian immigrant Irina is attacked, the whole city stands up in solidarity with her family and condemns their Roma neighbors, who allegedly committed the crime. But soon another truth starts to emerge.

In 1964, the discovery of secret Nazi documents in the bottom of a lake in the Šumava hits the press worldwide. Years later, it is revealed that the sensational event was orchestrated by the communist regime in a campaign against West Germany, code-named Neptune. Revisiting recent political past of the Cold War in a noir pastiche, this docufiction contributes to the process of myth-making as a necessary construction of our perception of the history.

The film tells the life story of its director, Jan Nemec, one of the most known and important filmmakers of Czech New Wave.

An exciting drama from a detective history. In 1899 a dead girl - seamstress Anežka Hrůzová - was found between the village of Věžnička and the town of Polná. She was 19 and she had a cutting wound on the throat. There was no sexual violence involved and since the local doctors thought that there was not enough blood on the crime scene, everyone jumped to the conclusion that Jews must have killed her and added her blood to their passover matzot. There was a potential murderer at hand too - a cheeky, not very bright young Jewish rover, Leopold Hilsner…

A loose adaption of Bára Nesvadbová's novel of the same name. A novel that lacks a dramatic line and concentrates on the flow of emotions and feelings of two injured and beloved women, two women that the aging lothario Mára came between. The theme of the entire book is the degree and limit of love, a right and ability to love several people simultaneously while hurting them at the same time. Written by Czech Film Center

Romi (Gabriela Mícová), a prostitute, is anything but successful at her job: she is of far too gentle a nature for her clients. The more obstinately she is pushed to the streets by her pimp Franz (Stanislav Majer), the closer she is to a complete breakdown. One day Romi is addressed by a property speculator referring to himself as a "wealthy Jew" (Martin Finger). He does not demand any sexual services of her. He satisfies himself with Romi telling him stories, for which he lavishly rewards her. However, no one shares the sudden happiness with Romi. Her work-mates and current clients turn their backs on her, as does Franz, with whom Romi is in love. The whole story takes place in the setting of a dilapidated city, during the clean-up of which politicians openly split their profit with speculators and lobbyists, all under protection from the police.