Gailard Sartain
Drew Baylor is fired after causing his shoe company to lose hundreds of millions of dollars. To make matters worse, he's also dumped by his girlfriend. On the verge of ending it all, Drew gets a new lease on life when he returns to his family's small Kentucky hometown after his father dies. Along the way, he meets a flight attendant with whom he falls in love.
In 1964, a brash, new pro boxer, fresh from his Olympic gold medal victory, explodes onto the scene: Cassius Clay. Bold and outspoken, he cuts an entirely new image for African Americans in sport with his proud public self-confidence and his unapologetic belief that he is the greatest boxer of all time. Yet at the top of his game, both Ali's personal and professional lives face the ultimate test.
Maverick old-guard coach Jimmy McGinty is hired in the wake of a players' strike to help the Washington Sentinels advance to the playoffs. But that impossible dream hinges on whether his replacements can hunker down and do the job. So, McGinty dusts off his secret dossier of ex-players who never got a chance (or screwed up the one they were given) and knits together a bad-dream team of guys who just may give the Sentinels their title shot.
In this dystopian-musical-comedy, corporations and self-appointed guardians of "decency" and "morality" have society in a fascist choke-hold. It's up to a rag-tag group of actors, artists, and musicians to save the world the only way they know how - through the power of - wait for it - Performance Art! Led by the legendary Existo (Bruce Arntson (musical composer, "Ernest" film franchise), his faithful sidekick Maxine (Jackie Welch, (Ernest Goes to Jail), provocateur Marcel (Jim Varney, (Ernest, Toy Story), and Vigo (Cooper Thornton (Parks & Recreation) this troupe of subversive insurgents have the Religio-Capitalist Complex in their cross-hairs. But the powers-that-be know Existo's weak spot - his ravenous libido - and seek to exploit it to derail the Revolution with a secret weapon - a curly-haired corporate-pop singer named Penelope (Jenny Littleton).
Bronson Pinchot does a nice job imitating Stan Laurel and Gailard Sartain gives a good appearance as Oliver Hardy, but the imitation does not extend to the original duo's comedy. The silly story line finds the two trying to protect a professor's daughter from a mummy that has been re-born
This film is the semi-humorous documentary about the men who made the world of technology what it is today, their struggles during college, the founding of their companies, and the ingenious actions they took to build up the global corporate empires of Apple Computer Inc. and Microsoft Corporation.
A deadly virus threatens to wipe out an entire Rocky Mountain town, leaving the town doctor to find some way to escape the soldiers who enforce the town's quarantine and devise an antidote. Matters take a more deadly turn after the physician is captured by a dangerously unstable band of militia extremists.
The L.A. police find two bodies in a fancy house and suspect the wife of one victim. Dr. Ellis, a hypnotherapist, takes her back in time; with the police listening, a pattern of spousal abuse emerges. When each trance ends, however, the woman, Carolyn Walker, wonders if those repressed memories are true. Dr. Ellis guides her through her trial, testifies himself, and continues treatment after the verdict is in. Carolyn's memory and well-being get worse after the trial, not better. She misses some therapy sessions, and Dr. Ellis comes to see her at home. Snatches of memory come and go. Can he help her remember what really happened? Are the cops satisfied justice has been done?
Joe Torre after failing to win a championship when he was a professional baseball player and as Manager to three teams is named Manager of the Yankees. And he finds himself having players like Dwight Gooden, Wade Boggs and Daryl Strawberry who are considered has beens. And players like David Cone who are ill. But nevertheless thinks he can win with them. At the same he deals with the loss of one brother and another brother battling the same condition that killed his brother.
Percy, upon being released from prison, goes to the small town of Gillead, to find a place where she can start over again. She is taken in by Hannah, to help out at her place, the Spitfire Grill. Percy brings change to the small town, stirring resentment and fear in some, and growth in others.
Ray, an ex-con and widower, is planning a coin heist with two accomplices to help him to buy his own bakery. However, he doesn't expect his son Timmy, who was living with Ray's sister, to show up at the house right in the middle of planning. Timmy is ignored and Ray and his buddies pull off the heist. Timmy gets his father's attention by stealing the coins and hiding them. To get them back, his father must take him to a number of different places and treat him like he enjoys his presence. They grow fond of each other but Timmy won't stay with his dad unless he gives up the coins.
Pogue is a private eye with a problem: every morning when he wakes up, he has total amnesia, waking up with a 'blank slate'. Since he is in the middle of a hot investigation and has a developing romance, this is less than convenient.
After the 1860s Wild West, a group of misfit settlers - including ex-doctor Phil Taylor, prostitute Belle, and homosexual bookseller Julian - decide they cannot live in their current situation in the west. They hire a grizzled alcoholic wagon master by the name of James Harlow to take them on a journey back to their hometowns in the East.
Karen McCoy is released from prison with nothing but the clothes on her back. Before being incarcerated Karen was the bank robber of her time, but now she wishes for nothing more than to settle down and start a new life. Unfortunately between a dirty parole officer, old business partners, and an idiot ex-husband she will have to do the unthinkable in order to save her son.
A tough cop's (Sylvester Stallone) seemingly frail mother (Estelle Getty) comes to stay with him and progressively interferes in his life. She buys him an illegal MAC-10 machine pistol and starts poking around in his police cases. Eventually, the film draws to a denouement involving the title of the film and the revelation that even though she seems frail and weak she is capable of strong actions in some circumstances, i.e. when her son is threatened by thugs and she shoots herself in the shoulder.
Basie is a man who collects junk and tries to make something out of it. He is also in love with Lily, a woman he has never spoken to but salutes every day. She is about to get conned out of her money by her greedy lawyer. And then there is the Genie who has lost his bottle and seeks Basie's help.
Amidst her own personality crisis, southern housewife Evelyn Couch meets Ninny, an outgoing old woman who tells her the story of Idgie Threadgoode and Ruth Jamison, two young women who experienced hardships and love in Whistle Stop, Alabama in the 1920s.
This compelling story vividly recreates Hollywood's infamous 'Blacklist Era'. The witch-hunt has begun and director David Merrill can revive his stalled career by testifying against friends who are suspected communists. Merrill's ex wife shares a whirlpool of scandals that draws them closer together while his chances for ever making movies again slips further away...
A terminally ill man gets his buddy to bust him out of the hospital. But, in the process, the duo antagonizes a city policeman, who trails them to the boonies surrounding their hometown. The local sheriff and their lady friend (who think more kindly of the pair) strive to find the fugitives before the less-compassionate posse, which includes a deranged, rifle-toting foe of the two. Written by Kim Williams, IMDb.
Bumbling Ernest P. Worrell is assigned to jury duty, where a crooked lawyer notices a resemblance with crime boss Mr. Nash, and arranges a switch. Nash assumes Ernest's job as a bank employee, while Ernest undergoes Nash's sentence to the electric chair. But instead of killing him, the electrocution gives Ernest superhuman powers, enabling him to escape from jail and foil Nash's attempt to rob the bank.
A young short-con grifter suffers both injury and the displeasure of reuniting with his criminal mother, all the while dating an unpredictable young lady.
This movie tells the story of the latter years of Earl Long, a flamboyant governor of Louisiana. The aging Earl, an unapologetic habitue of strip joints, falls in love with young stripper Blaze Starr. When Earl and Blaze move in together, Earl's opponents use this to attack his controversial political program, which included civil rights for blacks in the 1950's.
Two FBI agents investigating the murder of civil rights workers during the 60s seek to breach the conspiracy of silence in a small Southern town where segregation divides black and white. The younger agent trained in FBI school runs up against the small town ways of his partner, a former sheriff.
Hey Vern, It's Ernest! is a short lived American children's television program. It aired on Saturday mornings on CBS for one season in 1988. Each episode involved short sketches based around a certain theme or scenario, featuring the popular fictional character Ernest P. Worrell, his unseen friend Vern, and various others. The series was a production of Ernest creator John Cherry's production company, The Emshell Producers' Group, in association with CBS, and was distributed by DIC Entertainment. The series was later rerun on The Family Channel in the early 1990s.
When Santa Claus decides to retire and pass on his magic bag of Christmas surprises to a new Saint Nick, he enlists the aid of a hilarious assortment of characters. A perky teen runaway and hapless taxi driver Ernest P. Worrell must convince a skeptical kiddie-show host to take over the post of Father Christmas.
A romantic, occasionally funny, drama about two souls who consummate their marriage literally in "Heaven". Mike Shea, in his first life dies as a young man performing a heroic rescue. Shortly after arriving in "Heaven" he meets a new soul, Annie Packert, who has never lived on Earth before. The drama centers around their separation soon after being wedded and the burning question is whether they will reunite on Earth before time runs out or whether they are fated to eternal soul-searching.
Eddie is a down-on-his-luck bar pianist who has just been fired from another job. Desperate for work, he finds a school looking for a leader for its hopelessly incompetent marching band. Somehow, Eddie has to whip these kids into shape in time for the big band competition. Can he get them to march without tripping over their own feet, let alone win the contest?
Ernest, a lovable loser who works as a summer camp handyman and dreams of becoming a guidance councilor, must find a way to inspire a group of juvenile delinquents while stopping a shady strip mining company from closing the camp as well.
Remy McSwain is a New Orleans police lieutenant who investigates the murder of a local mobster. His investigation leads him to suspect that fellow members of the police force may be involved.
Two unemployed good ol' boys are mistaken for a pair of notorious bank robbers.
Doc Jenkins is a country music star who's become fed up with the industry. With some help from Blackie Buck, his old partner, and Gilda, a rising star he's been mentoring, he tries to get back at Rodeo Rocky, a ruthless promoter who's swindled him out of the publishing rights to his songs. Doc also sets out to get back together with his kindly ex-wife, Honey.
Just before stubborn millionaire Edwina Cutwater dies, she asks her uptight lawyer, Roger Cobb to amend her will so that her soul will pass to the young, vibrant Terry Hoskins – but the spiritual transference goes awry. Edwina enters Roger's body instead, forcing him to battle Edwina for control of his own being.
When two poor greasers, Johnny, and Ponyboy are assaulted by a vicious gang, the socs, and Johnny kills one of the attackers, tension begins to mount between the two rival gangs, setting off a turbulent chain of events.
Thriller about a New York ex-cop and an attractive female sheriff who fall in love while investigating a string of mysterious cattle mutilations in a small Colorado town. Urich is great as Reuben Castle, the retired alcoholic police lieutenant out visiting the town with his tomboy daughter. At first he tries to stay out of the case but finds himself involved after the mysterious death of his friend Joe Hiatt, the editor of the local paper whose theories about black helicopters have aroused the ire of cattle baron Ben Morgan. Trying miserably to stay sober, Castle finds himself back in danger and in love, as he and the sheriff work together to get to the bottom of the mystery, encountering incredible danger and resistance from the frightened locals.
Ambitious young Jodie wants more out of life than the small Texas country town she lives in has to offer. Jodie realizes that in order to pursue her dreams she will have to leave Texas and move to the big city. However, her shiftless factory worker boyfriend Kyle wants to stay in Texas.
Two guys come to Nashville and try to make it on the country music scene. Their vision is to play at the Grand IL' Opry. Rejection after rejection pushes them to the verge of quitting and moving back to wherever they came from.
Hee Haw was an American television variety show featuring country music and humor with fictional rural Kornfield Kounty as a backdrop. It aired on CBS-TV from 1969–1971 before a 20-year run in local syndication. The show was inspired by Rowan & Martin's Laugh-In, the major difference being that Hee Haw was far less topical, and was centered on country music and rural Southern culture. Co-hosted by country artists Buck Owens and Roy Clark for most of the series' run, the show was equally well known for its voluptuous, scantily-clad women in stereotypical farmer's daughter outfits and country-style minidresses, and its cornpone humor. Hee Haw's appeal, however, was not limited to a rural audience. It was successful in all of the major markets, including New York, Los Angeles and Chicago. Other niche programs such as The Lawrence Welk Show and Soul Train also rose to prominence in syndication during the era. Like Laugh-In, the show minimized production costs by taping all of the recurring sketches for a season in batches— setting up for the Cornfield one day, the Joke Fence another, etc. At the height of its popularity, an entire year's worth of shows would be taped in two separate week-long sessions, then individual shows would be assembled from edited sections. Only musical performances were taped with a live audience; a laugh track was added to all other segments.
