Gareth Williams
On the eve of his wedding day, a groom's cold feet go viral, forcing him and his bride to rely on the court of public opinion to save-or destroy-their marriage.
A sixty-something mother and her two adult sons cope and move onward following the death of their larger-than-life father/husband.
Sean lives a harsh but successful life as a criminal in Los Angeles's rough suburbs. He has, in spite of a chaotic and violent childhood, created some order in his life. As long as order is maintained, he - along with his partner in crime Peter - can ensure that his criminal life does not fall apart. But like in any Greek tragedy, things are doomed to go wrong when he one day falls in love with the waitress Lilly. Sean thinks he can bring order to her life too, but the all-consuming heroin addiction can not be tamed so easily.
Trust Me follows flailing Hollywood agent Howard, who seemingly strikes gold after signing the next big child star. What results is an unexpected ride through the nasty inner workings of Hollywood, as Howard desperately tries to make it in an industry that has no interest in recognizing his bumbling but ultimately genuine nature.
Director Peter Judson's semifictitious tale opens a revealing window into the indie filmmaking process, capturing the trivialities, aggravations and enthusiasm that go into completing a picture. Using footage from an indie movie set, e-mails constructing a plotline about distributor difficulties and interviews with indie mainstays such as Steve Buscemi and Sam Rockwell, the film provides a riveting look at one producer's rejections and rewards.
Kamilla, a young Danish girl leaves for Las Vegas to get married. During the ceremony she changes her mind and runs away. She is picked up by Rock, a 40 year-old loner on a motorcycle. A meeting with Rock's aunt sends them in pursuit of Rock's father. During the trip, Rock has been carrying a mysterious package, and shortly before arriving in Seattle, Kamilla discovers what the package contains...
Anthony Sher and Harriet Walter star in a highly-acclaimed screen version of William Shakespeare's classic story of tyranny and ambition. On the stage this Royal Shakespeare Company presentation was universally lauded. Following sell-out seasons at Statford's Swan Theatre and in London, the production played Japan and in the United States, where The New York Times praised director Gregory Doran's interpretation as a "harrowing and disturbingly funny parable for the dawn of the 21st century". To make this compelling screen version, Gregory Doran worked with all of the original cast and filmed at London's Roundhouse. Brilliantly shot by director of photography Ernie Vincze, the production uses the edgy techniques of fly-on-the-wall documentaries. The effect is raw, intimate and strikingly dynamic.
His wife held hostage, a stunt driver is forced to drive a getaway car in a plot to kidnap the President from a motorcade.
Jerry and his two pals, Russ and Syd, are just looking for some easy money to help them break out of their nowhere lives in their nowhere town. Despite a bungled jewelry store heist which exposes their incompetence as criminals, a fateful event (and an old black-and-white film) convinces them that they can pull off an armored-truck robbery. While they are busy plotting their caper, their dysfunctional families spin out of control, all around them.
Nina, an art dealer, has her weekly massage appointment and is surprised to find out her usual masseur, Douglas, has sent a replacement named Fitch. The pair develop an easy rapport during the session, with talk about past relationships. As Nina lies topless on the massage table, Fitch also takes time to explain various massage techniques, including those used by Hopi medicine men.
Setup in San Francisco, during the 2011 Arab Spring that left Egypt in turmoil. A lonesome Egyptian asylee with a wooingly contagious laugh, battles his bizarre misfortunes to follow immigration procedures, and his only hope is his greedy lawyer.
