Gary Halvorson

Experience the story of seamstress Esther who begins writing to a mysterious suitor laboring on the Panama Canal. Featuring a libretto by Pulitzer Prize winner Lynn Nottage, this powerful opera is directed by Tony winner Bartlett Sher.

Honor the 20th anniversary of the September 11 attacks with this special performance hosted by Misty Copeland and led by Met Music Director Yannick Nézet-Séguin featuring soloists Ailyn Pérez, Michelle DeYoung, Matthew Polenzani and Eric Owens.

As the imperious title empress, mezzo-soprano Joyce DiDonato leads the Met premiere of Handel’s tale of deception and deceit. Harry Bicket conducts Sir David McVicar’s wry new production, which gives this Baroque black comedy a politically charged, modern updating.

Berg’s 20th-century shocker stars baritone Peter Mattei in the title role, with Music Director Yannick Nézet-Séguin on the podium and soprano Elza van den Heever as the long-suffering Marie. Groundbreaking visual artist and director William Kentridge unveils a bold new staging set in an apocalyptic wasteland.

In its most ambitious effort yet to bring the joy and artistry of opera to audiences everywhere during the Met’s closure, the company presented an unprecedented virtual At-Home Gala, featuring more than 40 leading artists performing in a live stream from their homes all around the world.

François Girard, whose revelatory 2013 take on Parsifal set the recent Met standard for Wagner stagings, now unveils a spellbinding new vision of the composer's tale of a cursed sea captain doomed to sail the open ocean for eternity. With sweeping sets by John Macfarlane, Girard’s new production turns the Met stage into a rich, layered tableau reminiscent of a vast oil painting. Valery Gergiev conducts a brilliant cast led by bass-baritone Evgeny Nikitin as the Dutchman, with German soprano Anja Kampe making her anticipated Met debut as the devoted Senta, whose selfless love is what the Dutchman seeks. Bass Franz-Josef Selig is her father, Daland, and tenor Sergey Skorokhodov is her deserted former lover, Erik. This live cinema transmission is part of the Met’s award-winning Live in HD series, bringing opera to more than 2,200 theaters in more than 70 countries worldwide.

Yannick Nézet-Séguin leads the classic John Dexter production of Poulenc’s devastating story of faith and martyrdom. Mezzo-soprano Isabel Leonard sings the touching role of Blanche and soprano Karita Mattila, a legend in her own time, returns to the Met as the Prioress.

Soprano Christine Goerke plays Brünnhilde, Wotan’s willful warrior daughter, who loses her immortality in opera’s most famous act of filial defiance. In this Live in HD transmission of Die Walküre, the second and most popular installment in the composer’s sweeping tetralogy, Goerke is joined by bass-baritone Greer Grimsley as Brünnhilde godly father, Wotan, and mezzo-soprano Jamie Barton as his unbending wife, Fricka. As the incestuous lovers Siegmund and Sieglinde, soprano Eva-Maria Westbroek and tenor Stuart Skelton—alongside bass Günther Groissböck as Sieglinde’s bloodthirsty husband, Hunding—round out the principal cast. And on the podium, Maestro Philippe Jordan conducts Robert Lepage’s innovative staging, which uses state-of-the-art stage technology to tell Wagner’s mythic tale.

Tenor Javier Camarena and soprano Pretty Yende team up for a feast of bel canto vocal fireworks—including the show-stopping tenor aria “Ah! Mes amis,” with its nine high Cs. Alessandro Corbelli and Maurizio Muraro trade off as the comic Sergeant Sulpice, with mezzo-soprano Stephanie Blythe as the outlandish Marquise of Berkenfield. Enrique Mazzola conducts.

One of the biggest hits of the 2019–20 season, Philip Glass's Akhnaten is the third installment in the composer's Portrait Trilogy focused on revolutionary figures from world history. Starring as the ancient Egyptian pharaoh who attempted to radically alter his society, countertenor Anthony Roth Costanzo headlines this performance from the Live in HD series. In her Met-debut season, Karen Kamensek conducts the hypnotic score, leading a cast that also features soprano Dísella Lárusdóttir as Queen Tye, mezzo-soprano J'Nai Bridges as Nefertiti, and bass Zachary James as Amenhotep I. Phelim McDermott's endlessly inventive production fills the Met stage with breathtaking visuals, including virtuosic pattern-juggling routines by Gandini Juggling.

Christine Goerke has wowed audiences as Turandot, the icy princess at the heart of Puccini’s grand final masterpiece. In this performance from the 2019–20 Live in HD season, Goerke stars alongside tenor Yusif Eyvazov (as Calàf) and soprano Eleonora Buratto (as Liù) in Franco Zeffirelli’s classic staging, which dazzles with its opulent visions of mythic China. Met Music Director Yannick Nézet-Séguin is on the podium, drawing a vivid array of musical colors from the incomparable Met Orchestra and Chorus.

Massenet’s tale of passion, excess, and their consequences stars rising soprano Lisette Oropesa in the effervescent title role. Tenor Michael Fabiano is her ardent admirer, Chevalier des Grieux, with Maurizio Benini conducting Laurent Pelly’s enchanting production.

Two men enter a bet with intriguer Alfonso that their women will stay true, but disguise themselves, switch partners, and regretfully seduce their targets.

Sir David McVicar’s bold new staging of Tosca, Puccini’s operatic thriller of Napoleonic Rome, thrilled Met audiences when it rang in the New Year in 2018. Only weeks later, the production was seen by opera lovers worldwide as part of the Met’s Live in HD series of cinema presentations. In this performance, Bulgarian soprano Sonya Yoncheva is the passionate title diva, opposite charismatic tenor Vittorio Grigolo as her lover, the idealistic painter Mario Cavaradossi. Baritone Željko Lučić is the menacing Baron Scarpia, the evil chief of police who employs brutal tactics to ensnare both criminals and sexual conquests. On the podium, Emmanuel Villaume conducts the electrifying score, which features some of Puccini’s most memorable melodies.

The multi-award winning and critically acclaimed Lincoln Center Theater’s production of Rodgers and Hammerstein’s The King And I comes to cinemas in this unmissable event recorded live from London’s iconic Palladium.

Radvanovsky is the international Norma of choice at the moment and she sings ‘big’, lacking perhaps the legato that Bellini’s long-limbed melodies demand,. But Joyce DiDonato, making her debut as Adalgisa, knows exactly how to handle this music and indeed the great duet ‘Mira o Norma’ is thrilling and deeply moving…Rizzi is, as ever, the safest pair of hands in this repertoire.

In his new production, Robert Carsen places the action at the end of the Habsburg Empire, underscoring the opera’s subtext of class and conflict against a rich backdrop of gilt and red damask

A whimsical fairy tale with themes deeply rooted in the Enlightenment and principles of Free Masonry, Mozart’s Die Zauberflöte (The Magic Flute) appeals to audiences of all ages. Tony Award–winner Julie Taymor matches the magic and mystery of this timeless fable with a staging that bursts to life with vivid colors, intricate costumes, and inventive puppetry. In this performance from the 2017–18 Live in HD season, tenor Charles Castronovo stars as Tamino, the noble prince on a quest to rescue the maiden Pamina, sung by radiant soprano Golda Schultz in her Met-debut season. Along the way, Tamino befriends the lovable bird catcher Papageno, sung by baritone Markus Werba, and goes up against the forces of light—represented by bass René Pape’s benevolent Sarastro—and darkness—embodied by soprano Kathryn Lewek’s hair-raising Queen of the Night. Maestro James Levine is on the podium to lead a joyous performance of one of Mozart’s final masterpieces.

The great singing actress Nina Stemme gives a heart-wrenching performance in the title role of Strauss’s blazing one-act drama, adapted from the ancient Greek myth. Patrice Chéreau’s acclaimed production—the last staging he worked on before his death in 2013—also stars Waltraud Meier as Klytämnestra, Elektra’s nightmare-haunted mother, Adrianne Pieczonka as Chrysothemis, her sister, and Eric Owens as Orest, their brother, whose return home brings their family story to a terrifying climax. Esa-Pekka Salonen conducts the monumental and highly influential score.

Anthony Minghella’s beautiful, atmospheric production enhances Puccini’s drama of unfortunate, doomed love. Soprano Kristine Opolais brings all of her passionate commitment to her portrayal of Cio-Cio-San, the teenage geisha who gives up everything for Lt. Pinkerton. Roberto Alagna is the American naval officer who does not understand the depth of Cio-Cio-San’s love, and whose subsequent marriage to an American woman precipitates Butterfly’s suicide. Maria Zifchak is Suzuki, Cio-Cio-San’s faithful servant, and Dwayne Croft plays the American consul Sharpless, who tries to avert the tragedy. Karel Mark Chichon conducts.

Star soprano Anna Netrebko created a sensation in her first Met performances as the malevolent Lady Macbeth, the central character in Verdi’s retelling of Shakespeare’s tragedy. She is joined by Željko Lucic, who brings dramatic intensity and vocal authority to the title role of the honest general driven to murder and deceit by his ambitious wife. René Pape is Banquo, Joseph Calleja is Macduff, and Principal Conductor Fabio Luisi presides over Adrian Noble’s atmospheric production.

The 2015 Disney Parks Christmas Parade Special with musical performances, interviews, and parades.

Live performance from the Metropolitan Opera, March 1, 2014. Absent from the Met stage since 1917, Borodin’s masterwork about an introspective prince’s military campaign against the invading Polovtsians returned in 2014 with a first-rate cast and an astonishing production by Dmitri Tcherniakov. Well worth the wait, the sets feature visually striking projections interlaced with lush flowering fields, and the first act delivers one of opera’s most exciting dance medleys, a portion of which went mainstream in the 1950s when Tony Bennett recorded “Stranger in Paradise.”

More than 8,000 participants, some donning clown costumes, handling balloon giants or striking up the band, will set off down the streets of Manhattan at the sound of the time-honored catchphrase "Let's Have a Parade." With a live audience more than 3.5 million strong and a nationwide television gathering of more than 50 million viewers, the Macy's Thanksgiving Day Parade is the nation's most beloved holiday pageant.

NBC and Time Inc. present Sports Illustrated Swimsuit: 50 Years of Beautiful, a two-hour TV special celebrating the 50th anniversary of Sports Illustrated’s swimsuit franchise.

Star soprano Anna Netrebko created a sensation with her riveting performance as the malevolent Lady Macbeth, the central character in Verdi’s retelling of Shakespeare’s tragedy. She is joined by Željko Lučić, who brings dramatic intensity and vocal authority to the title role of the honest general driven to murder and deceit by his ambitious wife. The great René Pape is Banquo and Joseph Calleja gives a moving performance as Macduff. Adrian Noble’s powerful production provides an ideal setting for this dark drama, which is masterfully presided over by Met Principal Conductor Fabio Luisi.

Disney puts a “Frozen” twist on its 31st annual Christmas Day television special. More than a parade, the joyous occasion includes festive musical performances, and the reunion of three groups of families and friends who have been apart or separated for the holidays.

Met Music director James Levine conducts a cast of youthful stars in Mozart’s sophisticated comedy about testing the ties of love. Susanna Phillips and Isabel Leonard are the sisters Fiordiligi and Dorabella, who are led to believe their fiancés have gone off to war. Matthew Polenzani and Rodion Pogossov are Ferrando and Guglielmo, the lovers who return in disguise to test their girls' fidelity. Danielle de Niese sings the scheming maid Despina and Maurizio Muraro is Don Alfonso, the philosopher and mastermind pulling the strings.

Joyce DiDonato gives a sensational performance as Mary, Queen of Scots, in Donizetti’s bel canto drama, opposite Elza van den Heever as Queen Elizabeth. This Live in HD presentation of David McVicar’s acclaimed 2012 production also stars Matthew Polenzani as Leicester, the man caught between the rival queens. Maurizio Benini conducts.

As a storm rages, Siegmund the Wälsung, exhausted from pursuit by enemies in the forest, stumbles into an unfamiliar house for shelter. Sieglinde finds the stranger lying by the hearth, and the two feel an immediate attraction. But they are soon interrupted by Sieglinde's husband, Hunding, who asks the stranger who he is. Calling himself "Woeful," Siegmund tells of a disaster-filled life ("Friedmund darf ich nicht heissen"), only to learn that Hunding is a kinsman of his foes. Hunding, before retiring, tells his guest to defend himself in the morning. Left alone, Siegmund calls on his father, Wälse, for the sword he once promised him. Sieglinde reappears, having given Hunding a sleeping potion.

More than 8,000 participants, some donning clown costumes, handling balloon giants or striking up the band, will set off down the streets of Manhattan at the sound of the time-honored catchphrase "Let's Have a Parade." With a live audience more than 3.5 million strong and a nationwide television gathering of more than 50 million viewers, the Macy's Thanksgiving Day Parade is the nation's most beloved holiday pageant.

Music Director James Levine conducts his first new Met production after a two-year absence: Robert Carsen’s hit staging of Verdi’s great human comedy. Ambrogio Maestri is an ideal Falstaff, leading an extraordinary ensemble cast of veteran and up-and-coming Met stars, including Angela Meade (Alice), Stephanie Blythe (Mistress Quickly), Franco Vasallo (Ford), and Jennifer Johnson Cano (Meg). Lisette Oropesa and Paolo Fanale are the young lovers, Nannetta and Fenton.

David McVicar’s inventive hit production of Handel’s most popular opera sets the story of Caesar’s conquest of Egypt—and of its queen, Cleopatra—in the era of British 19th-century imperialism while also including elements of Baroque theater and Bollywood movies. David Daniels in the title role and Natalie Dessay as Cleopatra lead the cast. Christophe Dumaux is Ptolemy, Cleopatra’s brother, and Alice Coote and Patricia Bardon star as Sesto and Cornelia, son and widow of Caesar’s opponent Pompey. Early music specialist Harry Bicket conducts and plays harpsichord continuo.

The imperious Onegin rejects naive Tatiana's proposal of love and also incites a duel with his best friend turned rival Lenski (Piotr Beczala). This sets the scene for a dramatic story of love, loyalty and betrayal. Acclaimed theatre director Deborah Warner presents this lavish new interpretation of the timeless tale. Set in the 19th century and moving episodically from farmhouse to ballroom, the production culminates in an unforgettable finale set during a snowstorm

In the depths of the Rhine, the three Rhinemaidens guard the Rhinegold, a treasure of immeasurable value. The Nibelung dwarf Alberich is dazzled by the sight of it. The girls explain that whoever wins the gold and forges it into a ring will gain power over the world, but must first renounce love. Frustrated by his unsuccessful attempts to catch one of the girls, Alberich curses love and steals the gold. Wotan, lord of the gods, is reproached by his wife Fricka: he has promised to give Freia, goddess of youth, to the giants Fasolt and Fafner in return for their building a fortress for the gods. When the giants demand their reward, Loge, the god of fire, suggests an alternative payment: the ring Alberich has forged from the Rhinegold, and his other treasures. The giants agree, and Wotan and Loge leave for the Nibelungs’ underground home.

A special Betty White's 90th Birthday Party aired on NBC a day before the star's birthday on January 16, 2012. The show featured appearances of many stars with whom White has worked over the years

The Met’s spectacular production of Verdi’s Egyptian epic captures both the grandeur and the intimacy of this powerful tale of love and politics. Liudmyla Monastyrska is Aida, the Ethiopian princess-turned-slave in love with the Egyptian warrior Radamès, sung by Roberto Alagna. Olga Borodina is her rival, Amneris, daughter of the Pharao, and George Gagnidze sings Aida’s father, Amonasro, the King of Ethiopia. Principal Conductor Fabio Luisi is on the podium.

.In THE THOMASHEFSKYS, Tilson Thomas explores the lives of his grandparents, Boris and Bessie Thomashefsky, through a musical performance that features five performers and the New World Symphony orchestra.

The third of the four music dramas in Richard Wagner's Der Ring des Nibelungen. The dwarf Mime, who has brought up Siegfried, makes a sword for him, so that he may kill the dragon Fafner and regain the ring, which Mime then plots to recapture. Siegfried learns he is the son of Sieglinde, who died when he was born. Siegfried melts the pieces of the legendary sword Nothung and repairs it. Alberich and Wotan seek to warn the dragon in return for the treasure, but fail. Siegfried is led by Mime to the cave, where he kills the dragon. A forest bird tells Siegfried to beware Mime. Understanding Mime’s murderous thoughts, Siegfried kills him. The bird also sings of the sleeping Brünnhilde. Wotan understands that Siegfried must wake Brünnhilde, who will save the world. Siegfried meets the Wanderer, Wotan, and with his sword breaks the latter's spear and power. He wakens the Brünnhilde, who gives up Valhalla and the gods for the love of the mortal hero, her love putting an end to her knowledge.

David Alden’s elegant 2012 production moves Verdi’s thrilling drama to a timeless setting inspired by film noir. Marcelo Álvarez is Gustavo III, the Swedish king in love with Amelia (Sondra Radvanovsky), the wife of his best friend and counselor, Count Anckarström (Dmitri Hvorostovsky). When Anckarström joins a conspiracy to murder the king, tragedy ensues. Stephanie Blythe is the fortuneteller Madame Ulrica Arvidsson and Kathleen Kim sings the page Oscar. Met Principal Conductor Fabio Luisi is on the podium.

Anna Netrebko as the beautiful and wealthy Adina leads the cast in Barlett Sher’s production of Donizetti’s charming comedy, first seen on Opening Night of the Met’s 2012–13 season. Matthew Polenzani is Nemorino, the poor but good-hearted country boy who wins her love—with the help of the magic “elixir” sold by the quack Dulcamara, played by Ambrogio Maestri. Mariusz Kwiecien is the swaggering Sergeant Belcore and Maurizio Benini conducts.

Robert Lepage’s remarkable Met Opera production of Wagner’s Der Ring des Nibelungen, the 2013 Grammy Award Winner for Best Opera Recording, is now available as individual DVDs. Siegfried features Bryn Terfel, Jay Hunter Morris, and Deborah Voigt, with Fabio Luisi conducting.

David McVicar's atmospheric and brooding production captures the drama of this riveting piece of British history, retold as only Donizetti could. International superstar Anna Netrebko is Queen Anne Boleyn, trapped in an unhappy marriage to King Henry VIII (Ildar Abdrazakov) whose roving eye has settled on another woman—Jane Seymour (Ekaterina Gubanova), Anna's friend, but now her unwitting rival. Add in Anna's early love, Percy (Stephen Costello), just returned to the court from exile, and the result is a haunting, explosive account of Queen Anna's tragic final days, before she goes to her execution in one of the most moving and dazzling final scenes in all of opera.

Rossini's "Le Comte Ory" tells the story of a libidinous and cunning nobleman who disguises himself first as a hermit and then as a nun in order to gain access to the virtuous Countess Adele, whose brother is away at the Crusades. The 2011 Met production was directed by Tony Award winner Bartlett Sher, who presented the action as an opera within an opera, updating the action by a few centuries and giving the costume designer, Catherine Zuber, the opportunity to create some particularly extravagant headgear. Juan Diego Florez starred as the title role while Diana Damrau plays Countess Adele, and Joyce DiDonato was in breeches as his pageboy Isolier. Conducted with verve and finesse by Maurizio Benini, the production also features the stylish French baritone Stephane Degout as Ory's bibulous conspirator Raimbaud, charismatic Italian bass Michele Pertusi as the Count's long-suffering Tutor, and, formidable as Adele's housekeeper Ragonde, the Swedish dramatic mezzo Susanne Resmark.

Donizetti’s timeless comedy shines in Otto Schenk’s enchanting production, conducted by James Levine and featuring a remarkable cast. The incomparable Anna Netrebko is Norina, the young widow beloved by Ernesto (a suave Matthew Polenzani), who is about to be disinherited by his miserly uncle, Don Pasquale (John Del Carlo). It takes the clever scheming of Dr. Malatesta (Mariusz Kwiecien) to set things right and to teach the old curmudgeon a lesson—fits of temper, mistaken identities, and all kinds of comic confusion included.

It is a rare opera indeed that calls for one soprano diva and no fewer than six tenors. Mary Zimmerman’s fanciful production of Rossini’s drama, designed by Richard Hudson and with choreography by Graciela Daniele, provides the perfect setting for superstar Renée Fleming’s captivating performance of the title role. A beautiful but evil sorceress in the times of the Crusades, Armida sets out to regain the love of the Frankish knight Rinaldo (Lawrence Brownlee) by putting her magical spells on him. She at first succeeds to draw him into her web of sorcery, but ultimately divine intervention—and his fellow soldiers—free Rinaldo from his enchantment—much to the vengeful fury of Armida and her demons.

Family jealousy, threat of rebellion, political back-stabbing and the Inquisition weigh heavy on the court of King Phillip II. The tension finally ignites at the King's coronation, where a number of heretics are to be burnt at the stake.

Richard Eyre’s stunning new production of Bizet’s opera was the talk of the town when it was unveiled on New Year’s Eve 2009. Elīna Garanča leads the cast as the iconic gypsy of the title—a woman desired by every man but determined to remain true to herself. Roberto Alagna is Don José, the soldier who falls under her spell and sacrifices everything for her love, only to be cast aside when the toreador Escamillo (Teddy Tahu Rhodes) piques Carmen’s interest. With dances created by star choreographer Christopher Wheeldon and conducted by rising maestro Yannick Nézet-Séguin, this Carmen brings every aspect of Bizet’s tale to thrilling life, from its lighthearted beginning to its inevitably tragic climax.

Puccini’s musical thriller of lust, murder, and politics is one of the most dramatically riveting operas in the repertoire. Luc Bondy’s production, with sets by Richard Peduzzi and costumes by Academy Award-winning designer Milena Canonero, opened the Met’s 2009–10 season. Karita Mattila stars as the beautiful and dangerously impulsive singer Floria Tosca. Marcelo Álvarez is her lover, the painter Cavaradossi, a political enemy of the powerful chief of police, Scarpia (George Gagnidze), who wants Tosca for himself.

Live from the Metropolitan Opera 19 December 2009.

Star soprano Anna Netrebko adds Donizetti’s hapless heroine to her growing list of Met triumphs in this production by Mary Zimmerman that updates the events to the 19th century. Rising young tenor sensation Piotr Beczała is Edgardo and Mariusz Kwiecien plays Lucia’s brother Enrico whose brutal authority forces her to deny her heart and marry for the sake of her family. The famous mad scene brilliantly depicts the cascading fragments of Lucia’s disintegrating mind.

Franco Zeffirelli's magnificient staging of Puccini's final opera - a fairy tale set in a mythical China - is one of the most popular in the Met repertory. In this Live in HD production, Maria Guleghina takes on the title role and Marcello Giordani is Calaf, the unknown prince. Marina Poplavskaya and Samuel Ramey co-star, and Andris Nelsons conducts in his Met debut.

"Irresistible" (Opera News) rising-star mezzo Elina Garanca triumphs as Rossini's Cinderella in this delightful Metropolitan Opera production. "As close to pure joy as you will find in a big-time opera house" (New Yorker), conquering audiences and critics alike, "Garanca has a gorgeous voice that she uses with exceptional skill, melting tenderness; but when the part calls for coloratura fireworks, she unleashes a flawless technique and ringing high notes of impressive power" (Associated Press). Filmed in High Definition Widescreen.

Aida (2009) Metropolitan Opera. Verdi / Italian. Live from the Met 2009.

Puccini’s evergreen paean to young love and the bohemian life has captivated generations of Met-goers through Franco Zeffirelli’s iconic production. Movie theater audiences for the high-definition transmission of this staging got to see it with fresh eyes in a touching performance starring Angela Gheorghiu and Ramón Vargas as the frail seamstress and her poetic lover.

Verdi’s admiration for Shakespeare led to such masterpieces as Othello and Falstaff, and if the earlier Macbeth isn’t on their exalted level it’s still a powerfully dramatic opera that hews closely to the original’s story line. The MET’s production retains the dark aura of the opera while updating it to a vaguely post-modern context. So the witches are bag ladies in various stages of decrepitude, with children in tow. The Banquet Scene features lowered chandeliers, a plethora of chairs, and a slew of extras dressed in tuxedos and party gowns. Macbeth sports a leather coat, the soldiers are in drab brown uniforms and seem to have fingers on their triggers even when they’re supposed to be in non-threatening situations. Director Adrian Noble also has Lady Macbeth do an inordinate amount of writhing around and singing from a lying-down position, adding to the feeling that a less interventionist directorial hand might have generated more impact.

Keeping with a long-standing tradition, Renee Fleming kicks off the new season at the Met with scenes from Verdi's Traviata, Massenet's Manon, and Strauss' Capriccio. She is joined by Ramon Vargas and Thomas Hampson.

Live from The Metropolitan Opera, international sensation Anna Netrebko sings Elvira Walton (and her famous mad scene) in I PURITANI, a spectacular production revived especially for Ms. Netrebko. The stellar cast includes tenor Eric Cutler as Arturo, Franco Vassallo as Riccardo, and John Relyea as Giorgio. The Music Director of the Houston Grand Opera, Patrick Summers, conducts the magnificent Metropolitan Opera Orchestra and Chorus. Included is a bonus DVD containing revealing conversations between Anna Netrebko and Renée Fleming, as well as the late Beverly Sills. The stunning performance on this DVD has been adored by millions of people already through its live transmission in high-definition to movie theatres in the US, Canada and Europe, and broadcasted live on Metropolitan Opera Radio and on Sirius Satellite radio channel 85.

Audiences went wild for Bartlett Sher’s dynamic production, which found fresh and surprising ways to bring Rossini’s effervescent comedy closer to them than ever before. The stellar cast leapt to the challenge with irresistible energy and bravura vocalism. Juan Diego Flórez is Count Almaviva, who fires off showstopping coloratura as he woos Joyce DiDonato’s spirited Rosina—with assistance from Peter Mattei as the one and only Figaro, Seville’s beloved barber and man-about-town.

Three one-act operas by Puccini: the first a suspenseful tale of cheating lovers; the second a sentimental tearjerker about a mother yearning to hear from her lost child. The third is a dark comedy of greedy relatives and their inheritance.

Committed is a television sitcom that aired on NBC as a midseason replacement from January 4 to March 15, 2005. Although originally broadcast twice a week the series eventually settled in a regular timeslot on Tuesdays at 9:30PM EST after Scrubs. The show starred Josh Cooke and Jennifer Finnigan and costarred Darius McCrary, Tammy Lynn Michaels and Tom Poston. Cooke and Finnigan played two single and extremely eccentric New Yorkers who are subject to constant interference when they begin dating from their equally eccentric friends and Finnigan's roommate, known only as "Dying Clown" or "Clown" who was actually a clown, played by Tom Poston. The show ran for 13 episodes. Clips and fan-generated montages can still be found online, but no official DVDs have been produced.

America's favorite young married couple, Nick Lachey & Jessica Simpson, multi-platinum artists known from their hit MTV series, "Newlyweds," star in their first-ever television special, featuring a fun-filled variety hour of music and comedy. In a throwback to the days of Sonny & Cher and Laugh-In, the beloved Nick & Jessica breathe new life into the variety format, showcasing their singing and comedic talents in a series of sketches and musical performances with such guests as Jewel, Kenneth "Babyface" Edmonds, Kenny Rogers, baseball Hall of Fame star Johnny Bench, Mr. T, and The Muppets stars Kermit the Frog and Miss Piggy.

Regular Joe is an American sitcom that aired from March 28 until April 18, 2003 on ABC.

Charlie Lawrence is an American sitcom that aired from June 15 until June 22, 2003.

Filmed play about two very different brothers, one a criminal and the other a screen-writing family man who becomes appalled by his wayward brother's relationship with a producer.

Lotfi Mansouri's spectacular last production as General Director of The San Francisco Opera with Yvonne Kenny making her debut in the title role, new dialogue specially commissioned from Pulitzer Prize-winning playwright, Wendy Wasserstein and an original ballet to set the scene ‘Chez Maxime’ bringing fresh insight into Lehár's classic operetta. This production also features another world premiere, Njegus's song, ‘Quite Parisian’.

The stage musical Peter Pan starring Cathy Rigby has toured the world to great acclaim. An adaptation of the famous 1954 musical directed by Jerome Robbins and starring Mary Martin, this new version is lasting proof that J.M. Barrie's tale of the boy who would never grow up is one of the kingpins of family entertainment. All the elements are in good form for this video production shot at the Mirada Theater in 2000 for the A&E Network. Some new songs have been added to the fabulous Moose Charlap-Carolyn Leigh score (which includes "Tender Shepherd," "I Gotta Crow," "I'm Flying," and "I Won't Grow Up"). But the biggest asset to this production are the spectacular flying sequences: Peter even soars over the audience at times. Martin was a stronger actress in a close-up, but Rigby is magical with her athleticism and spark, most notably in a percussion-filled song and dance number "Ugh-a-Wug.".

Live performance at the Metropolitan Opera in 2000.

Recorded live at Theatre de l'Olympia, Paris October 30-31, 2000 Tracklisting: 1. That's Where I Belong 2. Graceland 3. One Man's Ceiling is another Man's Floor 4. You're The One 5. 50 Ways To Leave Your Lover 6. That Was Your Mother 7. Me And Julio Down By The School Yard 8. The Teacher 9. Diamonds On The Soles Of Her Shoes 10. You Can Call Me Al 11. Old Friends 12. Homeward Bound 13. I Am A Rock 14. Darling Loraine 15. Old 16. The Boy in the Bubble 17. Pledging My Love 18. The Late Great Johnny Ace 19. The Coast 20. Late In The Evening 21. American Tune 22. Hurricane Eye 23. Kodachrome 24. Bridge Over Troubled Water 25. Still Crazy After All These Years 26. The Boxer

Plot is unknown at this time.

Live performance from the Metropolitan Opera, 25 March 1997.

He hasn't had a new Broadway show since 1983's La Cage Aux Folles, but composer Jerry Herman has become ubiquitous on the concert, tribute and benefit scene, as evidenced by a video release of "Jerry Herman's Broadway - at the Hollywood Bowl." The star-studded event celebrating Herman's 30-plus-year career includes performances by Carol Channing, Leslie Uggams, Lorna Luft and Lee Roy Reams all together on "Hello, Dolly!"; George Hearn singing "Movies Were Movies" (Mack And Mabel); Davis Gaines crooning "Song On The Sand" and "I Am What I Am" (La Cage Aux Folles); Rita Moreno advising "Tap Your Troubles Away" (Mack And Mabel); and Beatrice Arthur pointing out "The Man In The Moon" (also from Mame). There is also special taped greetings from Angela Lansbury and Paul & Linda McCartney.

Follows the personal and professional lives of six twenty to thirty-something-year-old friends living in Manhattan

Showtime comedy special, 1993.

A performer/artist with a bag of vaudeville tricks and the help of his trusty piano player must prove to a critic that there is still a way to present New Theatre without relying on devices. Like trampolines.

Director Bernie Dodd hires alcoholic has-been actor Frank Elgin and strikes up a stormy relationship with the actor's wife Georgia.

An American jockey rides his horse in a London race but is accused of throwing it, until he finds out he was framed by a gambler and clears his name in this filmed stage production from Goodspeed Opera House.