George Arliss
The story of the gold-plated statuette that became the film industry's most coveted prize, AND THE OSCAR GOES TO... traces the history of the Academy itself, which began in 1927 when Louis B. Mayer, then head of MGM, led other prominent members of the industry in forming this professional honorary organization. Two years later the Academy began bestowing awards, which were nicknamed "Oscar," and quickly came to represent the pinnacle of cinematic achievement.
This short traces the history of sound in the movies, beginning with French scientist Leon Scott's experiments in 1857. Featured are snippets from early sound pictures.
Third Reich documentary about the Jews intent on world domination and their role in cultural decay. Street scenes are shown, along with clips from Jewish cinema of the day and photos of Jewish celebrities, while the narrator explains the Jewish problem. The climax and resolution of the film is Hitler's 1939 announcement that the Jewish race will be forced off European ground should they achive their goal of turning the European people against one another again in the form of a second world war.
This 1940 presentation features highlights of earlier (1928 onward) Oscar ceremonies including Shirley Temple and Walt Disney, plus acceptance speeches for films released in 1939 with recipients and presenters including Vivien Leigh, Judy Garland, Hattie McDaniel, Fay Bainter, Mickey Rooney, Thomas Mitchell, Sinclair Lewis, and more, with host Bob Hope.
This film tells the history of the United States from pre-Revolution through 1939.
A highly respected clergyman is actually a former pirate who exacts vigilante justice in this British production.
A complicated adventure involving twin brothers and the Foreign Office trying to thwart the ambitions of a hostile sheikh.
Winding up his Hollywood film career in 1935, venerable British stage star George Arliss returned to his homeland for his last movie assignments. In East Meets West, the 68-year-old Arliss dons turban and monocle to portray an Eastern sultan who is inordinately proud of his son. The young man bids fair to break his father's heart by conducting an affair with the wife of a notorious criminal.
The Guv'nor (released in the U.S. as Mr. Hobo) is a 1935 British comedy film starring George Arliss as a tramp who rides a series of misunderstandings and becomes the president of a bank.
The cunning Cardinal Richelieu must save King Louis XIII from treachery within his inner circle.
An engineer (Richard Dix) leads the building of a trans-Atlantic tunnel linking Britain and the United States. A remake of the 1933 German film, DER TUNNEL.
The story of the rise of the Rothschild financial empire founded by Mayer Rothschild and continued by his five sons. From humble beginnings the business grows and helps to finance the war against Napoleon, but it's not always easy, especially because of the prejudices against Jews.
In New England circa 1933, a niece is reported missing and presumed dead and Cabot Barr (George Arliss) summons his relatives to the family estate for a memorial service. Once there, Barr taunts each one, claiming their only interest in him is his money, and sends them away when the report about the niece proves to be false. Only niece Marjorie, who has ridiculed one of his pet eccentricities, seems to be the object of any sentimental affection.
A successful shoe manufacturer named John Reeves goes on vacation and meets the grown children of his recently deceased and much-respected competitor; they're on the verge of losing the family legacy through their careless behavior. Reeves takes it upon himself to save his rival's company by teaching the heirs a lesson in business.
The king of an unnamed European country abdicates and tries to recapture the happiness with the wife he had to give up for the throne.
While giving a private performance for a visiting monarch, concert pianist Montgomery Royale is deafened when a bomb is detonated in an attempt to assassinate the foreign ruler. With his career over as a result of his injury, Royale returns to New York City with his sister Florence, close friend Mildred Miller, and considerably younger fiancée Grace Blair. After abandoning thoughts of suicide, Montgomery discovers he can lip read, and he spends his days observing people in Central Park from his apartment window. As he learns of people's problems, he tries to help them anonymously. He becomes absorbed in his game of "playing God" but his actions are without sincerity.
Henry Wilton is an elderly millionaire saddled with his selfish young second wife Emmy 'Sweetie' Wilton and a pair of spoiled grown children, Peggy and Eddie. To test his family's mettle, Henry pretends to have gone broke. Just as he suspected they would, his children rally to their father's side and change their ways: Peggy forsakes the fortune hunter George Struthers for the nice young man she's really in love with, the polo coach Larry Rivers, while Eddie applies for a demanding job and performs admirably. Only Sweetie seems to desert Henry.
The founding father has an extramarital affair and meets with the likes of Thomas Jefferson.
A millionaire automaker retires upon the advice of his doctor, but becomes so bored he buys half interest in a gas station and works it on the sly.
After an introduction by Stanley Baldwin, George Arliss reprises his role as Benjamin Disraeli, reenacting some of Disraeli's most famous speeches.
An airplane carrying three Brits crash lands in the kingdom of Rukh. The Rajah holds them prisoner because the British are about to execute his three half-brothers in neighboring India.
The Green Goddess is a 1923 American silent adventure film based on the play The Green Goddess by William Archer. Set during the British Raj, it stars George Arliss as the Rajah of Rukh, into whose land arrive three British subjects, played by Alice Joyce, David Powell, and Harry T. Morey.
A millionaire's health deteriorates when his doctor and family prevail upon him to retire.
En eminent pianist is made deaf by an anarchist's bomb during a command performance.
Dr. Muller, a friend to all, finds pleasure in turning the goodness in people to evil ends. He meets Marie Matin and her fiancée, Georges Roben, while viewing a new painting, "The Martyr--Truth Crucified by Evil." Marie declares that the picture was wrong--evil could never triumph over truth--and though Muller says he agrees with her, he plots to prove otherwise.
