George Malko
Pauline Kael (1919–2001) was undoubtedly one of the greatest names in film criticism. A Californian native, she wrote her first review in 1953 and joined ‘The New Yorker’ in 1968. Praised for her highly opinionated and feisty writing style and criticised for her subjective and sometimes ruthless reviews, Kael’s writing was refreshingly and intensely rooted in her experience of watching a film as a member of the audience. Loved and hated in equal measure – loved by other critics for whom she was immensely influential, and hated by filmmakers whose films she trashed - Kael destroyed films that have since become classics such as The Sound of Music and raved about others such as Bonnie and Clyde. She was also aware of the perennial difficulties for women working in the movies and in film criticism, and fiercely fought sexism, both in her reviews and in her media appearances.
Mercenary James Shannon, on a reconnaissance job to the African nation of Zangaro, is tortured and deported. He returns to lead a coup.
The story of a champion Eskimo sled dog, named Kavik, who survives a plane crash in the wilds of Alaska and is found and cared for by a young boy, named Andy Evans, who brings Kavik back to his small hometown. But the dog's owner, George Hunter, takes Kavik back to his home in Colorado where the dog escapes and embarks on a 2,000-mile odyssey in search of Andy
Ivan and his three brothers are sent to protect the fields again so mysterious culprit responsible for destroying the wheat crop. Lo and behold that culprit is a magic pony who leads them on the enchanted adventure filled with wondrous encounters.
The story of Buzz Aldrin, the second astronaut to walk on the moon, and the problems he had after his return to Earth, including the breakup of his marriage, a nervous breakdown and his hospitalization for psychiatric problems.
The true story of Canadian Mountie Dan Candy's pursuit of a Native American that killed his partner.
This documentary offers an incomparable glimpse into the Golden Age of opera, as the nervous stars—opera greats Margherita Roberti, Renato Cioni, and Piero Cappuccilli—prepare their new production of Verdi’s Luisa Miller for Parma’s notoriously demanding audience.
