Georges Conchon
Two members of the French Academy agree to help the attractive young veterinarian Esther investigate the suspicious death of her sister. Esther is convinced her brother-in-law is responsible, but soon it becomes apparent that those responsible are linked to the very highest echelons of power in the Vatican.
The scene is the restless Paris of the interwar years where an attractive and ambitious woman successfully makes her way in a world previously reserved for men: that of high finance. Originating from a humble background, she quickly becomes popular with small savers by offering them outstanding interest rates. Extremely popular, she makes no secret of her taste for the good things in life and her homosexual affairs. They will cost her dearly...
When her old resistance buddies come to her looking for someone to helm a financially troubled liberal newspaper, Judith (Simone Signoret) is at first reluctant, but for this old hero of the French anti-Nazi resistance, challenges are hard to ignore. She takes on the job, mortgaging her house to keep the paper solvent. When things take a turn for the worse, because of concerted opposition by conservative forces, she is forced to sell the paper, and she regards this as a personal failure.
A semi-fictional account on the fatidic September 11, 1973, when the military commanded by General Pinochet took over the power from socialist president Salvador Allende, initiating a dictatorship that lasted until 1988 causing the deaths and disappearances of many people.
Dr. Brézé and his sons, all surgeons with limited abilities fight any competition on their sector with all means.
Antonin is a young French soldier who returns home from World War I to recover from his wounds. When he falls in love with a young widow, Antonin questions his role in battle and contemplates desertion as he recalls the horrors of war. He is pressured by his patriotic father to honor his military commitment even if it means he will die.
The Stranger is a literal (but still very cinematic) adaptation of the novel by Albert Camus. Marcello Mastrioanni stars as Meursault, a man who feels utterly isolated from everyone and everything around him. This alienation results in sudden, inexplicable bursts of violence, culminating in murder. The subsequent trial of Meursault manages to convey the oppressive heat of its Algerian setting with director Luchino Visconti's usual veneer of elegant decadence. Though set in the 1930s, the sensibilities of the film were very much attuned to the 1960s: the problem was that Camus' sentiments had been adopted by so many other filmmakers of the period that The Stranger seemed rather commonplace. The film was originally released in Italy as Lo Staniero.
