Georges Descrières
A country priest receives his bishop with the mission of converting a nudist colony.
In 1977 France, the Ministry of the Future chooses two “normal,” white, middle-class citizens, Claudine and Jean-Michel, for a national experiment. They will be monitored and displayed on television for six months in a model apartment outfitted with state-of-the-art products and nonstop surveillance—the template for “a new city for the new man.
Un réalisateur sans beaucoup d'expérience souhaite tourner un film pornographique.
Arsène Lupin is a French TV show which was co-produced with German, Canadian, Belgian, Dutch, Swiss, Italian and Austrian TV stations. It was only loosely based on Maurice Leblancs novels. Georges Descrières' portrayal of Arsène Lupin showed more similarity to Graf Yoster than to Maurice Leblanc's original. He behaved in the first place as a perfect gentleman who never got angry. He was always relaxed, because whatever could possibly had bothered him in daily life was taken care of by his butler. It wasn't questioned how he had come to his financial independence although the series sometimes discreetly implied that he was a professional criminal. Besides rescuing damsels in distress Lupin took on criminals, competing with their wit and intelligence. Either he stole paintings from rich people who had to be considered white-collar criminals or he acted as a detective who derailed criminal schemes. However, when he was attacked, he could defend himself effortlessly by using elegant jujutsu methods. Among the guest stars were German actors such as Günter Strack and Sky du Mont. Jean-Paul Salomé said in his commentary on the DVD version of his film Arsène Lupin he had like this series as a child. German TV, one the investors, would broadcast the show eventually between 18:00-20:00 o'clock because it was only allowed to show commercials within that very timeslot. For them to get a financial return on investment the show had to be appropriate for families and also for children who would watch it alone. Subsequently it was nearby to ask to defuse and flatten some of Leblanc's plots in order to avoid possible complaints that could force the station to broadcast the show beyond the "Vorabendprogramm".
Director Jacques Charon's 1968 comedy about a womanizing attorney stars Rex Harrison, Louis Jourdan, Rosemary Harris, Rachel Roberts, John Williams and Victor Sen Yung.
The ten-year marriage of Mark and Joanna Wallace is on the rocks. In flashback they recall their first meeting, memorable moments in their courtship and early wedded life, their travels through Europe, their broken vow never to have children, and their increasing tensions that led to both of them having extra-marital affairs.
Arlette has too provincial parents to whom she announces her plan about own independence. After her departure, Marc, her absent fiance seek for her in vain in Paris until he discovers her picture on the magazine cover.
In a frightening dream, Pauline, daughter of Felix the Roman governor, foresees the death of Polyeucte and cannot agree to let her husband leave the Palace. In love, Polyeucte leaves however on the advice of his Christian friend Néarque who encourages him to neglect the tears of his wife and urges him to be baptized...
D'Artagnan is back from England with a message for the queen. Buckingham has declared that he was ready to attack France to deliver Anne of Austria. D'Artagnan ends up arrested and thrown into prison. Musketeers wonder how to rescue their friend.
Laurent is theatrical director, his girl Valerie an aspiring actress. Their relationship begins to fracture when Valerie doesn’t get the role in Laurent’s play.
A swashbuckling heritage reveals itself as the adopted son of 19th-century Spaniards develops into a suave lady-killer.
A novel by Michel De Saint Pierre was the source for Les Aristocrates. Pierre Fresnay stars an aging Marquis, who tries his best to uphold the traditions of nobility in an ever-changing world. The Marquis' children prefer the trappings of modern society and pop culture and regard their father as a relic. This cultural clash nearly results in tragedy when two of the Marquis' offspring substitute recklessness for common sense.
It's no holds barred for Julian in pursuit of upward mobility. Although expected to channel career aspirations into the Church of the post-Napoleonic era, his intensely romantic liaisons propel him forward at a pace he cannot control.
