Gerd Anthoff
Set in the 1800s when Napoleon’s French ruled Europe, the film follows young Austrian carpenter Franz and his Bavarian wife, Katharina as an unforeseen event forces them to flee from Augsburg, Bavaria for Franz’s family home in Tyrol, Austria. Tyrolian sentiment is rising strongly against Napoleon and trouble is stirring. In no time it sweeps up Franz and his brothers along with the whole town.
This film is about the difference between law and justice. A national socialist is accused of having stirred up some people against foreigners. A judge has to decide whether he has done so or if his statement comes under the constitutional given freedom of speech. This is compared with a trial in the third Reich. A young woman is being accused of having a relationship with a jew. The film confronts two views of law: the judgement is only based on the current law or the judgement may be influenced by socio-political events and sense of justice.
For fans of history, this glimpse of Munich society in the 1920s will be a much-treasured event. The story revolves around an art-gallery manager who puts on a show featuring the scandalous works of a woman artist who committed suicide. He is unjustly accused of having committed adultery with her, and for some reason the authorities decide to make an example of him. He is imprisoned at about the same time that Hitler and the nascent Nazi party attempt the infamous Beer Hall Putsch, and the gallery manager's girlfriend and a Swiss writer valiantly (and unsuccessfully) attempt to get better justice for him. Nobody in authority, it seems, has the courage to take up the challenge of righting this particular injustice.
