Gheorghe Vitanidis
A young girl is cast for a musical comedy, but she refuses after her father doesn't let her play in it. After that, more offers emerge, along with a hit song dedicated to her from a infatuated admirer.
Being in an unhappy marriage, the wife of an important director complains to the party when she is threatened by divorce, saying that her husband has an antisocial behavior. This is an occasion for the people present at that meeting to evaluate their own personal lives.
This movie is about a person that was convicted in the 50s by the stalinist policy of the times, then released and re-educated at the workplace in 65, as the policy changed.
In New Year's Eve, Dan, a pilot, picks up a stranded woman at the airport and they head together to his cabin, where they will meet unexpectedly his ex and her new partner.
During the 18th century when Moldavian Prince Dimitrie Cantemir writes The History of the Rise and Fall of the Ottoman Empire the manuscript is stolen and offered to the highest bidder.
This film envisions the patriotic and tragic life of Romanian composer Ciprian Porumbescu.
Around the nationalization in 1948, a worker's daughter, as a student, is attracted by the social life offered by a breed horse owner. The relationship will sour by the cruelty with which he kills the horses, rather then give them away.
Magdalena, a young chemist, imagines how the perfect man should look like. Gore, a meteorologist, former friend who was in love with her identifies in the end with the true love imagined by Magdalena.
"Post Restant" is about two engineers: Puiu (Iurie Darie), a quite shy character, and Dan (Ion Dichiseanu) an alpha male type. They receive a letter from Liliana, a letter which is actually meant for the former apartment owner. Puiu replies to the letter, although he does not know the sender. The mail exchange goes on and the two fall eventually in love. Being less self-confident, when the time comes to see Liliana in the flesh Puiu asks Dan to meet her and pretend to be the one who wrote the letters.
This movie is a screen adaptation of the eponymous play by Horia Lovinescu. It follows a "bourgeois" family as it copes with the emerging communist regime. Different members of the family take different paths.
Rumania's entry in the 1958 Cannes Film Festival was the excessively melodramatic Ciulinii Bărăganului. The title translates as Fools of Bărăgan, in reference to a band of beleaguered feudal Rumanian peasants. But these are no fools: instead, they are fearless freedom fighters, organizing a brave (though foredoomed) revolt against the tyranny of the landowners. The parallels drawn between the people of Bărăgan and Russia's revolutionary leaders are all but impossible to miss. It would have been nice, however, if the story had not been told in such a heavy-handed, spell-it-all-out fashion.
