Gigi Ballista

Nadia is a social worker who is trying to keep the residents of a local slum in line. Unfortunately she keeps neglecting her work and fantasizing about a life as a pop-star. When she falls for one of the residents in question, a small time crook called Bel Ami, she ends up an accomplice in a convoluted heist involving a holy Catholic relic.

There are two problems with Emilio and his career as a pulp writer. Emilio is a bumbling fellow who has absolutely nothing in common with the heroes he writes about. Second, Emilio can't seem to publish anything under his own name.

Gianna Amicucci works in the house of the head of her hometown police force and enters the academy with a kickback from him. She is a beautiful woman (she generously sheds clothes during the film) and has to overcome her male colleagues prejudices, but she gains their respect through a series of brilliant operations.

In the slang of the underworld or "mala" there is a special term for cop: "Madama". But if word were to get around that the "Madama" is Vito (Christian De Sica) they might even start to like the guy. Vito is a funny sort of a cop. For a start he doesn't like the uniform (he never wears it). Things might even go smoothly for him, if it weren't for an incredible number of beautiful girls who always manage to get in his way. Especially one girl Angelo (shouldn't that have been Angela? No, the girl's name really is Angelo). Problems arise too, with his direct supervisor, who also happens to be a relative. But Vito puts up with it all and manages to stay his usual calm and polite self, even when he risks getting killed.

Three medical students who are reluctant to hit the books and unwilling to work are much more enthusiastic about creating pranks and targeting a thriving confidential, female doctor.

The young Rimini native Stefano Santi goes to Rome, with a letter of recommendation for the maestro Melchiorri, artistic director of the Opera House, to take part in a competition for cellists. While trying in vain to be received by Melchiorri, he met an unscrupulous girl, Giorgia Muller, an architectural student temporarily linked to a fellow student. Between one misfortune and another the cello smashes, a homosexual theater manager tries to enmesh him Stefano, who now has a precarious employment in a nightclub, yields to the allurements of Giorgia, ending up in his bed. The girl, however, is unfaithful to him, so that Stefano, disgusted with her, and having now lost all hope of participating in the competition,

Bruno Fioretti, known as "Mandrake", is an inveterate gambler who never misses a day at the horse racing track in Rome. He is doubly unlucky: he bets too much on one horse, and his wife is sleeping with his best friend because Mandrake is always at the track. Penniless and cuckolded, Mandrake decides to make one last bet.

A woman is killed, and Femi Benussi appears to investigate. Her clothes fall off in almost every scene as with the help of a young handsome man she seeks a resolution to the mystery surrounding the murder, and the meaning of a block of wood with cryptical markings. Femi runs afoul of a bunch of idiotic gangsters, including a mob boss whose trademark is a red rose which he carries with him at all times. Some other girl is taking her clothes off a lot as well. Eventually they wind up in a weird sex club and then a graveyard.

When Giacomo D'Amato is released from jail he is immediately employed by Magda, in a plot to secure her the heritage of the count. But there are other players in this game too, and Giacomo has his own agenda.

A poker player on a losing streak meets a beautiful young woman. He's attracted to her, but she appears to be perfectly content with her boyfriend, a somewhat wussy writer. The gambler gets the idea that if he can get this woman into bed, it will change his luck at the gambling tables.

A sexy graduate student is giving her thesis presentation, which creates quite a stir since it reveals that she has just posed as a prostitute for several months to do sociological research for her thesis. She relates various stories of her experiences to her salivating thesis committee and a large audience of curious on-lookers.

Good bourgeois damage unintentionally life of a drug-party, during which the mistress of the house is raped without recognizing the aggressor. Both she and her husband come into crisis and try to figure out who it was. The truth comes to the surface slowly, and it is unexpected.

Legendary director Sergio Martino takes the helm for this sexploitation classic concerning the scandal that erupts when the panicked head of a high-profile cheese production company hires a beautiful prostitute to seduce an unsuspecting Cabinet member. Edwige Fenech and Pippo Franco star in a bawdy comedy classic that's as sexy as it is hilarious.

Italian comedy

Mino and Lello, two sons of a worker wrongly accused of murder, try to find out evidence of his innocence and begin to investigate mafia business in Torino.

Two brothers-in-law, a smuggler and the other traffic policeman, get hold of a large sum of money, destined for illegal exportation to Switzerland, after the courier is killed in a fire fight with the border police. The owners of the money, which occupy an important social position, try in every way to recover it, also leveraging the weakness of the policeman. After the petty betrayal of his brother-in-law, the smuggler decides to keep all the money and flee to Switzerland.

Italian sex comedy version of Arabian Nights

La Califfa's husband was killed during the strikes so she takes the side of the strikers. Her conflict with the plant owner Doverdo gradually turns into a love relationship.

Nino Manfredi is a police captain, giving an onlooker's point-of-view towards the decadent society folk. Party itself features a down & out baron, who dances with the party's glamorous hostess Virna Lisi so that he can steal her valuable earrings. When they're missing, she's angry enough to call in the cops (Manfredi shows up) and have the baron taken away.

Rosario Trapanese is determined to show he is not the typical old-fashion Sicilian. When his firm sends him to Denmark, a more sexual liberated nation than Italy, he immediately adopts the Danish "free-sexual-taboo" way of life. He meets and married Karen and succeeded to come back in Italy. Once here, he discovers Karen did a porn movie and his determination on being open minded is over. The typical Sicilian jealousy drives him crazy. Anyway, after a while, Rosario understands that what his wife did before to meet him it has not to be an issue for him. Karen confesses Rosario she signed a contract for a second movie and she could refuse only by paying a fine. The couple doesn't have enough money so they need to find a solution. And what a solution!

Trastevere is a 1971 Italian comedy film. This is the first and only film directed by actor and screenwriter Fausto Tozzi. The film was heavily cut by producer Alberto Grimaldi, who cut off the roles of Umberto Orsini, Martine Brochard and Riccardo Garrone.

After many years of living abroad, a troubled young man returns home due to the death of his father (who he suspects was actually murdered). He attempts to untangle that mystery while still carrying an unhealthy obsession toward his mother, who committed suicide ten years ago. This obsession then draws in his attractive cousin and takes a sexual turn.

A married woman falls in love with a playboy dedicated to blackmail, to avoid that reveal his unedifying past, abandons her.

When Marino goes to Rome for an event, he certainly does not imagine meeting Marisa, who will become the love of his life. But once love is found, it is a matter of spreading it and here the difficulties begin: first the father who opposes it; then, after the death of his father, the gossips who make Marino believe that Marisa was a little good, so much so that Marisa runs away. Repentant, Marino searches in vain and then, almost by accident, finds her again, Mrs. Ciceri. But love admits no obstacles, not even that of a deaf and dumb husband.

The Making of a Lady: The Story of Lady Hamilton is a 1968 historical drama film directed by Christian-Jaque and starring Michèle Mercier, Richard Johnson and John Mills.[1] It was based on the novel La San-Felice by Alexandre Dumas and depicts the love affair between Emma Hamilton and Horatio Nelson. It was a co-production between Italy, West Germany, France and the United States.

One Sunday in summer a mixed crowd pours on to a beach near Rome. A few tourists who had hoped to spend a relaxing day, find themselves involved in a series of unpleasant experiences instead.

A violin player is going to be father of a sixth child by his second mistress, Marisa. Quite nervous about that, he does not leave the clinic... except to drive Giulia, his legitimate wife, along with his legitimate kids to the station as they leave for a vacation at the seaside.

When an oily attorney dies at the hands of the mafia, a dedicated French detective investigates the man's murder. He soon uncovers a drug-smuggling operation and lets his sawed-off shotgun do the talking to the toughs in this Gallic gangster feature.

An anthology film that presents three storylines, all set in the Italian town of Treviso. In the first story, a husband pretends to be impotent as a cover for having an affair. In the second, a bank clerk abandons his wife for his mistress, but the rest of the town's husbands become jealous and unite to conspire against them. In the third, men of the town all seduce a promiscuous teenager, but her father eventually reveals that she is underage, and they face prosecution for statutory rape.

A trilogy of comedic tales set in the Middle Ages.