Gigi Reder
Ugo Fantozzi has been ejected from Heaven and is sent back to Earth for a short period of time until the staff in Heaven can get Fantozzi a place there. Fantozzi goes through a variety of unfortunate experiences, such as rescuing his retro punk granddaughter Uga, and having to pay a vast telephone bill due to frequent chat line conversations. He ends up getting arrested instead of his ex-boss, who was originally charged with corruption. Just as he is about to enjoy the World Cup Final with Italy, he is called back into Heaven. Can he find peace once again?
One by one, with a sweet but inexorable rate, Ugo's colleagues, go to a better life. When Ugo is attending at one of the innumerable funerals, he and the priest remain involved in an accident. The doctor says that Ugo as only one week left to live
An epileptic 12-year-old girl, Pippi, is hospitalized in the psychiatric ward instead of the neurological ward, due to an administration error. Out of this mistake begins the difficult journey towards being cured.
Fantozzi is now retired but continues to go to the office where it is held up as a fine example of employees intending to do career.
A wheelchair bound woman's life is at stake as her maid and chauffeur plot her murder in order to gain an inheritance.
After thirty years in the big corporation, Ugo Fantozzi retires. Suddenly, he needs things to do in everyday life and he tries a number of activities: helping Pina shopping; babysitting grand-daughter Uga; a trip to Venice; learning golf. He then fakes documents to get a new job, but in the end he becomes a hypochondriac and doesn't even take a long-awaited chance with Miss Silvani.
Superfantozzi (1986) is an Italian film from 1986. It is the fifth film in the saga of the unlucky clerk Ugo Fantozzi, played by its creator, Paolo Villaggio. In this film, Fantozzi is portrayed in a surreal historical journey, from Genesis to 1980s.
A series of skits involving customers and store personnel from several departments of the big department store.
Fracchia is desperate: he has to sell a house within three days, or otherwise his boss will fire him. Mister Filini comes to him, but he asks the impossible, a house with at least five bathrooms for a few thousand dollars. Incredibly, they find a house, a castle in Transylvania which happens to be own by a count Vlad... Filini doesn't want to buy the castle without seeing it first, so the two of them travel to Transylvania, where they meet the count and his sister, who has a crush on Fracchia and decides to marry him! Meanwhile, the sister of a vampire hunter who was killed by Dracula is seeking to revenge her brother.
Marino Stroppaghetti is a breadwinner in a layoff fund who, in order to make some money, arranges himself by doing small tailoring jobs at home. Desperate for having received the eviction, he turns to the City of Rome, where he discovers that there are as many as 80 thousand questions before his. How to do?
Two soccer stories: Alvaro Presutti is a referee who seems to be the last to know about his wife having an affair with a German soccer star. Amedeo Amedei has to please both his father, a die hard Roma supporter and his future father in law, who supports Lazio.
A woman takes advantage of the fact that her husband allowed himself to be praised for divorce to demand immediate separation.
Pasquale Baudaffi, amnistiato, esce dal carcere ed inizia a cercare un lavoro aiutato dal cugino Gaetano. Prima però va in una casa compiacente. Durante i giorni del carcere la casa non è più sede di appuntamenti ma è stata rilevata e affittata come studio dentistico. Pasquale si trova al centro di equivoci a non finire. Prova a fare il guardiacaccia ma non va bene lo stesso, prova a fare il cameriere di un bar: sbaglia subito le ordinazioni e viene licenziato. Negativa la sua prova da guardiano di un garage. L'ultimissima esperienza è in una società di Elettronica ma il suo inserimento nel meccanismo avveniristico scatena le più pazze complicazioni. L'incontro con un cagnolino smarrito gli permette di conoscere la padrona e scoprire così la donna della sua vita.
The world's greatest criminal and the world greatest loser share the same face... now they'll share the same life!
An Italian laborer foils anyone who tries to stop him from selling espresso on the Milan-to-Naples night train.
An unemployed teacher asks for help from her lover, an MP, and finds out that he is married.
The accountant Arturo De Fanti has problems in the bank because he threatens to be hunted. But he does not import of this troubles, because he hopes to find comfort with his lover.
The third film in the saga of the unlucky clerk Ugo Fantozzi, played by its creator, Paolo Villaggio.
Five forty-year-old boys, who had been soldiers together, find themselves, once again in uniform, for a forty-day update period, during which they should learn the use of a new NATO-supplied missile.
After many years working abroad, Guido comes back to Milan. His dream is to set up a clock-shop but Italy is much changed while he was abroad. Robbery and bombs are daily events and to go out for a walk in the evening is risky. He succeeds however in setting up his shop only to see it destroyed by gangsters. But he meets a girl who calls herself Mia and he falls for her.
The frustrating adventures of a humble employee who all the time has to fullfill the wishes and desires of his bosses.
A good-natured but unlucky Italian is constantly going on a difficult situations, but never lose his mood.
Movie starts with a small boy watching his father boarding a ship to America. Years later, all grown up and in colour, Pippolo Cavallo (Adriano Celentano) takes the same route (dressed as a woman) to search for his father and begin a new life.
La Califfa's husband was killed during the strikes so she takes the side of the strikers. Her conflict with the plant owner Doverdo gradually turns into a love relationship.
A group of Italians take a flight to Sweden: among them there are the tourists, and the immigrants.
Parigi O Cara is probably the most camp in the history of Italian cinema, certainly a favourite with the GLBT community who quote its lines by heart. Unique as it's the only film where Franca Valeri (now 90) is the unquestioned star, in the role of Delia, a snobbish, stingy prostitute who is moving to Paris looking for greener and more lucrative pastures. An anti-neorealist, amoral, almost abstract comedy, which anticipates Almodóvar, a ferocious, though gentle, non-moralistic portrayal of the 60's boom and its broken dreams. The dialogue between Delia and her brother (played by Fiorenzo Fiorentini), when he does (or does not) tell her he is a homosexual, is memorable, a primordial coming-out, a masterpiece of allusions. But what makes it one of the first examples of a film with a "gay point of view" is the approach: perceptive, non-conformist, caustically witty. A film ahead of its times, still unbeaten.
Alberto Nardi (Alberto Sordi) is a Roman businessman who fancies himself a man of great capabilities, but whose factory (producing lifts and elevators) tethers perennially on the brink of catastrophe. Alberto is married to a rich and successful businesswoman from Milan, Elvira Almiraghi (Franca Valeri) who has a no-nonsense attitude and barely tolerates the attempts of her husband to keep his factory afloat with her money. Alberto tries to "keep up" with his wife and her rich and successful friends but he only manages to ridicule himself. Amused by his antics Elvira publicly treats her husband as a silly clown, confident that he'll never leave her in the hope of profiting from her fortune.
The story of "King Lazzarone" Ferdinand I of Bourbon whose pastime was to neglect the government and disguise himself as a poor man and turn to the infamous city premises in search of love adventures. With the De Filippo brothers to complete.
Despite of (or perhaps because of ) its sparse production values and unpretentiousness, the Italian Gli Innamorati was feted at the 1956 Cannes Film Festival. The bulk of the story takes place in a single Roman neighborhood. In the manner of the 1925 German classic A Joyless Street, director Mauro Bolognini studies the hopes, dreams, successes and failures of the neighborhood's various and sundry denizens. No one subplot dominates the proceedings, though a bit of extra time is afforded the story of a fickle seamstress and her seemingly meek-and-mild boyfriend. The cast is dotted with such reassuringly familiar faces as Nino Manfredi and Gino Cervi. Released in the US as Wild Love, Gli Innamorati was instrumental in bringing international fame to director Bolognini, whose career soon shifted into high drive.
Marshal Antonio Carotenuto is sent to a remote Italian mountain village named Sagliena. He's anxious to marry, and selects young Gina Lollobrigida as his bride; but she is already in love with his shy subordinate Roberto Risso. Mistaking her headstrong behavior as promiscuity, Carotenuto makes advances towards her, but she spurns him. Forsaking the girl to the arms of Risso, the Marshal decides to settle for village midwife Marisa Merlini. Things become more complicated when Annarella, the midwife, starts demonstrating her love to Antonio. She is hiding a secret and the Marshal soon will be in a difficult situation.
