Giorgos Kyritsis
Two different worlds, two strangers who will come and change what we believe separates but also unites two people. Stratis and Razan will experience a strong love under the most adverse conditions. Will they manage to overcome the wreck of their lives or will they live as protagonists in an absurd thriller? "Glykanisos" is coming to SKAI and its taste will remain indelible.
A young child brings conflict between a pagan community and an early Christian one.
A gifted electrician, Michalis Karamanos works for Greek Telecommunications Organization and it seems that he is the only one who hasn't been completely absorbed by the corrupt and all-devouring system. Acting as a member of the revolutionary organization Constitutional Struggle, which is fighting against the unpopular policy of the government, he connects the computer of the director of OTE to an explosive device. He threatens to destroy the telecommunications of the country if he is not allowed to broadcast on television his revolutionary message during the broadcast of an important football game. The Authorities, thinking that he has gone crazy, try to bring him around using his old friends from the army, whom they pick up one by one as intermediaries. This is a situation comedy with excellent, mature plot development, plenty of suspense as well as masterful criticism of sociopolitical reality.
"Arpa-colla" in Greek literally means "Grab and stick", a phrase used to show something that has been done quickly and therefore isn't good enough. This is what the 2 main heroes of the film are doing. The one is a director(Giorgos) and the other an author(Kostas) with communistic ideas, who has won a prize at a festival. They both want to make a movie for the cinema. But every idea they have never comes true, because every time they meet someone to whom they tell their idea, they change their mind, and they want to make a totally different movie, ideas varying from political cinema to Greek historical dramas and modern films with motorcycle gangs. Not a bad attempt for the Greek cinema of the early 80's, which starts to wake up from the hibernation of the 70's.
A provincial café owner, Mimis, abandons his village in Chalkidiki and comes to Athens in search of a better life. He pretends to be a tough guy, a know-it-all, and behaves like an “antisocial”. With the help of a friend of his from the army, Aristeidis, he tries to set up his own business. At the same time, he falls in love with a seamstress, Toula, who is the sister of Aristeidis’ wife. Then comes the wedding, the everyday obligations, and Mimis is forced, with great resentment, to work as a waiter to make ends meet. When he get fired, however, his relationship with Nitsa is put to the test.
An adulterous woman and her lover plot to murder her husband Kostas and make it look like a yachting accident. However, unknown to them, Kostas has hired a private detective to follow them and knows of their plans in advance. A deadly game of double-crossing begins and propels all three of them towards tragedy.
With a title that expresses the connection/disagreement of bios (βίος) = life, and graphi (γραφή) = writing, this film of Rentzis has as a subject “the passage from homo universalis to homo industrialis”. Based on a visual material provided by the collage book of the Basque Chumy Chúmez, the film forms, out of cultural deposits of the industrial era, a novative oneirographic discourse, through the audacious and unprecendeded claim of a combinatorial optimization of collage/montage techno-poetics. Viewing the body as historical ideotype ‘the sublime point of reference, a matrix and a refusal of all signs’, Rentzis, dissects the body of film, makes an inter-parody of historical utopias and certainties and moves between animation and expanded cinema in order to reflect on the broader social, political question of our social coexistence condition, the unity and rupture.
The assassin of a prominent trade unionist takes a conservative MP hostage and the government prevaricates over tactics so as not to alienate potential political allies.
