Giuseppe Amato
A fashion designer rents his villa to a woman before leaving to go abroad. The daughter of the woman is forced to pretend to be handicapped in a dark conspiracy aimed to prevent the man from leaving.
Journalist and man-about-town Marcello struggles to find his place in the world, torn between the allure of Rome's elite social scene and the stifling domesticity offered by his girlfriend, all the while searching for a way to become a serious writer.
Mario Lanza movie (also known as Arrivederci Roma) made in 1958. After having a fight with his girl friend, Marc (Lanza) follows her to Rome to try and win her back. On the train he meets a girl who is on her way to stay with her uncle. He gives her a lift to her uncle's, but they discover he has gone to South America. So as she has nowhere else to go, she stays with Marc and his cousin, which inevitably leads to romance.
Airy comedy of a man a woman and the lengths they'll go to for a really great apartment! Located in the center of Rome with amazing views both want it and strike the compromise of marrying each other platonically to get it. The woman still hopes for true love and the man agrees to step aside should that special someone come along but he is secretly smitten with her and surreptitiously makes her various suitors look like fools. All goes well until he comes up against Rosanno Brazzi and finds him a tough challenge to overcome.
After his battles with the communist mayor Peppone, Don Camillo is sent in exile by his bishop in a remote village. Peppone thought he got the village in his hands. But when the municipality decide to build a dike against the periodic floods, the proprietor of the land refuses. War between the village clans is about to begin. Maybe only the strong hand of the priest could persuade the landlord to change his mind. Will Peppone passed over his pride and send for his enemy?
In a village of the Po valley where the earth is hard and life miserly, the priest and the communist mayor are always fighting to be the head of the community. If in secret, they admired and liked each other, politics still divided them as it is dividing the country. And when the mayor wants his "People's House"; the priest wants his "Garden City" for the poor. Division exist between the richest and the poorest, the pious and the atheists and even between lovers. But if the people are hard as the country, they are good in the bottom of there heart.
When elderly pensioner Umberto Domenico Ferrari returns to his boarding house from a protest calling for a hike in old-age pensions, his landlady demands her 15,000-lire rent by the end of the month or he and his small dog will be turned out onto the street. Unable to get the money in time, Umberto fakes illness to get sent to a hospital, giving his beloved dog to the landlady's pregnant and abandoned maid for temporary safekeeping.
A gentle cultural clash between a band of Italian sports fans and the citizenry of Paris. DeAngelis has heard so much about “naughty Paree” that he’s determined to experience that naughtiness first hand. Ultimately, he realises that reports of French libertinism have been grossly exaggerated, but he has a high old time finding this out.
In a series of simple and joyous vignettes, director Roberto Rossellini and co-writer Federico Fellini lovingly convey the universal teachings of the People’s Saint: humility, compassion, faith, and sacrifice. Gorgeously photographed to evoke the medieval paintings of Saint Francis’s time, and cast with monks from the Nocera Inferiore Monastery, The Flowers of St. Francis is a timeless and moving portrait of the search for spiritual enlightenment.
Progressive schoolteachers Landi and Anna have a profound influence on two of their young students, Mirella and Franco. The two kids are enamored with one another and decide to experiment with some of the knowledge they've gleaned in the classroom.
Antonio, an unemployed man in the depressed post-WWII economy of Italy, at last finds a good job hanging up posters, the only requirement for which is that he must have his own bicycle. When Antonio’s bicycle is stolen, he and his son are forced to walk the streets of Rome in search of it, or else face ruin.
Second World War . Field 119 in California (USA ) . War is long over , but the Italian Prisoners Still waiting to return home , preparing to celebrate , away from families , another sad Christmas. To dare a little rein to Their longing , they tell Episodes of Their Life . A Roman tells the USA difficult married life . A Neapolitan soldier tells of His lieutenant, a Neapolitan duke penniless . Meanwhile , the camp commander gave : Prisoners and a gramophone , So , Ai stories intertwine songs . Another soldier recalls the parties and the songs of the Sicilian spring , WHILE a Venetian gondolier evokes A HIS love affair . Sometimes , From Radio shabby listening news from abroad and Italy . Finally , one day , comes the ' pending release and All They return home .
ROME, OPEN CITY is a landmark in film history. Filmed in secrecy during the Nazi occupation of Italy, the film shows a realistic portrayal of the underground resistance in Italy in 1945. The film has strong impacting imagery with its mix of fiction and reality that strengthened Italian Neo-realism and the film industry.
In Florence, at the time of Lorenzo de Medici, known also as Lorenzo the Magnificent, the aristocrat brothers Chiaramantesi rule with an iron fist the streets of the city. Ruthless and fierce, the two brothers have chosen as their special victim the innocent and harmless Giannetto. Even though determined to not react to the cruel pranks of the brothers, Giannetto is forced to take a stand when Ginevra, a beautiful girl that works in the Chiaramantesi household, is dragged into the game. To defend his honor and protect the girl, Giannetto works out a fiendish plot that will end in blood and madness.
After an argument with her husband, an unsatisfied wife suffers from selective amnesia. She doesn't recognize the man she married and calls her doctor husband instead.
Martha Eggerth heads the cast of Casta Diva, but the central character is famed Italian composer Vincenzo Bellini, here played by American actor Phillips Holmes. Paying but scant attention the facts, the film concentrates on Bellini's colorful love life. Evidently the film went through several rewriting processes, as witness the curious performances of Donald Calthrop and Arthur Margetson, whose characters do complete about-faces halfway through the story. Amidst so many British accents, Martha Eggerth's Polish intonations seem out of place, but she photographs beautifully and sings quite well. Casta Diva was attractively filmed on location in Naples. Not to be confused with the 1954 remake (by Gallone himself) or to the English language version "The Divine Spark" (also directed by Gallone and starred by Eggerth).
