Go Chiu
Ivy Ling Po, star of The Temple of the Red Lotus, tears up the screen as a jealous, murderous movie star, who, like seemingly all "film noir" vixens, wants to kill off her husband. While she's infuriated that the hitman she hires bungles the job, she's delighted that her husband is found guilty for the killer's "murder".
After the Ming Emperor is overthrown and his infant son put in the care of the Black Dragon Society, a traitorous martial arts clan attacks the society and forces two inexperienced swordsmen to flee with the infant and begin a dangerous journey in search of allies.
Hong Kong's Ironman stepped up to the plate when Dr. No (1962) took the world by storm in the 1960s. Tso Tat-wah, the quintessential tough guy of Cantonese cinema who had appeared in dozens of popular action films, was licensed to spy in several 007 imitations. Here, he is Agent 303, the lucky number "3" a vivid sign of East-West integration. Presented in glorious widescreen, the film is garnished with secret weapons and ominous hideouts, mind games and technological intrigues, violence and sex, the latter in the form of a silhouette striptease!
'Agent Number Two' Lee Kwok-wai of the resistance troops Red Rattlesnake sets off for Guangzhou to assist Agent Number One in rescuing their comrade Pang Yau-lan from the puppet army. Lee approaches his former lover Lam Ying-tsi, the mistress and trusted aide of the puppet commander Wong Tai-wai, who has fallen prey to the lip service of the beautiful and smart songstress Pak Lai. Following the vandalism of the arsenal, Pak is quick to point the finger of blame at a spy at work. Lam combs their home for clues and finds Lee's recording devices. Furnishing Lee with misleading information, Lam has Lee and associates arrested. Pak appears to their rescue, revealing herself as Agent Number One. The dauntless spy sabotages the enemy's ammunition and communication network, captures the commander before joining her comrades to celebrate a successful withdrawal. (Synopsis based on audiovisual materials)
Yuen is a reformed criminal who rescues Mei from an attempted assault on a boat and then marries her. A year later, Big brother (Sek Kin) comes looking for Yuen to return to his criminal past. Yuen refuses and chooses the straight path. Big brother doesn’t like this, so he stages a gambling den robbery and frames Yuen.
Fan Chia-soo is a kind-hearted student whose heart is captured by the sweet song of Shen Feng-hsien. However, he is not the only one who has eyes for Shen. The General's henchmen are also determined to present the songstress to their superior as a gift. Fan received help from an unexpected quarter to save the woman he loves.
The Killing Flag (Part 1) is a 1963 Hong Kong martial arts film direcred by Fung Chi-Kong.
The winning couple of Linda Lin Dai and Peter Chen Hu light up the screen in the delightful Shaw Brothers musical Love Parade!
Singaporean diva Li Ailian has arrived in Hong Kong to further her singing career. Xu Zhaofeng helps her land a job at Spring Wind Palace. Provoked by jealousy, Xu's long-time girlfriend Tao Haiyin, a local diva, insists on performing at the Palace, too. And when two divas strut their stuff, it's great tunes and hot action. Haiyin's brother Zhengsheng, the bandleader, has fallen out with his sister due to his infatuation with Li. Li misunderstands Zhengsheng's intentions initially but his devotion speaks volumes. Haiyin and Xu also reconcile.
The Ten Brothers return as the Lake Devil is plagued by a monster fish. To settle the old score, Marshal asks Shrimpy and his ten sons to exterminate the fish. Excelled on land, the ten brothers find themselves quite useless in the water.
Wong Chat is jobless. He is forced to become a burglar. He breaks into Han Siu-yu and her boyfriend Cheung Wai-lim's home, but it is just the time when they return. Wong hides in the closet. He eavesdrops that Han and Cheung are a couple, but Han is forced to become the tycoon Chan Koon-kau's mistress for a living. Suddenly, Chan returns, and Cheung hides into the closet too. Wong and Cheung meet in the closet and become friends. Wong is righteous and promises to help Han to escape from Chan's control. Wong and his neighbour Yeung Oi-lin disguise themselves as a pair of Singaporean rich couple and attend a banquet at Chan's home. They want to steal back the document that Chan threatens Han with. But they also find evidence of Chan's drug trafficking. When Chan find out about the stolen document, he confines Cheung and Han and kidnaps Wong's children. But Wong refuses to surrender. During their confrontation, the cops arrive after being informed by Yeung and arrests Chan on the spot.
Lee Sun-fung is renowned for adapting literary classics for the silver screen. To commemorate the seventh anniversary of the Union Film Enterprise known for producing quality films and co-founded by Lee, Human Relationships is adapted from writer Ba Jin's novel into film. The Yiu family moves into a manor. Mrs Yiu, while frustrated by the way her step-son is spoiled by her husband and mother-in-law, develops a friendship with a kid (Michael Lai) who steals flowers from the mansion's garden. She later learns that he is the son of the place's former owner whose downfall at middle age is the result of being spoiled when young. Lai was only a child but gained a foothold among seasoned veterans like Cheung Wood-yau, Ng Cho-fan and Pak Yin.
Guerrilla member Ting Siu-yuen works as a playwright and Lee, the leader of an opera troupe. They conceal their identities in the troupe in order to gather military intelligence. Yuen gradually falls in love with the lead actress Mui Law-heung. Ting is unsettled to learn that County Chief Fong covets Mui. He sneaks into Fong's residence and is astounded by the sight of his old lover Pak Kuen, now Fong's wife. Fong colludes with the military chief in conducting vicious schemes. With Kuen's help, Yuen is able to get the intelligence. But as Heung is not an insider, she reports to the Governor about the illicit relationship between Yuen and Kuen. Kuen backs Yuen to eliminate the conspirators and bring about the union of Yuen and Heung.
Wong Fei Hung meets the Five Tigers
Lai-ying (Cheng Bik-ying) is a wealthy socialite who travels globally. Tired of her lifestyle, she sends her secretary Kiu (Tam Lan-hing) to stand in for her in a social function in Hong Kong. Local rich playboy Chung (Sun Ma Si-tsang) is forced by his father (Lee Hoi-chuen) to court the fake Lai-ying in order to save the family from financial distress. But Chung is in love with the real Lai-ying, who pretends to be a poor girl from a working class background. Naturally, the father is unhappy about this mismatch. Typically cast for feisty roles, Tam Lan-hing here plays a marriage-hungry woman, eager to be seduced who knows flirtatiousness can be so hilarious!
Wong Fei-Hung and the Lantern Festival Disturbance is a 1956 Wong Fei-Hung movie directed by Wu Pang.
Wong Fei-Hung Goes to a Birthday Party at Guanshan is a Wong Fei-Hung movie starring Kwan Tak-Hing.
Reporter Yu Mong-yuen is recovering from a leg injury in his fiancee Man-wah's apartment. Bored, he looks out the rear window and observes the life of the neighbouring building. Among the tenants are a sugar-daddy and his mistress, a middle-aged man wants to marry a young girl, but she is in love with his son. Finally, she hatches a plot and makes the man agree to her marrying his son ; a sly fortune-teller ; a lively gym, a rich widow quarrels with the trainer of a gymnasium because his dog has bitten her cat ; and an opera school, a woman signs, leaning on the balcony, and a man tries to strangle her. In fact they are rehearsing an opera…… One evening, Wah is on the night shift, and Yuen watches the opera troupe rehearse to the end. Under the influence of drugs, Yu mistakenly believes that a divorced man has murdered a taxi dancer. He alerts the police, but the whole thing is nothing more than a misunderstanding.
Ah Hing is made pregnant by her master Fan Chun-kit. Fan soon leaves for his studies overseas while Ah Hing suffers gross prosecution and is reduced to becoming a prostitute. In a momentary slip of a struggle, Ah Hing commits manslaughter. Now a qualified lawyer, Fan acquits Ah Hing of the charge, and intends to marry her to redeem his negligence in the past. Ah Hing, however, is determined to pursue an independent life.
The film features a conflict between a young wife and her mother-in-law, depicting the lives of ordinary people and their profound problems.
The Story of Wong Fei-Hung, Part 4: The Death of Liang Huan is the fourth movie in Kwan Tak-Hing's Wong Fei-Hung series.
