Golda Schultz
In a village community that holds firm to archaic customs, the young hunter Max must pass a marksmanship test so he may marry his sweetheart, Agathe. Of all times now when his shooting has been very much below par! Carl Maria von Weber and his librettist Friedrich Kind fluctuate between ghost story, fairy tale, fortune play and interplay between heaven and hell.
In its most ambitious effort yet to bring the joy and artistry of opera to audiences everywhere during the Met’s closure, the company presented an unprecedented virtual At-Home Gala, featuring more than 40 leading artists performing in a live stream from their homes all around the world.
The Gershwins’ modern American masterpiece has its first Met performances in almost three decades, starring bass-baritone Eric Owens and soprano Angel Blue in the title roles. Director James Robinson’s stylish production transports audiences to Catfish Row, a setting vibrant with the music, dancing, emotion, and heartbreak of its inhabitants.
How do we live together in an age of conflict? How do you heal a divided and angry people? In their 2017 production of Mozart’s La clemenza di Tito, Peter Sellars and Teodor Currentzis examine these questions through the story of a warrior-emperor who brings peace to his divided land and pardons his own would-be assassins. Written under a time crunch (legend has it that it was written in only 18 days, although it is likely an exaggeration) during the last year of Mozart’s life, the opera is based on a libretto written more than half a century earlier by Pietro Metastasio. It was commissioned for the coronation of Leopold II as King of Bohemia, and received its first public performance at the Estates Theatre in Prague on September 6, 1791.
A whimsical fairy tale with themes deeply rooted in the Enlightenment and principles of Free Masonry, Mozart’s Die Zauberflöte (The Magic Flute) appeals to audiences of all ages. Tony Award–winner Julie Taymor matches the magic and mystery of this timeless fable with a staging that bursts to life with vivid colors, intricate costumes, and inventive puppetry. In this performance from the 2017–18 Live in HD season, tenor Charles Castronovo stars as Tamino, the noble prince on a quest to rescue the maiden Pamina, sung by radiant soprano Golda Schultz in her Met-debut season. Along the way, Tamino befriends the lovable bird catcher Papageno, sung by baritone Markus Werba, and goes up against the forces of light—represented by bass René Pape’s benevolent Sarastro—and darkness—embodied by soprano Kathryn Lewek’s hair-raising Queen of the Night. Maestro James Levine is on the podium to lead a joyous performance of one of Mozart’s final masterpieces.
Julie Taymor’s kaleidoscopic production returns to select cinemas this holiday season in an encore presentation of the company’s first-ever Live in HD transmission that includes tenor Matthew Polenzani, baritone Nathan Gunn, and bass René Pape in this abridged, English-language version of Mozart’s classic fable.
Filmed production of the 2016 Scala production of the famous opera.
The Last Night of the Proms 2020, featuring South-African soprano Golda Schultz with the BBC Symphony Orchestra under its Principal Guest Conductor Dalia Stasevska.
