Gonzalo Vega
King Tezozomoc invades Texcoco betraying the trust of his allies with a surprise attack. The young prince Nezahualcoyotl will attempt to retrieve his father's kingdom from the hands of Tezozomoc.
Tells the "riches to rags" story of the Nobles, three upper-class twenty-somethings that appear to have no limits to their checkbooks, and no direction in their lives. Until one day, their father tries to teach them a lesson by staging a financial scandal that forces the whole family to escape to an old house in the poor side of town, and leads the "kids" to do what they haven't done before: get jobs.
At first glance, Mica seems a perfectly normal boy. But first glances can often be deceiving... For one, Mica's house is now a museum honouring Guillermo Garibai, the legendary Mexican crooner. Mica spends most of his time there, giving guided tours to aging Garibai fans. But stranger still, Mica smells. He smells like fish. Numerous doctors, his life-long therapist and even his own parents are at a loss. No one wants to be Mica's friend. Girls won't talk to him. His life appears pointless, uneventful, doomed. That is, until Laura walks into it.
In a town in Veracruz being buffeted by cold northerly winds, seven men and woman start out on paths that will change their lives. A well-intentioned Christian gives in to the temptation of a young widow: a mayor succumbs to his greed: an elderly lady adopts a young burn victim: a doctor breaks away from a past that had hardened her heart: an old priest comes and goes trying to understand and a lost poet rediscovers his capacity to love and write. All these passions come together in a yearning to give meaning to their lives.
When a young girl is found amid the wreckage of an accident caused by an alien craft, Mariel (Alejandra Barros), head of a secretive task force investigating the paranormal, must solve the riddle of a frightening message the girl delivers which suggests humanity is on the verge of extermination by a hostile alien force.
Recently widowed, Benito faces the jealousy of his daughters when, reunited by an old ford car, he finds a new love and new meaning for his life.
The Faces of the Moon is the story of five women from five different countries (Argentina, Uruguay, Mexico, USA and Spain), invited to Mexico City to be the jury of the Third Annual Latin American Women's Film Festival. In six vertiginous days these women share their past experiences, their ghosts and, their expectations. The group views and critiques the festival's film entries, and, in the process, the women reveal their personal, political and national histories.
Miguel and Aurelio are two film writers who decide to lock in a monastery in Aragon to finish the script for a movie. Strolling through the beautiful neighborhood, they meet a young and very attractive baker, with whom they maintain a loving relationship and she becomes, without realizing it, the protagonist of the script.
A drifter named Candelario asks to spend the night at the hacienda of Don Lazaro. Once there, he gets the offer to stay and work as a laborer with a fixed salary. Over time, Candelario is gaining the confidence of his employer, and becomes indispensable. The situation will change radically when Don Lazarus discovers that Candelario is having a love affair with his wife.
Cuna de lobos is a Mexican soap opera produced by Televisa and broadcast by Canal de las Estrellas in 1986 to 1987. The serial, about the struggle for power within a wealthy Mexican dynasty, was enormously popular in its native Mexico. It was also a hit in several foreign countries, including the United States, Germany and Australia. The soap opera starring antagonistically María Rubio as the main villain interpreting the evil "Catalina Creel", with Gonzalo Vega, Diana Bracho, Alejandro Camacho and Rebecca Jones.
Two young emigres return home from USA to their family farm to visit for a week.
A psycho with a hair fetish is caught in the act of disposing of a body and the lonely housewife that witnesses it must fight for her life.
Director José Luis García Agraz, an independent filmmaker, opens this fast-paced drama with a murder and in flashbacks tells the story of how the assassin, Rodrigo Saracho (Gonzalo Vega) was caught in circumstances slightly beyond his control and left with no way out except to descend further and further down the moral scale. The man remembers how he began as an aspiring boxer in Mexico City, innocent of the seamier side of the ring, and how crime bosses slowly involve him first in a few "minor" transgressions, such as throwing a fight, and then in ever-more-serious criminal activity.
A young teenage boy with a zest for sports and singing is seriously injured in a motorcycle accident. The story revolves around his shock at the way his life has changed and his difficulty in coping with his new reality. The boy, played by Latin singing star Luis Miguel at age 14, sings several songs in the movie.
The sexual misunderstandings caused by the real identity of a rich woman serve Hermosillo to satirize the moral and social hypocrisy of the provincial that every Mexican carries inside.
Newly-committed to a mental institution, a woman tries to convince her doctors that her husband conspired to have her put away for selfish reasons unrelated to her mental health.
Irene is a young housewife and mother who tries to raise her young family, love her husband and keep her home all the while studying her masters' degree. Mario, her husband, is a good man, but he's tied by convention. When she has a strange mishap one day, her domestic life is catapulted in a whirl of horror and violence that will tear the fabric of her very existence apart.
Newlywed couple loses their moral compasses while hubby climbs the career ladder in a corrupt office.
A disturbed middle aged writer becomes obsessed with a little boy who reminds her of a former lover.
Family honor, greed, machismo, homophobia, and the dreams of whores collide in a Mexican town. Rich, elderly Don Alejo is poised to sell the town for a profit, needing only to buy a whorehouse to own all the buildings and close the deal. It's owned by a man and his daughter: Manuelita is gay, aging, afraid; he cross-dresses and entertains as a flamenco dancer; he wants to sell and leave. His daughter wants to stay. The return of Pancho complicates things: he's a hothead Alejo tries to control and he scared Manuelita the year before. Things come to a head as Pancho breaks Alejo's hold on him, then flirts and dances with Manuelita and finds himself at risk of being called a "maricón."
Three episodes: 1) "A Christmas dinner" where the family members fantasize about being somewhere else. The fetishist father wants to put on feminine clothes. The son longs for another transvestite adventure. The daughter yearns to be a singer and destroy the saints of the church with her voice. The youngest son wants to stab everyone dead. 2) "Game of mirrors". Two young classmates kiss on a picnic, but the girl's brother accuses the couple of being immoral. Bizarre things develop. 3) "Tetrahedron". A very fat man faces his girlfriend's longing for love.
In the middle 70's in the mexican state of Guanajuato, authorities discover a clandestine burial ground, the corpses were from murdered prostitutes. the suspects are three sisters known as "Las Poquianchis" The sisters were very religious but were the owners of brothels and recruited poor girls with the false promises of jobs, instead they were forced to prostitution, and some were killed.
A union leader dies in a sleazy hotel room, then the wife, mistress, police, co workers, reporters, colleagues, and political figures arrive to the hotel and each has its own intentions.
She has an incurable heart condition, her son's a shoplifter, her husband's an alcoholic, her daughter runs away from home...
Backwards fishing village is home to a widow and her teenaged daughter. Neighbors suspect the mother of having murdered her husband. A tourist in town gets it into his head to put the smooth big city moves on both women. And the-e-en...
