Gordon Willis
Celebrating the 30th Anniversary of The Godfather: Part III, director/screenwriter Francis Ford Coppola brings a definitive new edit and restoration of the final film in his epic Godfather trilogy—Mario Puzo’s THE GODFATHER, Coda: The Death of Michael Corleone. Michael Corleone (Al Pacino), now in his 60s, seeks to free his family from crime and find a suitable successor to his empire. That successor could be fiery Vincent (Andy Garcia)... but he may also be the spark that turns Michael's hope of business legitimacy into an inferno of mob violence. The film’s meticulously restored picture and sound, under the supervision of American Zoetrope and Paramount Pictures, includes a new beginning and ending, as well as changes to scenes, shots, and music cues. The resulting project reflects author Mario Puzo and Coppola’s original intentions of The Godfather: Part III, and delivers, in the words of Coppola, “a more appropriate conclusion to The Godfather and The Godfather: Part II.”
Francis Ford Coppola is developing a new version of ‘The Godfather 3’ titled ‘THE GODFATHER, CODA: THE DEATH OF MICHAEL CORLEONE’ The film will have a new beginning, ending & rearranged scenes; Coppola says it is a “more appropriate conclusion”
Francis Ford Coppola’s 2020 re-cut and re-shot version of The Godfather Part III, featuring a brand new beginning, ending, and scenes previously not included in the original film.
Documentary about the 1970 film, "End of The Road."
Iconic writer, director, actor, comedian and musician Woody Allen allowed his life and creative process to be documented on-camera for the first time. With this unprecedented access, Emmy-winning, Oscar-nominated filmmaker Robert B. Weide followed the notoriously private film legend over a year and a half to create the ultimate film biography. "Woody Allen: A Documentary" chronicles Allen's career - from teen writer to Sid Caesar's TV scribe, from stand-up comedian to award-winning writer-director averaging one film-per-year for more than 40 years. Exploring Allen's writing habits, casting, directing, and relationship with his actors first-hand, new interviews with A-listers, writing partners, family and friends provide insight and backstory to the usually inscrutable filmmaker.
We hear from Coppola, Spielberg, director of photography Gordon Willis, consulting restoration cinematographer Allen Daviau, film archivist Robert A. Harris, Paramount Post Production executive VP Martin Cohen, MPI senior technical advisor Daniel Rosen, MPI scanning technician Chris Gillaspie, senior digital artist Steven A. Sanchez, digital artist Valerie V. McMahon, and MPI technical director and senior colorist Jan Yarbrough as they offer interesting facts about the original cinematography, details on the restoration of the three films.
Film Noir burrows into the mind; it's disorienting, intriguing and enthralling. Noir brings us into a gritty underworld of lush morbidity, providing intimate peeks at its tough, scheming dames, mischievous misfits and flawed men - all caught in the wicked web of a twisted fate.
A short documentary on the making of All the President's Men
Frankie McGuire, one of the IRA's deadliest assassins, draws an American family into the crossfire of terrorism. But when he is sent to the U.S. to buy weapons, Frankie is housed with the family of Tom O'Meara, a New York cop who knows nothing about Frankie's real identity. Their surprising friendship, and Tom's growing suspicions, forces Frankie to choose between the promise of peace or a lifetime of murder.
Cameramen and women discuss the craft and art of cinematography and of the "DP" (the director of photography), illustrating their points with clips from 100 films, from Birth of a Nation to Do the Right Thing. Themes: the DP tells people where to look; changes in movies (the arrival of sound, color, and wide screens) required creative responses from DPs; and, these artisans constantly invent new equipment and try new things, with wonderful results. The narration takes us through the identifiable studio styles of the 30s, the emergence of noir, the New York look, and the impact of Europeans. Citizen Kane, The Conformist, and Gordon Willis get special attention.
Rusty Sabich is a deputy prosecutor engaged in an obsessive affair with a coworker who is murdered. Soon after, he's accused of the crime. And his fight to clear his name becomes a whirlpool of lies and hidden passions.
In the midst of trying to legitimize his business dealings in 1979 New York and Italy, aging mafia don, Michael Corleone seeks forgiveness for his sins while taking a young protege under his wing.
A young kid from Kansas moves to New York to work on a magazine. He gets caught up in the world of drink and drugs, and starts a steady decline. The only hope is the cousin of one of his drinking partners, can she pull him through it ?
A womanizer meets his match when he falls for the daughter of a gambling addict who is in debt to the mob.
After being evicted from their Manhattan apartment, a couple buy what looks like the home of their dreams—only to find themselves saddled with a bank-account-draining nightmare. Struggling to keep their relationship together as their rambling mansion falls to pieces around them, the two watch in hilarious horror as everything—including the kitchen sink—disappears into the Money Pit.
Cecilia is a waitress in New Jersey, living a dreary life during the Great Depression. Her only escape from her mundane reality is the movie theatre. After losing her job, Cecilia goes to see 'The Purple Rose of Cairo' in hopes of raising her spirits, where she watches dashing archaeologist Tom Baxter time and again.
A shopkeeper is condemned by the police & the press for sleeping with a suspected terrorist.
A hapless talent manager named Danny Rose, by helping a client, gets dragged into a love triangle involving the mob. His story is told in flashback, an anecdote shared amongst a group of comedians over lunch at New York's Carnegie Deli. Rose's one-man talent agency represents countless incompetent entertainers, including a one-legged tap dancer, and one slightly talented one: washed-up lounge singer Lou Canova (Nick Apollo Forte), whose career is on the rebound.
A nutty inventor, his frustrated wife, a philosopher cousin, his much younger fiancée, a randy doctor, and a free-thinking nurse spend a summer weekend in and around a stunning - and possibly magical - country house.
A musical set in the great Busby Berkeley style. In Chicago during the depression, sheet music salesman, Arthur Parker, is trying to sell his products, but it's not easy to convince unwilling music store owners to buy them. Although he's already married to the somewhat drab Joan, when he meets school teacher Eileen in a music store, he falls in love with her.
While attending a retrospect of his work, a filmmaker recalls his life and his loves: the inspirations for his films.
When Eve, an interior designer, is deserted by her husband of many years, Arthur, the emotionally glacial relationships of the three grown-up daughters are laid bare. Twisted by jealousy, insecurity and resentment, Renata, a successful writer; Flyn, a woman crippled by indecision; and Joey, a budding actress; struggle to communicate for the sake of their shattered mother. But when their father unexpectedly falls for another woman, his decision to remarry sets in motion a terrible twist of fate…
Ella Connors is a single woman who gets pressured to sell her failing cattle farm to her corrupt ex suitor, Jacob Ewing. She asks for help from her neighbor, Frank Athearn. As Ella and Frank fight back through stampedes, jealousy, betrayal, and sabotage...they eventually find love.
Rebel. Icon. Legend. James Dean’s untimely death on September 30, 1955, shocked the world and helped define an entire generation. This gripping drama chronicles the reactions of an Arkansas college town to the tragedy and focuses on Jimmy J., a young man who idolized the rising star. Racked with grief, Jimmy holds a vigil that quickly devolves into a drunken spectacle with its own catastrophic consequences. Dennis Quaid also stars in "September 30, 1955": a day that forever changed the lives of many.
In the run-up to the 1972 elections, Washington Post reporter Bob Woodward covers what seems to be a minor break-in at the Democratic Party National Headquarters. He is surprised to find top lawyers already on the defense case, and the discovery of names and addresses of Republican fund organizers on the accused further arouses his suspicions. After the editor of the Post runs with the story and assigns Woodward and Carl Bernstein to it, they find the trail leading higher and higher in the Republican Party—and eventually into the White House itself.
Harper is brought to Louisiana to investigate an attempted blackmail scheme. He soon finds out that it involves an old flame of his and her daughter. He eventually finds himself caught in a power struggle between the matriarch of the family and a greedy oil baron, who wants their property. Poor Harper! Things are not as straight-forward as they initially appeared.
An ambitious reporter, investigating a senator's assassination, realizes witnesses to the shooting are systematically dying and discovers a multi-million dollar corporation which serves as a front for the recruitment of political assassins.
In the continuing saga of the Corleone crime family, a young Vito Corleone grows up in Sicily and in 1910s New York. In the 1950s, Michael Corleone attempts to expand the family business into Las Vegas, Hollywood and Cuba.
A first-year law student struggles with balancing his coursework and his relationship with the daughter of a stern professor.
A young wife and mother, bored with day-to-day life in New York City and neglected by her husband, slips into increasingly outrageous fantasies: her mother breaking into the apartment, an explorer's demonstration of tribal fertility music at a party causing strange transformations, and joining terrorists to plant explosives in the Statue of Liberty.
After Drew Dixon, an upright young man, is sent west by his religious family to avoid being drafted into the Civil War, he drifts across the land with a loose confederation of young vagrants.
Spanning the years 1945 to 1955, a chronicle of the fictional Italian-American Corleone crime family. When organized crime family patriarch, Vito Corleone barely survives an attempt on his life, his youngest son, Michael steps in to take care of the would-be killers, launching a campaign of bloody revenge.
This acclaimed thriller stars Jane Fonda as Bree Daniel, a New York City call girl who becomes enmeshed in an investigation into the disappearance of a business executive. Detective John Klute is hired to follow Daniel, and eventually begins a romance with her, but it appears that he hasn't been the only person on her trail. When it becomes clear that Daniel is being targeted, it's up to her and Klute to figure out who is after her before it's too late.
Elliot Gould plays Alfred Chamberlain -- a one time successful photographer who is now down on his luck because he began to eliminate people from his photographs. He also suffers from an inability to feel or to be passionate about anything. But then Alfred meets Patsy Newqvist, who takes it upon herself to mold Alfred into "a strong, vital, self-assured man, that I can protect and take care of."
At the age of twenty-nine, Elgar Enders "runs away" from home. This running away consists of buying a building in a black ghetto in the Park Slope section of Brooklyn. Initially his intention is to evict the black tenants and convert it into a posh flat. But Elgar is not one to be bound by yesterday's urges, and soon he has other thoughts on his mind.
After a catatonic episode on a railway station platform, Jacob Horner is taken to "The Farm"...
Seventies attempt at exposing the drug problems of suburban youth. Typical middle-class parents Wallach and Harris are horrified to discover that daughter Winters is strung out on LSD. They fight to expose the neighborhood pusher while struggling to understand their now-alien daughter. Based on J.P. Miller's television play.
Director's cut of The Godfather Part III, the 1990 American crime film written by Mario Puzo and Francis Ford Coppola, and directed by Coppola, which wrapped up the story of The Godfather saga. It completes the story of Michael Corleone, a Mafia kingpin who tries to legitimize his criminal empire. It had a limited theatrical release in December 2020, followed by a home media release for digital platforms.
