Grant Masters

A story about the tragic fate of a Jewish political activist who committed suicide on 12th May 1943 in London. What he did was supposed to be a sign of protest against the world’s passive attitude towards the tragedy of Holocaust. The story is told from the point of view of a young British journalist who, as most of the people living in the West back then, was unaware of the extent of the crime taking place in the east of Europe at that time.

A year after the mysterious disappearance of an 8 year-old girl, we meet her grieving family as they return home from her memorial service in their small town. Later that evening, strange lights appear in the nearby forest and the family is exposed to an inexplicably strange phenomenon that rattles them to the core. The origin of the lights appear to be visitors from another world that seemingly terrorize the family. What they don't realize is that these 'beings' will lead the family to the truth behind the little girl's disturbing disappearance.

5.2/10
6.7%

A former astronaut believes himself the doorway to a terrifying alien invasion.

8/10

A dysfunctional family awake on Christmas morning to discover they’re sealed inside their house by a mysterious black substance. On television, a single line of text reads: “Stay Indoors and Await Further Instructions.”

4.8/10
8%

Paul and Camilla’s marriage is in trouble. They head to a picturesque cottage in the South of France to work through their problems and try to inject some love back into their marriage. As their relationship unravels, the holiday is hijacked by an American and his French girlfriend. Looking for an excuse to pause the hostilities, Camilla invites them to stay at the cottage...

4.6/10

Mike’s interest in his neighbour Fiona is definitely not reciprocated. But Millie, two doors down, hatches a plan replete with roses and an incontinent cat, that may break the stalemate.

Set over one day in the depths of the idyllic Kent countryside, we witness an orchard owner, faced with a failing crop and the pressures of parenting, tail spinning in all aspects of his personal life. His teenage daughter meanwhile, enjoys the unexpected meeting with her father's seasonal staff and takes the moment as a distraction from an otherwise lonely summer, forging an instant alliance with a young teenager. When the father, haunted by the disturbing shrieks of mating foxes, decides to take measures into his own hands by hunting them in the dead of night, things become perilous, as his daughter is getting familiar with her new friend on a midnight escapade, through the languishing orchards that her father stalks

6.5/10

The military have captured and imprisoned a supernatural entity. And now it wants to play.

4.2/10

An isolated air traffic controller in a small island of the Azores archipelago is contacted by a lone pilot cut helplessly adrift over the North Atlantic.

8/10

Produced for the PBS TV series Masterpiece Theatre, this adaptation of Laurie Lee's autobiographical novel follows a young man's maturation in the country town of Gloucestershire near the end of World War I. As young Laurie (Dashiell Reece) comes of age under the protective eye of his mother (Juliet Stevenson), he learns to live with an eccentric collection of friends, neighbors, and relatives. As he enters his teenage years, Laurie (now played by Joe Roberts) discovers women, specifically Rosie Burdock (Lia Barrow). Veteran screenwriter John Mortimer adapted Lee's book, with Lee narrating.

6.3/10

A middle-aged London factory worker is shocked when the mixed-race daughter she gave up at birth decides to track her down. At first she denies she is her mother. All family members become emotional, as everyone's secrets are exposed.

8/10
9.5%

The year is 2368 and a group of scientists are on the brink of a major breakthrough as they begin to tap into the memory of a man who died in the 1990s.

7.6/10

Drama series about the staff and patients at Holby City Hospital's emergency department, charting the ups and downs in their personal and professional lives.

6/10