Grégoire Oestermann

Renan Thomas, stage director and actor is stabbed when he is playing in The Legend of Knights, a medieval spectacle in Provins.Karin Demarle and her son are witnesses of this intent of murder committed by a disguised person. By chance the help comes soon and the life of Renan is safe. Patrick Robin and his ex-wife Karine Demarle will be in charge of this case of criminal investigation.

Revolves around Castro, who was once a very famous TV host, but as he grows old, his popularity is dwindling.

Ernest Krakenkrick and Bachir Bouzouk are about to become pilots in the French army. But after the bad consequences of a test undertaken with the centrifuge, they are forced to give up their dream. They are eventually given the position of baggage handler at Orly-West Airport in Paris. But one night, there is a hostage-taking in the airport and the "Moustachious", a group of terrorists, take hold of the control tower.

Gabrielle, a pleasant woman in her sixties, learns that she is about to be evicted from her second-hand shop...

Former school friends get together one weekend a year, this year in the mountains.

Bertrand (Vincent Lindon) dutifully visits his terminally ill wife every day, braving the long train and bus ride to and from the hospital. Lorraine (Emmanuelle Devos) not so willingly visits her boyfriend who was diagnosed with colon cancer. They bump into each other during one of their visits and begin to meet for coffee. Coffee turns into Lorraine offering to drive Bertrand to the train station and the two turn to each other in their time of grief and confusion.

Le Grand Charles was a 2006 French TV-drama on the life of Charles de Gaulle from 1939 to 1959, written and directed by Bernard Stora. De Gaulle was played by Bernard Farcy, Winston Churchill by David Ryall, and Franklin D. Roosevelt by Robert Hardy. Other actors in the cast included Dominic Gould, Sam Spiegel and Jay Benedict.

Parisian authorities clash with the Front de Libération Nationale (FLN) in director Alain Tasma’s recounting of one of the darkest moments of the Algerian War of Independence. As the war wound to a close and violence persisted in the streets of Paris, the FLN and its supporters adopted the tactic of murdering French policemen in hopes of forcing a withdrawal. When French law enforcement retaliated by brutalizing Algerians and imposing a strict curfew, the FLN organizes a peaceful demonstration that drew over 11,000 supporters, resulting in an order from the Paris police chief to take brutal countermeasures. Told through the eyes of both French policemen as well as Algerian protestors, Tasma’s film attempts to get to the root of the tragedy by presenting both sides of the story.

This is the story of human beings who know exactly what they'd do if they were somebody else, but can't handle being themselves very well, who are very simply struggling to find out who they are.

A love story or a tale of the resistance, this poignant movie tells both the haunting story of a French resistance cell in Lyon but also the love of Lucie Aubrac for her husband...

Manoel de Oliveira plays his film in three stages: the first part - a play, the second can be roughly defined as a silent film (with the behind the scenes read excerpts from Beckett works), but in the end the director brilliantly performs the same material of the avant-garde exercise. Surprisingly, a joke, repeated three times, each time everything sounds fresh and develops into an almost verbatim adaptation of the biblical "Book of Job" - a spectacular point in a parable about how hard to empathize with other people's misery, when you have your own.