Guillermo Gil
Manuel and Lupe want to have a baby. When Manuel discovers he is infertile, he starts to fall apart both physically and emotionally. After exploring several options, Manuel turns to Rubén, his new friend, to act as their donor.
A young girl recounts her girlhood and eventual marriage to a general of the Mexican revolution. by one of the most outstanding writers of the new feminist Mexican literature, it is at once a haunting novel of one woman's life and a powerful account of post-revolutionary Mexico from a female perspective.
A group of beings permeated by the lack of love, guilt, pain and a desire for revenge, meet on the day of a storm at a cantina in the mythical town of Parián, a place where all roads and all destinies converge. There they find consolation for their woes in mezcal and in the distress of the others.
Magdalena is fifteen, but unlike many girls her age, her life is apathetic and somber, due to the abuse she receives from her father, a hopeless alcoholic, and her strange passion for Carlos, a neighborhood thug. A series of complex characters parade through Magdalena's life looking for themselves, such as Gabriel, the homosexual brother, and Huker, a violent judicial policeman who has an important secret. A portrait of the emotional depths of the strange and terrible Mexico City.
Mexico, 1949. The fable of a janitor turned Mayor on a little town lost in the Mexican desert, who gradually realizes how far his new acquainted power and corruption can get him.
Escaping gangsters trying to kill her because of being witness to a crime, Gloria (Victoria Abril), a young woman of lower class, comes back to Madrid, Spain and to her family. There she tries to find work and earn some money.
Leon has a crush on Ofelia, so he decides to steal money from his father and cross the country looking for Ofelia who traveled to Guadalajara. On his journey, Leon goes through many adventures and takes the final step from childhood into adolescence.
At the end of the 16th century, as the Spanish conquerors strive to subdue the New World, they confront another problem of equal magnitude: the evangelization of the natives, who are people of deep religious beliefs and refuse to understand nor accept Christianity. The Spanish remedy: the Inquisition. The court of the Inquisition takes severe measurements against the heretics and the indians prepare themselves for a general Revolution.
One woman lives waiting for his son who is a sailor. She hasn't seen him for years although he writes to her a lot. The woman shares the letters and her grief with a co-worker and friend. This last woman begins to idealize her friend's son. One day, the mother gets sick and falls into a coma. Her son arrives but she is unconscious. He has a brief but passionate affair with her mother's friend and then disappears, as quickly as he came back from the sea.
A group of students arrives in a small town during a hiking expedition. Once there, the local priest accuses them of being communist agitators on the run from an army crack-down against student demonstrations in nearby Mexico City and rallies the townsfolk to lynch them. Based on true facts occurred in the town of Canoa in 1968.
When a worker is found murdered on the construction side, the investigation swiftly turns from things criminal to the political circumstances surrounding the building itself. Widespread corruption and neglect by the builder himself are seen to have brought the situation about. Much of the movie is filmed using hand-held cameras, and the majority of the dialogue is in the difficult-to-understand and very slangy Spanish dialect of Mexico City's bricklayers.
La calle de las novias is a Mexican telenovela produced by TV Azteca and Zuba Producciones. Directed by Jaime Humberto Hermosillo, it stars Silvia Navarro and Juan Manuel Bernal as protagonists.
