Guillermo Larrea
Maria is a girl who loves to cook and lives with his grandmother, Doña Tere, in Mexico City's downtown. Doña Tere has a traditional Mexican restaurant called "El Molcajete". After the death of her daughter, Doña Tere abandoned his passion for cooking and stopped working in "El Molcajete", now operating under the direction of chef Rosi. Maria does everything possible to bring her grandmother back to the restaurant, while chef Rosi cooks dishes according to new trends in fusion cuisine which highlights the light food, but Maria and Doña Tere won't accept the traditional flavors and cooking secrets to be forgotten. The cuisine battle between Tere and chef Rosi is an epic fight not only between long-stablished mexican food and light food, but also a struggle of family bonds, friendship, cooking secrets, flavour’s passion and more than two hundred ingredients that are needed in order to prepare Mole, a traditional mexican sauce.
Andrea, a young executive is trapped through the weekend on the rooftop of her office alongside Gualberto, the janitor. Truly lost in an asphalt and glass sea, both characters think over their lives and values.
Aurora suffers an attempt murder sent by her husband Jose, for giving birth to a dead and deformed child, eaven though she survives Aurora is haunted by her dead child and obliged by an old man, she digs her own tomb... When life seems like eternal hell, Aurora listens to a song that unleashes her most profound feelings for revenge.
Erick is a twelve year old who is almost addicted to skateboarding. His lower middle class family is on the verge of a crisis. His father is about to lose the glass factory where he works. Since problems never come alone, Erick gets into trouble with a local gang. While running away from them, he meets an old man who tells him the legend of Hidalgo´s hidden treasure. Erick and his two friends, Andrea and Omar, travel to Guanajuato to look for the treasure, but run into Nathan Pickett, a sacred art trafficker who is looking for the same treasure and isn´t willing to share.
Marcelino Pan Y Vino (English: "Marcelino Bread And Wine") is a 1955 Spanish film. It was a success, and other countries have produced versions of it. The 1955 film was written by José María Sánchez Silva, who based it on his novel, and directed by Ladislao Vajda. Its stars were Rafael Rivelles, Juan Calvo (who also starred together as Don Quixote and Sancho Panza in the 1947 Spanish film version of Cervantes's Don Quixote and the young child star Pablito Calvo (no relation to Juan) as Marcelino. The background score and the film's theme song are by Pablo Sorozábal. The film became the inspiration for the highly praised Philippine drama, May Bukas Pa.The story, revised and modernized in both the book and film, dates back to a medieval legend, one of many gathered together in a volume by Alfonso el Sabio.
In the plains of Durango, the old west town still exists where Mexican and foreign westerns used to be filmed. Old Antonio takes care of the place. One day, Gabriel Navárez, a 13-year-old boy from a small nearby community, secretly gets into the old west town and discovers a fascinating world.
Nathan is a very gifted Mexican scientist specializing in cellular biology. He is a very withdrawn man, good, solitary and helpful, who has a secret passion for Maya, one of his colleagues at work. But soon their lives are shaken by an encounter with Jacques, a man with supernatural powers.
"The House on Fire" - A fortuitous incident unites the destinies of three women in a series of amused situations. While they try to conserve their means of life and accomplish their dreams within the nightclub where they work, they must deceive a pair of thieves from whom they have robbed a very dangerous package. How far could they go in order to see their dreams come true?
Musician Rosendo Nevárez learns of his brother Gabriel’s death in a remote spot in the Durango mountains and decides to return to his boyhood home to learn more about his brother’s untimely end. Gabriel, who was more widely known as the “Mountain Hawk,” led an outlaw’s life which was either that of a lowly criminal or daring do-gooder, as accounts of the man’s life vary depending on the point of view of the interviewee. As Rosendo digs deeper for the truth, it becomes apparent that Gabriel was a heroic figure worthy of the song his brother plans to write in his commemoration—if only Rosendo can overcome his growing envy for his brother’s immortal status as a swashbuckling rebel.
