Gustav Schmidt

The shy Hugo is a caretaker in a prefabricated building. He feels at home here, is appreciated by the residents and sings his songs in the corridors. Dramatic changes make Hugo uncomfortable in his home. Similarly dissatisfied is Johanna, who lives in a bus in front of the house and faces racism and sexism on a daily basis. The two grow closer - sharing a sense of not quite belonging and, above all, a love of music. For Hugo, the world is visibly coming apart at the seams: birds that reject freedom, a dollhouse that develops a life of its own - At the same time, a catastrophe is brewing in very real life that puts Hugo and Johanna's friendship to the test.

The good thing about a low point is, you can not fall lower. At least the unemployed Maria Kowalke thinks after her break-up and when the "strange" father re-enters her life. Instead of teaching art education, Maria, who urgently needs work, has to step in as a music teacher in a secondary school. The lack of concentration and insubordination of their 10th graders quickly push them to their limits. It could always be worse! But Maria Kowalke is a teacher who advocates for her students, and her father Max Schellinger a pensioner who is far from the old iron.