Guy Thauvette
The Gamache, tailors from father to son, have been dressing the Mafia family Paternò for three generation. Vincent "Vince" Gamache works on behalf of Frank the godfather with his eldest son Giaco. Vince, reckless and rash, seeks to earn his stripes by impressing the godfather. Without the Paternò knowing, he stages a big operation and is promoted. Fuming with jealousy, Giaco discovers that Vince committed a monstrous act during his stroke. The Gamache disown Vince and war begins.
Jimmy is trapped in a spiral of street drug addiction and withdrawal. One day, Jimmy is forced to get back in contact with his family. The pariah’s return to the pack reawakens old demons in his elder brother Nathan.
A bored stay-at-home mom gets into trouble after speeding away from her small-town life.
1927: Felix' last year with his family before attending a private college in the fall. Accompanied by Fidor, his faithful friend, he will face adversity, love, death, and will embark on the path of adulthood.
A well-respected plastic surgeon dedicated to helping patients with severe burns questions his career, his family…his perfect life and ultimately, his sanity when an encounter with a disgruntled patient triggers a psychological spiral no one can control.
Twelve-year-old Simone feels painfully disconnected from the world after witnessing the brutal death of her mother. Simone, a solitary multimedia artist in her twenties, is struggling to control her crushing panic attacks and keep her day job in an underground parking lot. And Simone, a sixty-year-old physicist, is giving a conference on the nature of time. The three Simones' lives are intertwined in a labyrinthine meta-world where timeframes overlap, characters multiply, and storylines repeat and expand. But, for all its shuttling forward and back through time, ENDORPHINE remains grounded in the Simones' inner lives — it's an artistic examination of scientific phenomena that also poignantly explores how people deal with trauma.
Nicolas loves baseball. Every day during vacation he and his friends meet at the town’s old baseball field to play their favourite game... Until one infamous day at the start of summer when Nicolas discovers that the gates to the field have been locked and that old boards and assorted junk are strewn across what used to be the baseball diamond. It seems the town council has decided to use the grounds as a dump. The kids are outraged.They decide to contest this decision, to defend their territory.
This is the portrait of two recently released prisoners (Pierrette Robitaille and Romane Bohringer) who learn to live in a sugar shack deep in the forest.
Martin is 12 years old and dreams of playing on the neighbourhood baseball team. When he doesn’t make the cut, his father steps in and organizes a B team. Father and son spend a summer full of hope and disappointment, surprises and foul balls.
Claude and Martin, two police inspectors, arrest Philippe, a withdrawn young man, and question him about the murder of his father.
In April 1994, the middle-aged Canadian journalist Bernard Valcourt is making a documentary in Kigali about AIDS. He secretly falls in love for the Tutsi waitress of his hotel Gentille, who is younger than him, in a period of violent racial conflicts. When the genocide of the Tutsis by the Hutus in Rwanda begins, Bernard does not succeed in escaping with Gentille to Canada. When the genocide finishes in July 1994, Bernard returns to the chaotic Kigali seeking out Gentille in the middle of destruction and dead bodies. Written by Claudio Carvalho, Rio de Janeiro, Brazil
A true story about Frank Abagnale Jr. who, before his 19th birthday, successfully conned millions of dollars worth of checks as a Pan Am pilot, doctor, and legal prosecutor. An FBI agent makes it his mission to put him behind bars. But Frank not only eludes capture, he revels in the pursuit.
A bittersweet tale about a small group of men and women whose forest adventures trigger memories of childhood and past loves. A harsh fantasy, wherein it is hard to tell whether the characters are living in their dreams, or dreaming away their lives.
After the death of her father, Anne — a brilliant but emotionally unstable painter/sculptor — returns from Switzerland to her home town in Quebec. Setting up a studio, she becomes obsessed with her work, to the extent that she grows farther and farther from her Swiss lover.
The story is of a young man, Stevens, who returns to his native village after a five year exile caused by a violent quarrel with his father. The story revolves around the women in Stevens life and the affects of his presence.
With an unlikely hero who apparently excels at almost anything, this confused saga of survival in the wilderness and accidental murder starts out hard to believe and stays that way. C.H. (Luc Matte) used to be a star player for the Montreal Canadiens and has turned in his puck and hockey stick for the pursuit of women -- as well as a good game of chess (he is a master at that too). He supports himself by waiting tables and one day takes some time off to go on vacation in the Quebec wilderness, where some local thugs give him a hard time. From that point onward, things get worse after one of the hooligans is accidentally killed.
A young woman, living with her parents and siblings on a remote farm in harsh, picturesque northern Québec, has three suitors: a steady and unimaginative farmer, Eutrope, the Americanized and wealthy Lorenzo, who has sought his fortune in Boston, and François Paradis, a rough and virile logger who captures her heart despite the warnings of her parents and the village priest. For a year, marked by seasonal change in an atmosphere charged with the strangeness of Indians and the demons of the woods, we see Maria at work and prayer, struggling with decisions, choosing to stay in Canada, in love with François, seeking to change his rough behaviors, and dealing with extraordinary loss.
On a wedding day, women are confined to the kitchen to prepare the meal while the men wait to be served. While men talk politics and sports, women talk about their condition. A teenager observes the gap between the sexes. Co-directed by two actresses, Paule Baillargeon and Frederique Collin, The Red Kitchen is the birth of the Quebec women's cinema. The birth of the film was difficult, and funding has been largely achieved through donations from friends and a benefit concert. This war of the sexes takes place in a demanding formal research, based on the improvisation of the actors, whose preparation took place over long sessions in the workshop. The end result mixes black humour, horror and a very expressive fantasy that gave rise to heated debates.
A young police officer goes through Abitibi to take a train with a young convict who escaped from her orphanage.
