Han Eun-jin
A barren noblewoman encourages her husband to take a young peasant as a surrogate to secure the male line.
Near the end of the Chosun Dynasty, a vagabond named Eok-swoi wandered over all of Korea. In the end, Eok-swoi settles in a remote village where he becomes the servant of Magistrate Ahn, a man of influence. Eok-swoi engages in an innocent love with Keum-sun, a maiden servant of Ahn. Though he is over the age of 50, Ahn is still childless. He treats his young second wife badly and finally, he turns his eye to Keum-sun. After being alone night after night, the young wife unintentionally starts an affair with Eok-swoi which Ahn discovers. Out of guilt, Keum-sun had rejected all of Ahn's advances to the end. She runs away with Eok-swoi. Afterwards, Ahn becomes disabled and deeply repents his wrongdoings.
Dr Han rapes his lab assistant one night. Rather than go to the police, the victim keeps quiet only bringing up the subject months later to inform the doctor that she is pregnant. Her attempts to blackmail him lead to her accidentally falling off a cliff. However, her ghost will not allow Han to forget his crimes.
Byung-tae joins the army after being dumped by Young-ja. With two months until discharge, Young-ja comes to visit him. She sends him a letter saying she'll never forget him and that she was marrying Ju-hyuk, a doctor.
Deok-bo intends to fight his Eun-swi for the love of Bon-hie, but he is impressed by his rival's manly strength upon meeting. They become very close friends. Bun-hie, who was hoping to make Eun-swi an upstanding citizen is furious that he now spends all of his time Deok-bo. She decides to murder her former admirer-turned-rival.
The hostess Oh Hak-ja has not experienced true love yet. Though outwardly, Hak-ja seems to distrust men, she earnestly thirsts for love. Hak-ja tries to find true love with a young man named Ji Suk-wu but he betrays her. Promising to meet again, Suk-wu goes abroad but Hak-ja falls into despair when he doesn't return.
A mummy is found at a construction site, which is presumed to be made in Jo-Seon Dynasty period. It is transferred to Seoul and to be kept in Lee Dong-Hyeok's, an archeologist due to the state of the museum in the university. On that night, his wife's behavior is so strange. Knowing that his wife is not cured by the modern medical science, Dong-Hyeok gets help from Professor Yu, a psychicist. Yoo finds out the mummy is In Yeon-Ryong, who was killed on a false charge by Seon-Jo 3oo years ago. Dong-Hyeok makes every effort to return his wife to the normal condition.
North Korean agents are sent to Seoul to disrupt the visit of important international dignitaries.
When Korea Highway Corporation is about to destroy the grave of O Gong-nyeo, the locals oppose the idea because they are worried of the legend of the grave. Heo, an engineer in charge of the construction, checks into a mountain lodge to investigate the legend. One night, he listens to O Gong-nyeo's grudge-filled story in his dream. However, he is too obsessed with his investigation and has been hallucinating. At last, he leaves the lodge and insists that the absurd legend is nothing but a superstition. He boldly pushes forward the construction project.
Four short stories examing the lives of women in the last 18th and 19th century Story 1: 'Wives Should Be Submissive'--A father tries to marry his daughter into a wealthy family. Story 2: 'A Daughter-In-Law Is No Better Than A Stranger'--A woman thinks that her daughter-in-law has turned her son against her so she tries to kill the younger woman. Story 3: '7 Grounds For Divorce'--A wife begins an affair with her servant because of her husband's impotency Story 4: 'Prohibit Sex In Court'--A concubine's life is at risk when it is revealed that her infant child is not the king's.
The movie begins with the mysterious death of a journalistic photographer named Kim Cheol-hun. Veteran police detective Park (Kim Seung-ho) teams up with a young, intellectual detective (Kim Seong-ok) to investigate the people surrounding Kim.
A woman hires a male cook, being afraid that her lewd husband may have an affair with a female cook. Hyeong-gu who thinks about how to collect money for his brother's research starts working in her house. While he serves as a cook there, a lot of funny episodes happen. Finally, his brother finishes his research successfully and he gets out of the house to work for his brother's company as a managing director. He also gets married to a cook maid of the neighbor at the next door. It turns out that the maid is the daughter of the land lore, not a hired servant.
An old member of Namsadang (a wayfaring group of Joseon Dynasty (1392-1910)) leaves his daughter Gye-yeon at a tavern of Hwagye Market, a traditional market located in Gurye, Jeollanam-do. Son of the tavern owner Seong-gi and Gye-yeon love each other, but the madam owner tries to separate them by sending Seon-gi to a temple. The old man comes back to take Gye-yeon and disclose a secret that the tavern owner is in fact his daughter, therefore Seong-gi is his grand son. Frustrated to hear that he cannot love Gye-yeon, Seong-gi goes for a long journey without destination as his ancestors of Namsadang have done.
Sook-kyung, the youngest tomboy princess, loves playing hide and seek with her same-aged court ladies and is extremely curious about the life outside the palace. An opportunity comes for her on queen mother’s birthday celebration. Princess Sook-kyung gets to explore the outside world with the help of her older sister princesses and falls in love with a Seonggyungwan scholar she meets coincidentally. The variety of character twists in this film which is reminiscent of romantic comedies such as Roman Holiday and Shakespeare’s Twelfth Night. The queen mother with a fancy royal costume but wears glasses because of her poor vision, and the court ladies who protect the princess day and night are usually slow and doze off but have the strength to push against male henchmen. The princes outside the palace walls seem like that of a naïve country girl who eats a rice cake at the marketplace because she thinks it’s free.
CHOI Eun-hee’s directorial debut The Girl Raised as a Future Daughter-In-Law is the story of ups and downs of a future daughter-in-law who, due to poverty, married an infant rich groom. A ruined widow’s daughter Jum-soon has no time to rest, as her mother-in-law treats her like a maid, leaving her with all the kitchen chores, house cleaning, grinding grain, and sewing, while the mother-in-law smokes a pipe and nitpicks on her. What allows Jum-soon to endure is her ‘duty as a woman’ taught to her since young and her child husband’s lovable yammering.
Deaf Sam-yong is a 1964 South Korean film directed and produced by Shin Sang-ok. It is based on the 1925 short story of the same title by Na Do-hyang and revolves around the story of a deaf farm hand who is in love with a landlord's daughter-in-law.
When two wives realize that their wealthy and otherwise upstanding husbands have mistresses, they invite the 'other women' to stay in their houses for awhile. Realizing that they are breaking up happy families, the girls eventually agree to give up the married men.
The widow of a nobleman bears a son after having an affair with her servant. The servant and the baby are driven from the home by the woman's irate in-laws when the truth is discovered. Even after the child is grown, no contact is allowed between he and his mother who now denies the events of her past.
Based on the traditional story of a girl who makes her blind father see by donating 300 bags of rice to Bongwon Temple.
Chun-hyang, the only daughter of an old gisaeng named Wolmae, falls in love with Lee Mong-nyong and promises to marry him. But Lee leaves for Seoul with his father who's an aristocrat, and the new governor, Byeon Hakdo, covets Chun-hyang because she is the most beautiful girl in town. When Chun-hyang rejects his order to serve him at night, Governor Byeon sends her to jail. In the mean time, Lee passes the state exam and becomes a special undercover agent of the king. He comes back to where Chun-hyang lives to save her and punishes Governor Byeon
A thousand-year-old snake that has transformed itself into a human, Madame White Snake (Choe Eun-hui), falls in love with a young pharmacist named Heo-Seon. Although they encounter difficulties, they are wed, and their love for each other does not change. However, Beophaeseonsa (a Zen priest) and Gwaneumbosal (the Buddhist goddess of mercy) order Madame White Snake, who had transformed into human without being granted permission to do so, to return back to the world of the gods before July 7. Grieving, she prepares to say goodbye to her beloved husband. But before she can return to the world of the gods in time, she falls into a trap set by Dae-yun (Choe Sam), who is attracted to her. Because of the trap, she is not able to keep the promised deadline, and ends up risking her life to save her husband.
Lee Suk-hui (Choe Eun-hui) lost her husband to the Korean War eight years ago. She runs a dressmaking shop that has fallen into debt. When Kim Sang-gyu (Kim Jin-gyu), the executive director of a publishing company, helps her pay off debts, she falls in love with him. He, however, is engaged to the daughter of his boss, Ok-ju (Do Geum-bong). His sister (Ju Jeung-nyeo) pushes him to marry the boss's daughter, hoping that will bring him rapid success. Meanwhile, Suk-hui's grown-up daughter Gyeong-hui, wanting her mother to be happy, urges her mother to marry Sang-gyu, but Suk-hui vacillates between social mores and her own happiness. Even though she and Sang-gyu truly love each other, she decides to leave him and heads for her country home after selling her house in Seoul. Hearing the news, he who is ill in bed hurries to Seoul station, but it is too late. All he can do is just to stand on the platform and to watch her train pulling away.
This film is about of the life of the young patriotic martyr Yu Gwan-sun, who fought for the liberation of her country during the Independence Movement in 1919. As the Independence Movement becomes more and more intense among Korean students, the Japanese authorities order schools closed temporarily. Yu Gwan-sun (Do Geum-bong) persuades her neighbors to join the national movement, and continues her aggressive struggle against Japanese rule. An independent campaign at Aunae, a market site, is successful with the passionate participation of many people. She is arrested by the Japanese police for leading the campaign and has to endure horrible tortures. But she never gives up her fight, encouraging her cell mates to participate in the movement. She is finally taken to an underground room by the Japanese police and murdered.
Based on the novel of the same title by Kwang-Soo Lee (Yi Kwang-su), published in 'Maeil Shinbo' in 1917. The plot is based on the relationship of three young people - English teacher Hyeong-sik Lee, dancer Young-chae Park and Hyun-soo Kim, the daughter of a wealthy presbyter. Left an orphan in early childhood, Hyeong-sik was brought up in the house of Master Park. From childhood, Park predicted his daughter Young-chae as Hyeong-sik's wife. Master Park was a patriot, and when the Japanese invaders came to power, he was illegally convicted and imprisoned. His daughter Young-chae became a kisaeng to earn money to send packages to the prison. At this time, Hyeong-sik and Young-chae are moving away from each other, and Hyun-soo appears in the life of Hyeong-sik, whom he fell in love with and is going to marry her.
