Hanna Plaß
Following the phenomenal success of “The Threepenny Opera”, the film industry wants to win over the celebrated author. But Bertolt Brecht is not prepared to play by their rules. His concept of the “Threepenny Film” is radical, uncompromising, political, and incisive.
Hanna doesn’t believe in relationships anymore. The young woman lives wildly and without restraint. She stubbornly avoids any intimacy. But when she meets Tim at a party one night, everything changes. The young man challenges Hanna.
On her run-down farm, Ursula Kammler discovers her brother's body. The two have shared, lived and worked on the legacy of the Chiemsee. For years now, colleagues from white-collar crime have been filing a case over Joe Kammler's strange business practices, but they have not been able to prove anything to him. Sarah Beck, the murder victim's secretary, is helping Hattinger, the network of business relations to finally see through: The murdered seems to have made common cause with a dubious banker. Sarah's erotic charisma attracts the Commissioner visibly in his spell ...
Simon falls head over heels in love with pretty and quick-witted Verena. When his father, who suffers from schizophrenia, has a relapse, Simon devotes himself completely to his mother and little sister and endangers his budding romance. Maneuvering himself into a near-fatal situation, Simon realizes that he cannot change the others' lives, but only his own.
