Hanne Borchsenius
Bergman took one of his favourite plays to Copenhagen for a guest performance, which was even broadcast on Danish TV. In his Copenhagen The Misanthrope, Bergman maintained a dual approach. On the one hand, a production of Molière's play as a theatrical game performed in style and intellectually conceived; on the other hand, an exposure, through physical and psychological intensity, of the emotional tragedy in which Alceste and Celemine are both victims. Expectations were high prior to Bergman's production of The Misanthrope. A reviewer wrote, 'For the first time Molière's connection to the Danish stage is intercepted by a director whose forte is physiological tragedy, Strindberg over Holberg'. Many reviews had expected Bergman to put his very personal stamp on the production. Instead they experienced 'a clean Molière' and were struck by Bergman's faithfulness to the original mise-en-scene and to the classical rhythm of Molière's text.
The story of the life of a political prisoner in a Russian gulag. Based on the book by Aleksandr Solzhenitsyn
A soldier seeks justice against a group of men who murdered a prostitute.
Police constable Møller'og psychiatrist Dr. Mogensen will have something to watch as the Pusle to everyone's surprise finds out that she can do magic. On her birthday she gets sent an ancient, magical figure from her uncle in South America. On the same day Pusle's parents has to travel to London, and the large family is now left to strict aunt Alma.
A Chinese diplomat is kidnapped from a conference in Genève and the world peace is at risk. The trail leads to a hiding place in Denmark and the Danish secret service brings in their best agent, agent Smith, who has been in a psychiatric hospital since his last assignment. To accompany Smith they once again turn to novelty and party tricks salesman Frede Hansen, because they need an unrecognizable man to infiltrate the crime syndicate behind the kidnapping.
Taking place on a small villa road: The two neighbors Gormsen and Sandelund have been at a dispute for years and this evolves into an all out war. Sandelund is a wholesale dealer in meet, a capitalist and has one of this modem houses with a flat roof. Gormsen is a dentist, and a communist, he has a new wife that are younger then his son, and lives in one of these old-fashioned half-timbered houses. A third factor is the merchant Krause. To begin with he is a small time grocer and progresses into the end, a big time businessman. He is a deeply religious man, a good Christian, and member of the parochial church council. There children, (teenagers) find their conflict silly and stupid.
Caretaker Alf Thomsen's very effective "alarm clock" comes once again in operation, and has again succeeded in getting him up to speed, despite their incessant discussions back and forth. Everything is peaceful and idyllic. Sleeping city housing block, with the famous staircase is to embark on a new day
About an American's reaction to the Dane's way of chatting about each other. Behind their backs. A rumor begins to flourish. A serious one. About death. perhaps even murder.
The Danish minister of defense decides to join the army incognito to observe. This causes CHAOS. It also causes him to meet the major's daughter. He ends up becoming the major's orderly which gets him closer to the daughter.
Three girls in Paris is the story of three Danish girls (Ghita Nørby, Susse Wold and Hanne Borchsenius) traveling to Paris, but after having placed suitcase and money on the hotel and takes off in the city, they forget what it's called and where it is located. They are helped by a Parisian taxi driver, and meets a series of typical French.
Bastian and Lene are a good couple, as a journalist and press photographer. They take turns to get ideas for how to get a scoop for the magazine "Tit og Lyt". They agree to play husband and wife so that Bastian can get an apartment. Lene is deeply in love with Bastian why she gets their mutual friend Soren to send a man from the housing authority. He says that they most have one child to stay in the apartment.
Det Støver Stadig er den anden film i den populære "Støv-serie" (Støv På Hjernen, Støv For Alle Pengene). Atter stod Arvid Müller og Aage Stentoft for det festlige manuskript, der introducerede nye sæder og skikke på det danske boligmarked. Man genkender let det lille samfund i "sovebyen", men store omvæltninger har fundet sted siden sidst, for beboerne på Solvænget har - med kommunestøtte - købt den ejendom, de bor i, og (- så kom noget, dengang, helt nyt) hustruerne har måttet tage arbejde for at klare økonomien! Helt forrygende er fru Rigmor Hansen (Bodil Udsen) som bestyrerinde af et Quick-vaskeri. Hendes "sandheder" om det nye dagligliv i Danmark sidder klokkeklart - og er evigt unge. Ejendommens første generalforsamling med gutterne i opgangen - og aflæggelse af første års regnskab, er gyldne scener fra dansk familiefilms guldalder.
Director Paul Borg (Ebbe Langberg) neglects his young, beautiful wife Marianne (Ghita Nørby). He even forget their wedding day, in favor of a new fast sports car, a beautiful silver-gray Jaguar. During his drive, he runs out of gas. A young lady Laura Lublinski (Hanne Borchsenius), helps him and he takes an innocent flirtation with her. When Marianne learns this, she moves home and dump into an artist community with Jenny (Bodil Steen), Ovengaden of water 52 in Christianshavn. Here she takes the unrepentant Don Juan, Mario (Dario Campeotto) and the guitar-playing Eigil (Dirch compatible).
Tiny Per has come of school age, and he has certainly not become any duller. He has joined a soccer team and they must play against the Swedes.
The story centers around the busybody housewives of a modern Danish working class neighborhood of the 1960's. A remake of the Norwegian comedy film from 1959.
A whirlwind romance between a Danish storeclerk and an American G.I. in Copenhagen takes them to a dance club base for prostitutes, whom she befriends and whose pimp he antagonizes.
