Hans-Christian Schmid

On the request of his mother Gitte, Marko, who has been living in Berlin for years, drives off to the countryside to visit his parents. His hopes of spending a quiet and relaxing time with his family fall short when Gitte surprises everyone by revealing that she has recovered after a long mental illness. Marko is the only one who respects her wish from now on to be treated as a full member of this family and, as a result, ends up tipping more than just the delicate balance of his parent’s seemingly harmonious relationship.

6.5/10

Behind the fluffy towels and crisp white sheets of Berlin's finest hotels is a tale of seemingly brilliant entrepreneurship: A company takes the dirty laundry of German hotels to Poland - and brings it back clean the very next day. Outside of Germany, labor is cheaper and regulations are less constricting. But over and beyond this fascinating capital venture there remains the harsh reality of the everyday life of the hard-working Polish laundrywomen, through whose hands the white sheets pass. While Beata struggles to raise her three children on her meager salary, Monika reminisces about her unrealized childhood dreams of becoming a doctor, and is compelled to watch her teenage daughter Marta gradually follow in her footsteps.

6.5/10

Hannah Maynard, a prosecutor of Hague's Tribunal for war crimes in former Yugoslavia, charges a Serbian commander for killing Bosniaks. However, her main witness might be lying, so the court sends a team to Bosnia to investigate

6.9/10
8.2%

Sven arrives in nowadays Auschwitz to do his civil service at the memorial. He encounters unfriendliness, especially by Stanislaw Krzeminski, the 85 year old KZ-survivor, and Krzysztof Lanuszewski, brother of his early love affair Ania. Even his boss Herold, the places manager, does little to help Sven familiarize. But when problems accumulate Sven realises that he already has become involved.

6.9/10

Michaela, an epileptic, enrolls in college to study education. She goes off her medication and soon begins hearing voices and seeing apparitions that tell her to avoid religious objects, although she is devoutly Roman Catholic. One priest scoffs at the idea that Michaela could be possessed by demons, but a younger pastor arranges an exorcism for the young woman.

6.9/10
8.6%

Lichter is an episodic tale from Hans-Christian Schmid about the life on the boarder between Germany and Poland. The film sheds light on the everyday stories of escape and desperateness.

7.6/10

Jakob, an 18-year-old boy, comes back to Frankfurt after he left after his mothers death one year ago. While trying to sort his life he meets a Polish Au-Pair, Wanda, and falls in love with her. But there are several disappointments on both sides...

6.6/10

Benjamin is a 16 year old half-side spastic with lousy grades in math, who switches to a boarding school to reach grammar school. Acclimatization to the new environment is difficult in the first place and he has to struggle with the various problems of coming of age, when he falls in love to the school's dream girl Malen.

6.6/10

The movie's plot is based on the true story of a group of young computer hackers from Hannover, Germany. In the late 1980s the orphaned Karl Koch invests his heritage in a flat and a home computer. At first he dials up to bulletin boards to discuss conspiracy theories inspired by his favorite novel, R.A. Wilson's "Illuminatus", but soon he and his friend David start breaking into government and military computers. Pepe, one of Karl's rather criminal acquaintances senses that there is money in computer cracking - he travels to east Berlin and tries to contact the KGB.

7.3/10

Anna, 17 years old, is happy to throw her first big birthday party without her parents, but some of her guests are so stoned that they leave a big chaos and, even worse, destroy the favorite record of Anna's father. After the return of her shocked and angry parents, Anna runs away to Munich with her admirer Simon. They discover the nightlife jungle and get to know some typical urban guys. Meanwhile, Anna's parents get in touch with Simon's and try to find their children. On the way across Munich, they remember their own wild and restless youth…

7/10

11-year-old Nina and her mother Birgit move to the countryside. But while Birgit seems to cope very well with the upheaval, the shy young girl only feels accepted when she joins a girl guide group. Nina's new teacher for Religious Education, the organizer of the group, and the parson belong to the fanatically pious "Legion Of The Holy Angels", a sect preparing its members for the final battle between demons and angels. As Birgi's behaviour doesn't conform to her daughter's ideas, Nina sacrifices a black kitten which allegedly has a bad influence on Birgit. But this only makes things worse, for Birgit eventually forbids her daughter to go to the scouts' sessions and thereby loses her trust. Nina's friend Miriam is having a hard time being accepted by the scouts and leaves them when she isn't allowed to participate in an important ceremony. Nina is faced with a difficult decision...

7.2/10

Polizeiruf 110 is a long-running German language detective television series. The first episode was broadcast 27 June 1971 in the German Democratic Republic, and after the dissolution of Fernsehen der DDR the series was picked up by ARD. It was originally created as a counterpart to the West German series Tatort, and quickly became a public favorite. In contrast with other television crime series, in which killings are practically the primary focus, while Tatort handled homicide cases, the cases handled in the GDR TV's Polizeiruf were more often the more frequent, and less serious, crimes such as domestic violence, extortion, fraud, theft and juvenile delinquency, as well as alcoholism, child abuse and rape. Contrary to Tatort, which concentrated on the primary characters and their private lives, police procedure was the center of attention of Polizeiruf, especially in the earlier episodes. The scriptwriters attached particular importance to representation of the criminal and his state of mind, as well as the context of the crime. Many episodes aimed to teach and enlighten the audience about what does and what doesn't constitute appropriate behaviour and appropriate thought, rather than just to entertain. Polizeiruf was one of the few broadcasts by GDR media in which the real problems and difficulties of the supposedly more advanced socialist society could be displayed and discussed to some extent, albeit in a fictionalized and pedagogicalized environment.

6.3/10