Hans Steinbichler
For a long time, wealth adviser Elke and car mechanic Wastl were happy together. Until Elke gets involved more and more in dubious financial transactions that bring her success down the line. When her husband wants to stop these windy business, she separates from him. And goes even further - the accusation that her husband has beaten her, brings Wastl for a long time in a psychiatric hospital.
Thanks to the latest DNA technology, Bruno van Leeuwen finally has a proof in his hands, with which the rapist of the then nine-year-old Vicky can be convicted. Piet Martens, the neighbor of the girl's family, was the culprit. But despite the new evidence, he can not be brought to justice because the crime is now time barred. Martens leaves the police headquarters as a free man. Then Vicky falls on Martens and hits him with a bottle. The police separate the two and Martens' lawyer reports to Vicky about dangerous assault.
The story of Anne Frank, the Jewish girl who went into hiding with her family in Amsterdam and became a victim of the Holocaust.
Farmer’s wife and mother of three Hanni worries about her youngest, Magdalena, who’s smaller and more sensitive than her siblings. She gets stomach flu and can’t see well. The doctors prescribe nothing but panaceas, and don’t take her case seriously. While Hanni searches for a doctor who will take Magdalena’s symptoms seriously, her husband and sons feel neglected. Ultimately, Hanni will have to take on the government, and confront her childhood memories of grim courtrooms and dark halls. A family drama of forceful intensity, a courtroom thriller based on a true story.
Throughout her life Marga has shown little feeling for her daughter Sofia. But now she reveals fear, wounds and a deep longing for her long-deceased husband Juris. She becomes increasingly lost in her forgetfulness and suddenly demands, like a child, gentleness. It’s an uncomfortable situation for Sofia who must now take care of her mother. Sofia’s growing realization that Marga’s past also affects her own gives Sofia impetus to make a sudden journey with her mother to Riga. This is where Marga grew up and where she married Juris. But the more Sofia learns about her mothers, the less clear it becomes who she herself is.
Thirteen German directors present short films exploring the state of their country.
A local hunter takes seven teenage dropouts to an isolated mountain farm in the German alps where they are met by a social worker and her assistant. It is their job to help them fit back into society. But the wild environment makes them even more estranged and agitated. They take advantage of the weaknesses of the social workers and the program turns into an open fight for regognition, identity and love...
A cheerful, amusing and melancholic look back at the Munich film festival from the perspective of the people who make up the film festival.
Despite advancing age, rural businessman Franz has remained fit and energetic, but serious mental illness and financial problems mean that this hitherto ordinary man one day finds himself on a journey to Nairobi to get his money back, and perhaps his human dignity as well.
Lene Thurner is standing on a train platform in Munich. She has to decide: back to Berlin where she lives, or toward the south, where at the foot of the Alps her family lives on the lonely farm “Hierankl”.
Polizeiruf 110 is a long-running German language detective television series. The first episode was broadcast 27 June 1971 in the German Democratic Republic, and after the dissolution of Fernsehen der DDR the series was picked up by ARD. It was originally created as a counterpart to the West German series Tatort, and quickly became a public favorite. In contrast with other television crime series, in which killings are practically the primary focus, while Tatort handled homicide cases, the cases handled in the GDR TV's Polizeiruf were more often the more frequent, and less serious, crimes such as domestic violence, extortion, fraud, theft and juvenile delinquency, as well as alcoholism, child abuse and rape. Contrary to Tatort, which concentrated on the primary characters and their private lives, police procedure was the center of attention of Polizeiruf, especially in the earlier episodes. The scriptwriters attached particular importance to representation of the criminal and his state of mind, as well as the context of the crime. Many episodes aimed to teach and enlighten the audience about what does and what doesn't constitute appropriate behaviour and appropriate thought, rather than just to entertain. Polizeiruf was one of the few broadcasts by GDR media in which the real problems and difficulties of the supposedly more advanced socialist society could be displayed and discussed to some extent, albeit in a fictionalized and pedagogicalized environment.
