Harish Khanna
Jay is a man with a secret who travels from Britain to Pakistan to attend a wedding—armed with duct tape, a shotgun, and a plan to kidnap the bride-to-be. Jay and his hostage end up on the run across the border and through the railway stations, back alleys, and black markets of New Delhi.
Three young friends in Goa plan to search an old villa for ghosts, but when a new family, accompanied by their attractive daughter moves in, the home's buried past resurfaces in chilling ways and the amateur ghost hunters must spring into action.
A father attempts to reconnect with his estranged son through social media, a new world for him.
An unlikely love triangle unfolds when married professor, Shyam, has an illicit affair with his student, Sandhya, who in turn is trying to be wooed by her classmate Kamal.
The story of a pair of children born within moments of India gaining independence from England, growing up in the country that is nothing like their parent's generation. A Canadian-British film adaptation of Salman Rushdie's novel of the same name.
Shahid Khan is exiled after impersonating the legendary Sultana Daku in order to rob British trains. Now outcast, Shahid becomes a worker at Ramadhir Singh's colliery, only to spur a revenge battle that passes on to generations. At the turn of the decade, Shahid's son, the philandering Sardar Khan vows to get his father's honor back, becoming the most feared man of Wasseypur.
Susanna is hungry for love and will go to any extent to find it in its purest form. In her quest for the perfect man, she gets married a number of times as each of her husband's die mysteriously.
A film on feminine legacy of rebellion, language and transgressions. Using the composition of Mahadevi Akka, a 13th century saint-poet, the film explores the multiplicity of contemporary women and their own points of transgressions.
Dhananjay and Aaftab are half brothers who have never met. When they first do they instantly loathe each other, having nothing in common. One night, Aaftab blows up a loaded truck while trying to steal from it and attracts a mass of unwanted enforcers. Soon, Aaftab is forced to send Dhananjay into a trap but ends up with them both being handcuffed and escaping from the Border Security Force, the Central Bureau of Investigation, and the border mafia who are attempting to incriminate the brothers for anti-national activities and murder. Fate has it such that they are forced to escape on foot, on motorbikes, cars, stolen trucks, and even handcuffed to each other on a moving goods train.
The amendment in the law, making it compulsory for one-third of the Gram Panchayat representatives to be women, is not received favourably by the ruling Sarpanch of the village, Thakur Ratan Singh. Although he puts up a front of being in favour of the idea, along with his son Inder Singh, he conspires to field wives of friends, whom he hopes he can control through their husbands and through the caste network. Vidya, wife of Bhanwar Singh who is indebted to the Thakur, is one of the newly elected women Panchayat members. Vidya, who is educated, notices that the political empowerment of women is only on paper and in reality decision-making still continues to be with the manipulative old guard. Vidya decides it is time for a change.
Set in the meditative quietude of a Himalayan village, Tathagat is a poetically shot tale of guilt. Following the journey of a monk questioning his renunciation, this philosophical drama takes a thought-provoking look at the relationship between our childhood memories and adulthood perplexities.
