Harry Cleven
The last man on earth recounts his life story to his grandson, who could be the first person to return from humanity’s exile in outer space. This art film in the guise of an oddball sci-fi exercise, with its scale-model sets populated by “human puppets,” takes the form of an introspective philosophical journey about our species. Moving, heart-rending and nerve-wracking, Zeria is an insanely ambitious film that will leave no one unscathed. A future-time exploration of private lives, a cross between Lynch’s Eraserhead and Malick’s Tree of Life where monsters mingle with the divine.
Once upon a time there was Louise and her friend, the magician. But his last trick left a bitter taste in her mouth. He disappeared in a curtain of smoke… never to appear again. This is too much for the young woman. Devastated by endless grief, Louise is sent to a psychiatric asylum, resigned to the idea that she will swallow pills till the end of her days. Yet nine months later she gives birth to a child who is likely to have a big problem for his future class pictures, since he’s invisible. But Louise doesn’t care. He’s her angel and, wanting to protect him from this cruel world, she decides to keep his existence a secret. Years later, Louise’s angel has grown up. He even managed to find a girlfriend; Madeleine. The two become inseparable, for Madeleine never judges him. And for good reason: she’s blind.
This is the story of two childhood friends - Lucas (a 16-year-old high-schooler) and Bert (a mechanic’s apprentice) - who flee the suffocating fish bowl that their killjoy families’ lives have become. Lucas, still quite immature, finds a “big brother” in Bert, a guide who is going to take him straight to the brink of catastrophe. But very quickly, boredom resurfaces and the freewheeling sense of being on an adventure evades them. Should they return to the fold, or keep moving on? Their drifting logic compels them to blindly forge ahead.
God lives in Brussels. On earth though, God is a coward, with pathetical morals and being odious with his family. His daughter, Ea, is bored at home and can't stand being locked up in a small apartment in ordinary Brussels, until the day she decides to revolt against her dad...
Henry, dedicated citizen of a pitiless dictatorship, has always worked intensely at the Denunciation Ministry. But suddenly, the regime collapses; the cold, technocratic and paranoid world becoming at once an idyllic and caricatured countryside. Henry, panicked without the rules he was addicted to, seems to be the only one to regret the old regime. As if it was going to come back, he continues to follow the rules and clings to his useless work...
Nemo Nobody leads an ordinary existence with his wife and 3 children; one day, he wakes up as a mortal centenarian in the year 2092.
In 1945, Corsica, an important landowner named Ottavio Della Rocca decides to marry her youngest daughter, Vanina, the son of the Caponi family. Because the old Della Rocca intends to consolidate its power while the Liberation redistributes the cards. Vanina but does not want this union. During the war, she met a jazz musician in Marseille and can not imagine marry another - even to save the family estate. At night, she fled and left the island. Enraged, Ottavio decides to disinherit. But the idea to sell all his property to his two eldest, Antonia and Flavia, do little delights. In fact, he despises blithely ...
The photographer and family man Matyas is married and has a happy life with his beloved wife Claire, who is pregnant and near the delivery, and his young son Pierre. Matyas was raised in an orphanage, and he believes his mother died when he was six. However, he receives a correspondence and discovers that his mother has just passed away and that he has a twin brother, Thomas. Matyas does not recall his childhood with his mother and brother and has problems with blood. When Thomas visits his family, Matyas becomes paranoid, believing that his sibling wishes to takeover his family.
Juliette is frantically running away from a man when a car hits her. Lying in the street, semiconscious and stunned, she commences counting. She knows that if no one helps her by the time she reaches 100, something terrible will happen.
For Ever Mozart is an episodic film that follows a theater troupe from France attempting to put on a play in Sarajevo. Along their journey they are captured and held in a POW camp, and they call for help from their friends and relations in France. Director Jean-Luc Godard presents stories about this troop to ask how one can make art while slaughters like the one in Bosnia are taking place, and he throws in a strong critique of the European Union. For Ever Mozart is one of Godard's most disjointed and difficult films. Its stories sometimes seem to form a whole and at other times the links among them are unclear. One gets the impression that in each episode Godard attempts to start a film only to come to the conclusion that it is impossible to continue. It features some of the most beautiful shots of tanks in the cinema.
In 19th century, a disillusioned priest helps a young boy drifter who's a chess wunderkind to move on up in life and social structures using his talent. Years later, he's a success, but game of life and love has higher stakes than chess.
As an amateur magician, Phil is probably okay, but as a small-time criminal, he is definitely not destined for the big-time. When he is granted a twenty-four-hour furlough from prison in order to attend his mother's funeral, he is aware of this and intends to keep out of trouble. Furthermore, he has the same intention for when he finishes his prison term. Thus, his brothers' attempts to get him involved in a really neat theft they have dreamed up do not at first meet with much favor in his eyes. Eventually, their enthusiasm and the almost overwhelming assortment of pleasures they have arranged for him to enjoy soften him up enough for him to cooperate with them. Predictably, things don't go well, but an unsought chance to renew lost love also comes to him at this time, and good fortune finally intervenes on his behalf.
Directed by Patrick Conrad. A respected police commissioner has a reputation as a opera lover, but by night he also enjoys plunging into the transvestite scene. In addition, he harbors a longing for his very own sister. When he learns that his wife has been murdered, he tries to implicate the set-designer who has designs on his sister.
After a successful bank robbery, Micky hopes to take back his girlfriend Mary who has been taken from him. On the way to Paris he meets Leon, a neurotic dreamer whom he considers an idiot. Leon can hardly understand what Micky is up to but he follows him everywhere and soon falls in love with Mary.
After a computer operator has been through a painful relationship, he is determined to look the other way every time any interesting woman enters his life. He has his other loves - photography and model planes - to challenge him anyway. However, one day a car breaks down in front of his house, and a young mother with her 10-year-old daughter come in looking for assistance. The daughter is endearing and would make a terrific subject for a photo contest. As both the young mother and the computer operator studiously ignore the flicker of romantic sparks, it is only a matter of time before the flame either grows or is extinguished.
In this strange and beautiful crime drama, Bernard Giraudeau is Daniel Chetman, someone who wants to leave the life of violence he knew in his neighborhood -- and cannot do so because his nemesis, a strutting street gangster now involved with organized crime, continues to terrorize the inhabitants of Chetman's turf. After much spilled blood, a parade of ugly underground types, and various sexual scenes, Chetman reduces the forces of evil to a reasonable level of opposition -- but who knows if the neighborhood will be different in the end...
