Haruko Kato
A woman named Kazuko (Kimura) who was guilty of a “serious crime” in the past, along with three of her friends. Those friends suddenly begin to die one by one. Kazuko learns that one of those deaths is somehow connected to Mamoru (Nakamura Aoi), her younger brother from whom she has been separated ever since their father disappeared 15 years earlier. Although Mamoru knows nothing of his sister, Kazuko is determined to find the killer in order to protect Mamoru and herself.
Ginko’s younger brother Tetsuro, a failed comedian, is the oddball of the family. Embarrassing, loud and plain inappropriate at times causes Ginko to disown him. The two reunite when she discovers Tetsuro is terminally ill. Tetsuro’s impending death marks the beginning of love and toleration.
After the unexpected death of her husband a new life begins for Toshiko. 30 years of a happy marriage seem to suddenly vanish as she finds out that her husband had lived a double life. Struggling between her anger and the chance to begin a new chapter for herself, she finds her life moving into unchartered waters as she faces her 60th birthday.
When Sophie, a shy young woman, is cursed with an old body by a spiteful witch, her only chance of breaking the spell lies with a self-indulgent yet insecure young wizard and his companions in his legged, walking castle.
Seikichi, makes his living fishing from a small boat off the coast of Okinawa. He and his 12-year-old grandson Akira live in a small, tree-lined village in the northern part of the island which is surrounded by a white-sand beach and plots of pine and flowering bushes. On the cliff that skirts the shore sits an open-air burial ground containing the skull of a kamikaze pilot who was shot down during the last days of World War II. When the wind blows through the bullet hole in the skull, it produces a whistling sound. The locals call it the "Crying Head."
Life Is Journey" is a compilation of four short stories. The characters all yearn to connect with others, while dwelling in their solitude. Accidental encounters and reluctant partings overlap joy and pain on a daily basis – yet no two days are alike. "Life" portrays half of a woman's life in one-scene, one-cut, nine-minute sequence. "N" is a comical take on a man abandoned by his lover. "Ya" explores the bond of female friendship as one woman consoles a brokenhearted girlfriend. "Nowhere", a man and a woman roam the streets of a foreign land in search of lost time.
A shy, nerdy man, Takeru finds a schoolgirl hooker Lily is unconscious in a Tokyo park, so he decides to bring her home and lock her up in a secret basement. Although Lily is afraid of him, in fact, Takeru didn't do anything to hurt her. After Lily begins to uncover a shocking episode
As one of Suzuki's last fims, it is related to his 1967 Branded to Kill, either as a remake or sequel. The plots of both films involve a third-ranked hit man deposing the top-ranked hit man to claim the top rank.
Tetsuro Haga is a troubled gangster, living under the assumed identity Ise for ten years, to escape jail for gunning down his cruel adoptive father. His life begins to unravel when a journalist following him takes an interest in the wife of a boyhood chum, and the wife of another close friend takes an interest in Ise. A couple of murders later, Ise/Haga goes on the run and also sets out for revenge.
Yoshihiko now lives with a couple of old friends, a married couple, Ryosuke and Aya. They share a past in several senses. It was Ryosuke who walked off with Yoshihiko’s girlfriend Aya. In doing so, he broke up with his own girlfriend, Reiko. Now they are all back together again and old feelings begin to surface.
A young woman tries to reconcile with her mother, who left their family for another man.
A story of a man and a woman who meet amid the Great Tokyo Air Raid in 1945.
Eiji Kawano (Kunie Tanaka) has recently broken from the Japanese company he used to work for. As an immigrant to Tasmania, he has been won over by the island's immense natural beauty, and he is conscience-bound to oppose his former employer's ecologically unsound practices. He is also estranged from his grown son, who still resides in Japan. When his son comes to Tasmania for a visit, he must face the challenge of renewing their relationship.
Based on a semi-autobiographical story by Ogai Mori, about a Japanese medical student who goes to Berlin to study in the 1880s and falls in love with a German ballet dancer.
A young witch, on her mandatory year of independent life, finds fitting into a new community difficult while she supports herself by running an air courier service.
Ryoko Itakura returns as the government tax agent willing to tackle the toughest cases. This time she takes on a fanatical but lucrative religious cult run by a vile lecher.
Heartbroken Ukiko takes refuge with a relative after a devastating breakup. While away, she makes a dangerous match with the husband of her frigid cousin.
The tragic story of Gonza, a handsome ladies man, set in the Tokagawa Period, a time in which appearences are very important. Gonza competes with Bannojo for the honor to perform the tea ceremony to celebrate the birth of an heir to the lord of their clan. To see the sacred tea scrolls Gonza promises to marry the daughter of the family which possesses them, even though he is unofficially engaged to another. When studying the scrolls with Osai, the mother of the house, Bannajo sneaks into the house and steals their obis and runs through the town proclaiming the two as adulterers.
Umiemon is a naniwa-bushi singer who travels with his wife to the United States in hopes of achieving fame and fortune.
Set in Mexico. The love story of an architect and a fashion designer. Both from Japan
A fictional account of the life of Japanese author Yukio Mishima told in four parts. The first three parts relate events in three of his novels: The Temple of the Golden Pavilion, Kyoko's House, and Runaway Horses. The last part depicts the events of 25th November 1970.
Grandfather Fuyukichi Takano, a former university professor, gets fired from his museum job when he is affected by Alzheimer's disease, but his affliction serves to deepen family ties. Japan's submission to the 58th Academy Awards for the Academy Award for Best Foreign Language Film
While trying to search for her missing father, Atsuko Moriya (Noriko Watanabe) meets a group of outcasts that help her. Having only an encrypted disk in her possession and while being chased by unknown people, Atsuko tries to solve the mystery of her family origins...
Deaths in Tokimeki tells the disturbing, compulsive story of a hit-man waiting to carry out a job: the assassination of the leader of a religious cult, masterminded by the leader's own deputy. But it is a story that is told in blocks, like the phrases in a child's computer game, and what counts most is not the narrative but the spaces between the blocks-the gaps that are filled with undefined menaces as potent as anything in Lovecraft.
The story of a Japanese man who as a 16-year-old went to Maui to work in the sugar cane fields in order to support his family back in Japan. Now 89 and still living in Hawaii he is visited by his granddaughter who brings him a letter from his disinherited and recently dead son. This brings back memories of his life with his wife and family following the attack on Pearl Harbor, in particular of his son who had gone off to join the war for the Americans.
Something Like It (の・ようなもの No Yōna Mono) is a 1981 Japanese film directed by Yoshimitsu Morita.
Saito Masao reminisces on the days of his youth more than 50 years ago and his forbidden love of his older cousin Tamiko. When he was 15, Tamiko moved in to take care of his sickly mother. The two quickly fell in love with each other but were inevitably forced by their family to live separate lives.
Based on novel 1962 "Kyukei no Koya" by Seicho Matsumoto. A serial murder occurs around the heroine Kumiko because she finds evidence that her father, who should have died, was "alive." Set in 1945, near the end of WW II, Kenichiro Nogami is reported to have died in a Swiss hospital. In fact, he is working behind the scenes to save Japan from destruction. For this cause, Kenichiro Nogami has left behind his wife and nation to work in hiding.
This is a story of love between a society girl and a yakuza boy. Mami lives an ordinary life in Tokyo, being with her friends and studying. Her biggest interest is ladies hats. She is rather well off, as her father is the ambassador of Japan in Spain. One day when she is out driving, she is attacked by a group of yakuza, but is saved by the honorable yakuza Jiro. This will change her life forever.
Masao is falsely accused and jailed for the murder of a loanshark to whom he owed a lot of money. His sister Kiriko makes the long trip to Tokyo, specifically to accost Otsuka, Japan's top criminal defence lawyer, and plead with him to take her brother's case. They live in Kitakyushu which, though a city, she contends that the local lawyers are not up to the job. Otsuka contemptuously brushes her off. A year passes. Masao has suicided in jail, his appeal having failed due to the lack of interest and competence of the local defence lawyer. Kiriko returns to Tokyo, planning revenge on Otsuka for refusing the case and causing her brother's death.
Masuda Toshio film starring Watari Tetsuya and Mori Masayuki, about a lone-wolf type (Watari) seeking love and defending the honor of an elderly widower (Mori).
A young woman, an experienced gambler, enters a nunnery to atone for some of her father's crimes. When the nunnery runs into debt, she resorts to gambling and challenges the racketeer threatening to sell the place to a game.
Beautifully constructed, 1001 Nights stays true to the lush and mysterious backdrop of the well known and age old story. Tezuka remolds the story into an escapist fantasy where a 60s-era working man is transported back to an era of entirely fictitious Arabian details. Seemingly at odds with itself, 1001 Nights consistently unfolds in a way that combines Playboy graphics, Arabian rug design and traditional Japanese scroll paintings. Sound like a strange mix? You bet and along the way we experience some of the great cultural juxtapositions that makes Tezuka the unpredictable style it is. Source: MAL
Tsutomu Yoshioka, a Tokyo office worker, is enaged to Mariko, the niece of his company's president. But Yoshioka has a crisis of consence when he remembers his former love Mitsu, a rural girl whom he met and later left while in college. Shimako, a former friend, persuades Yoshioka to meet with Mitsu while she plots to blackmail Yoshioka by photographing the meeting to break up Mariko and Yoshioka.
Rokurō starts a part-time job on a fishing boat, but the ship has an engine failure in the middle of the Pacific Ocean.
Two sisters live with their family. The elder is reserved; the younger lively. Yet, the former is first engaged and all goes well until the young man disappears
A young man longs to travel to Hawaii, the birthplace of his deceased father, against the wishes of his family, who are estranged from those relatives in Waikiki.
Twenty-year-old Yoshiko (Setsuko Hara) and her younger sister Asako (Yōko Yaguchi) struggle to accept changes in their home during the preparations of their widowed father's wedding to his chosen bride, Maki Tsuneko (Sadako Sawamura), who's anxious about her conduct as the bride.
