Hazel Scott
A documentary look at the confluence of the Red scare, McCarthyism, and blacklists with the post-war activism by African Americans seeking more and better roles on radio, television, and stage. It begins in Harlem, measures the impact of Paul Robeson and the campaign to bring him down, looks at the role of HUAC, J. Edgar Hoover and of journalists such as Ed Sullivan, and ends with a tribute to Canada Lee. Throughout are interviews with men and women who were there, including Dick Campbell of the Rose McLendon Players and Fredrick O'Neal of the American Negro Theatre. In the 1940s and 1950s, anti-Communism was one more tool to maintain Jim Crow and to keep down African-Americans.
Vallois, a vice inspector for the Paris police, takes special interest in the plight of drug-addicted Lucky (Najda Tiller), whom he considers to be more victim than criminal. Taking it upon himself to wean Lucky away from narcotics, Vallois also wins her love -- and, incidentally, smashes the dope ring responsible for her addiction
Back from Indochina, Tony and Dick, two French soldiers, are now in possession of more than 20 million, entrusted by a trafficker. They buy a nightclub in the district of Montparnasse but are soon hunted by the thug who wants to recover his money.
The Hazel Scott Show was an early American television program broadcast on the now defunct DuMont Television Network. The series ran during the summer of 1950, and is most notable for being the first U.S. network television series to be hosted by a African American woman.
Fictionalized biography of George Gershwin and his fight to bring serious music to Broadway.
Broadway producer Johnny Demming is only interested in big-name talent and scoffs that his sister, father and other small-time talent could be used in a successful show.
After an absence of three years, Mae West returned to the screen in the musical comedy The Heat's On. La West is cast as Fay Lawrence, a famous Broadway actress who is loved intensely by her producer Tony Ferris (William Gaxton). Rival producer Forrest Stanton (Alan Dinehart) steals Fay away from Ferris by convincing her that she's been blacklisted from Broadway by blue-nosed moralist Hannah Bainbridge (Almira Sessions). Meanwhile, Hannah's puckish brother Hubert (Victor Moore) syphons money from his sister's "clean up show business" committee to produce a musical show for his actress niece Janey (Mary Roche). Somehow, all these characters converge for a spectacular closing production number spotlighting the formidable Fay. Part of the reason for the failure of The Heat's On is the fact that Mae West didn't write her own dialogue, as was usually her custom. The film performed so poorly that it would be 27 years before West would again appear on the Big Screen.
Constance Shaw, a Broadway dance star, and Joseph Rivington Reynolds, a keen fan of hers, marry after she breaks up with her fiancé. Connie thinks Joseph owns a gold mine, but he actually works as a presser at a hotel valet shop. When everyone learns what he really is, Joseph is banned from the theater. When he sneaks in again, he learns of a plot to set off a bomb in the adjoining munitions warehouse.
A press agent, a composer and a landlord of a theatrical boardinghouse revive vaudeville on Broadway.
