Heinz Trixner
An unreservedly matter-of-fact look at two young women who consider prostitution an adventure until reality catches up with them.
Some wounds never heal. In a rundown Central European town, the everyday lives of three working people are violently disrupted: a boy goes missing, a woman is stalked, and a man comes face to face with the killer of his child.
This is a two-part Italian television mini-series directed by Giorgio Capitani and broadcasted in April 2002 on Rai Uno. It is the life story of Pope John XXIII, nicknamed "the good Pope".
The film presents the political events surrounding the Anschluss in March of 1938 through the lives of Carola Hell, a popular young actress at the prestigious Theater in der Josefstadt, and Martin Hofmann, the Jewish journalist she plans to marry. When we encounter the couple in the lovely springtime weather their future is full of promise. They are determined to stay clear of politics. Yet in the climate of the time, nobody of her prominence or his religion can remain apolitical. Although Martin's journalist friend, Drechsler, calls to inform them that the Nazis plan to take over Austria soon, they concentrate on their work and their private happiness and dismiss the warnings.
A corrupt lawyer hires a killer to murder his client's divorced ex-wife. The start of a true love story.
Moss on the Stones (German: Moos auf den Steinen) is a 1968 Austrian drama film directed by Georg Lhotsky. The Austrian academic Robert von Dassanowsky said it was one of the most remarkable and memorable Austrian films of the 1960s. The film was selected as the Austrian entry for the Best Foreign Language Film at the 42nd Academy Awards, but was not nominated.
Karl Bockerer is a Viennese original. He survives the ‘great times’ – to his own dismay his birthday is on the same day as the one of the “Führer” – by pretending to be more stupid than he really is, and uncovers, over and over again, the hypocrisy and the uptightness of the epic nonsense in his milieu by means of real and phony naivety. Where Schweijk made a mockery of the ruling system by being a presumptive follower, the Viennese butcher strives against the tide. And he is not alone, has family and friends. His personal braveness protects him neither from the rebellion in his own house, nor from the horrors of total war…
