Hepburn Graham
The true story of a daring prison break. Wycliffe Kato, Director of Civil Aviation in Idi Amin's Uganda was at the airport to catch a flight to Canada for a conference when he was arrested by Amin's secret police, members of the notorious Sate Research Bureau, and thrown into the Nakasero prison. This should have meant certain death, but, along with his cell mates, army officers who had come under suspicion of organizing a coup, he escaped and made it on foot to Nairobi. This TV movie is based on Wycliffe Kato's own account in his book "Escape From Idi Amin's Slaughterhouse".
This is the story of rival "Firms" of football (soccer) supporters, and how one man has a wish to team them up for the European Championships of 1988. However, when this is discussed, the opposing leaders are not happy, as they believe this is a challenge to their authority. This Film shows how football violence has progressed from pure violence to a form of organised crime, to the extent that all the leaders know each others' phone numbers.
Charles is in control of his life; he is about to finish 6th from college and start at Oxford. He is 19 and wants an 'older' woman before he turns 20. Enter the beautiful Rachel, and Charles puts his 'master-of-seduction' routines into top gear. Things however get complicated, Charles has a string of ex's and a weird brother-in-law. Rachel has a boyfriend named Deforest and Charles' father has a mistress.
Two con men try to settle their rivalry by betting on who can be the first to swindle a young American heiress out of $50,000.
A working-class family in London's East End is struggling to stay afloat during the recession under Prime Minister Margaret Thatcher's premiership. Only the mother Mavis is working; father Frank and the couple's two sons Colin, a timid, chronically shy individual and Mark, an outspoken, headstrong young man, are on the dole. This situation is contrasted by the presence of Mavis's sister Barbara, and her husband John, whose financial and social loftiness appears to be a comfortable facade over the unspoken soreness of a lackluster marriage.
