Hernán Vera
The charitable Emilio is a jealous barber tries to prevent at all costs the rich toting Mario mess with his girlfriend Rosita. Although Emilio help with money from neighbors, gets entangled in a misunderstanding and ends up in jail but his friends are out of charge so much trouble.
A musical comedy about a group of pretty girls who meet in Mexico and decide to break into showbiz and make a pact and promise not to get involved with men. But they all are in love with different guys and that complicates things.
The story of the doomed love between Soledad and Román. She is the daughter of a rich man that wants to marry her with Ernesto, nephew of his friend, the judge. Román owns a little ranch. A brawl in the town will unleash several deaths that will affect the already difficult relationship.
Confronted with the unfortunate news that their favorite Streetcar, no. 133, is going to be decommissioned, two Municipal Transit workers get drunk and decide to "take 'er for one last spin," as it were. Unfortunately, the "one last spin" ends up being an all-night and all-day scramble to stay out of trouble, as they are confronted with situation after sometimes bizarre situation that prevents them from returning the "borrowed" Streetcar!
Pastora de los Reyes is a beautiful Spanish that goes to Mexico with a contract to film a movie. The main actors will receive her at the airport, among them is Paul, a little-known mariachi that has been chosen to become a new idol. Automatically, both had bad relations and during filming many discussions happens. This arguments gives way to a deep love.
Mrs. Nínive Cánovas Cannesi (Marshall) comes back from a long tour visiting Europe and not even realizes that her house is being inhabited by two jobless and homeless bandits (Tin Tán and Tun Tún) with master keys who had been living there worry free. They all share the house for a period of time, unknowingly to each other, in a series of well crafted and perfectly timed scenes where Catita and Tin Tán can be in the same room without seeing each other... When Tin Tán notices her presence, poses as the help, intercepting the real employees and sending to the north pole, literally. So now that Catita has them at her service, she can take time for her real goal, the foundation of a House for old people so they can live happy until the day they die, but Tin Tán and Tun Tún keep getting in her way and complicating everything...
Catita is a simple and poor woman who dreams of that her son stands out on something important to help her out of his humble. But she opposes to him being boxer, therefore constantly fighting with her husband.
In the lobby of the hospital of the City of Mexico, Dr. Alberto Robles receives a letter from his friend Juan the priest of Santa Cruz. In the text, the priest tells him that they both lived before his departure, and the reason why Alberto decided to leave the town where he struggled against gullibility and ignorance of the people towards their science and against David, chieftain who abused his power by invading land, such as a farmer Roque Suazo, who leaves the town after the death of his mother for being staffed by a healer instead of a doctor. Later, Roque returns to fight their land and falls in love with Soledad, a peasant who is in love with Alberto. Soledad pregnant from rape and dies during childbirth, so Alberto decides to go to the city.
On reaching the capital, Pedro Gonzalez gets a lowly job and marries Margaret. After losing that job, get a new one as a bodyguard but is fired again. With so much poverty and despair Pedro believes that his only way out is suicide.
A sequel to "Un rincón cerca del cielo". Pedro Gonzalez first gets into trouble as part of a criminal gang and then works honourably to become rich. Money is his undoing allowing him to become a womanizer and drinker, almost losing his wife. Finally he rejoins her, they have a son and he pays for his mistakes.
A low-class baker accidentally gets to know an attractive but bitter fiancée. By getting her snobby, dead-pan family to spend some time with his scumbag friends, he changes their lives, while at the time stealing the girl's heart.
A nightclub performer decides to raise the baby boy she found abandoned in a trash can, putting her job and social life in jeopardy.
In the drama, a father, firmly believing that the baby daughter in his arms is not his own, abandons her upon the doorstep of the town drunk. Many years pass, and the man finds himself continually wracked with guilt about deserting her.
A woman, after committing a murder, flees into a church, confessing her life story to a priest.
The movie starts with Braulio Peláez (Pedro Infante), a schoolteacher, having just fallen off his horse, representing the situation he and his family are in. The next scenes introduce the viewer to his family and their poor financial and social situation. As Braulio stumbles around looking for his glasses, he causes a famous film star, Alfonso de Madrazo (Rafael Alcaide) to crash his car. Braulio offers him to eat at his house as an apology. Braulio's sister and mother, big film fans, immediately recognise Alfonso and attempt to get him to bring the girl, Luisa Peláez (Irma Dolores) to Mexico City to become a film star. Alfonso agrees and tells them to come to the capital.
An old man (Fernando Soler), who recently became a widower, Falls in love with Josefa (Carmen Molina) a beautiful young woman, without knowing that she is in love with his son Silvano (Pedro Infante). This event will unchain a harsh conflict between the two men.
Cardoza's death, a candidate for mayor of a village chief enemy and Rosauro Castro, leads to Mr. Garcia Mata to undertake an investigation. Upon arriving realizes that even the whole town, including the mayor, lives in fear by the chief and only achieved revenge end the injustices committed by Rosauro Castro.
The Trevino family tries to overcome the irresponsible behavior of Don Cruz, an erratic father with numerous defects that contrast with his son Silvano, a young kid man that is incapable of passing judgment on his own father.
Pedro has had many lovers but he only loves one of them, but this romance stop going on for his flirts with other women.
Mercedes (Marga Lopez) dances for money with the clients of Salon Mexico, a famous cabaret in Mexico City. Her younger sister Beatriz (Derbez) studies in an expensive private school, paid by Mercedes. Obviously, young Beatriz doesn't know about her sister's job. Troubles begin when Mercedes wins a danzon contest with Paco (Acosta), her pimp. Paco refuses to share the prize with Mercedes, so she steals the money when he's sleeping.
Pepe el Toro is married to Celia la Chorreada and they have two children.
This is the story of three brothers (a priest, a soldier and an outlaw) that are raised separately by their godfathers once their mother dies. They cross their paths again when the soldier and the priest move into two towns near the town the outlaw lives in. The drama will unfold once the three brothers meet each other.
An underaged heiress is sent to a reformatory by her unscrupulous guardians to prevent her from fulfilling the conditions of her father's will. Meanwhile, a street-vendor gets mistaken for an eminent psychologist and is hired to teach at that reformatory.
Ruled by a tough grandma (Sara García), the Garcías (Infante, Salazar and Mendoza) are three charro cousins who fall in love with young American-born Lupita (Marga López) and fight for her love until grandma quiets them.
Ruled by a tough grandma, the Garcías are three charro cousins who fall in love with young American-born Lupita and fight for her love until grandma quiets them.
On March 22, four days after returning to his home in Andalusia, Luis de Vargas writes the first of his letters to his uncle and favorite professor at the seminary. He reports that his father intends to fatten him up during his vacation, to have him ready to return in the fall to finish his training for the priesthood. He mentions in passing that his father is courting a twenty-year-old, attractive widow, Pepita Jiménez; his father is fifty-five years old. Pepita had been married for only a short time to an eighty-year-old moneylender named Gumersindo. Luis is not eager to see his father marry again, but he promises his uncle not to judge Pepita before he knows her.
In Guanajuato mid-nineteenth century, the beauty and charm of the young heiress Amalia conquer the lowly foreman Ricardo with fatal results. Prevented from consummating their love, Ricardo is going to Guanajuato where again later become the rich owner of a mine. On his return, fate has prepared a tragic encounter with Amalia.
Cantinflas, on a drunken night, becomes Army soldier. Soon, he meets the Devil who tries to make it an evil being.
An endless series of disasters separates a mother from her children. It takes her over twenty years to find her way back to the bosom of her family.
The film features Fernandez himself as a character named Rogellio Torres. The lion's share of the footage, however, is devoted to the romance between Esperanza, granddaughter of a common laborer, and Jose Luis Castro, the firebrand son of a landowner. Joining a revolutionary movements, Castro is disowned by his father, but Esperanza remains loyally by his side. Later on, Castro's father is killed by outlaws; in seeking vengeance, he sacrifices his own life, while Esperanza carries on his revolutionary work with their young son in tow.
The love between María Ángela and Fernando is impossible because there's an ancient history of hate between their families. His father killed hers, and other family members have killed each other for years. When María Ángela's grandfather finds she's in love with Fernando, he frames the young man and forces her to marry Manuel. Maria Ángela finds that Manuel doesn't love her and together plan her escape with Fernando. But things go wrong and the lovers find their destiny in The Spirit's Canyon.
British-born David T. Bamberg was a magician who went by the stage name of Fu Manchu. He was so popular in Mexico and South America that he was given the opportunity to star in a series of crime / horror / mystery films between 1943 and 1949. This is one of them.
