Hideo Saeki
Three WWII veterans, reunited by family circumstances, quickly find their life savings threatened by a private corporation; they band together to fight back.
In this bizarre world of distorted human pleasures, we have come to accept the most heinous crimes against mankind as just another example of the degeneration of our species. Even the most jaded individual could not forgive the creators of the Love Robots. Love Robots are beautiful young girls, abducted right off the street who, through a procedure that rivals anything the Marquis de Sade might have dreamt of, are turned into monsters, capable of killing a man or loving him on command.
The treasures of the Aoyamas were buried at the bottom of the sea when a large earthquake occurred years before. Yumi Aoyama is the only person who knows the location, but her family dies one after another through curious incidents, as if the family were under a curse. Yumi is surprised by the ghost of a dead sister who looks the same as the grim figure who jumped into the old well alter stabbing herself with a sword. Fearful that a similar fate awaits her, Yumi seeks the help of her friend Kyoko. Later the ghost appears before Kyoko and her fiancé, Detective Nonomiya. In a haunted cave, Kyoko and Yumi are in deadly peril from those who seek treasures of the Aoyamas.
Masahiko Koseki, a judo master, gets in several fights as a result of protecting a young woman. Despite his success, Koseki is expelled from his judo school because of his propensity for street fighting. He goes to work for a gangster named Joji, but when he realizes that Joji is mixed up in the slave trade, Koseki helps the police in their attempts to foil Joji.
A narcotics investigator for the harbor police, Eiichi Tsuda, is driven by thoughts of vengeance for the overdose death of his brother and the subsequent decline and death of their mother. Tsuda acts viciously and with disdain for legal niceties in his exploration of the criminal facts behind the explosion of a freighter in the harbor. He goes undercover with a band of drug smugglers, but his methods threaten to destroy him as well as his case.
A legendary gangster raises himself out of a small town and gathers followers on his rise to power.
The stage director Shimamura, who is bringing western theatre to Japan, falls in love with the outspoken actress Sumako Matsui, and leaves his family to be with her, while trying to keep his Art Theatre solvent.
What is marriage? Young couple in match-making wanted to know before they decide. They visited married couples of sisters and brothers. Love comedy in 1942.
A sentimental tale of the filial love between shogun Iemitsu (matinee idol Hasegawa) and his loyal old retainer Hikoza (comedian Roppa, playing somewhat against type).
This film attempts to reconstruct the tension of the Battle of Shanghai through an episode in an understated way, introducting its story in a documentary mode. In the film story, Japan's marine regiment protects Japanese residents and Chinese refugees-women and young children-from rampant street fighting, Shanhai Rikusentai unsparingly uses its first eight minutes for an official-mannered self-justification of the war. From the viewpoint of explaining Japan's military operation,the narration refers to the city s spatial division in sync with maps on screen.
A half brother and sister work at a hotel in Hakone respectively as a porter and a souvenir shop clerk. They are close. One day a woman named Hasegawa checks into the hotel in order to recuperate in a calm environment with fresh air. She is the mother of the store employee. The mother and daughter were separated due to the Kanto earthquake. The girl was practically raised by her older half brother.
This film, directed by Mikio Naruse, is a study of a one-year marriage that begins to crumble. A married man is torn between the love of his wife, and the attraction to a cousin of his wife. (This film is notable for having two giants of Japanese cinema among its employees, Ishiro Honda and Akira Kurosawa).
The otherwise promising young man Asaji (Heihachirô Ôkawa) and his younger brother Yuji (Hideo Saeki) face blighted lives because of society's disapproval of their illegitmacy and déclassé family.
