Hiroshi Hijikata
Depicts the bloody siege of Port Arthur, one of the most strongly fortified positions in the world, during the Russo-Japanese War.
Tarao’s services are called upon to solve the mysterious death of bride-to-be, Mariko, who was found dead with an eerie mask of a devil.
Nami (Meiko Kaji) is once again on the run from the law but is saved by an old classmate who works at a strip club. Through a subsequent conversation they discover they both have a score to settle with a particular crooked cop. However, Nami has doubts about ever trusting a man.
Though he has come from a rough background on the streets, Muraki (Horoki Matsukata) quickly rises through the ranks by means of his well-honed blackmailing instincts. Desperate to keep rolling with his freewheeling lifestyle, Muraki sees his luck begin to crumble when he sets his sights on the business partners of a powerful gang boss.
Zatoichi runs afoul of some evil fugitives, working for a corrupt law official.
The chronicles of the life of Minamoto no Yoshitsune (1159 - May 17th, 1189). He was a late Heian and early Kamakura general of the Minamoto clan of Japan. Yoshitsune was the ninth son of Minamoto no Yoshitomo. His older brother Minamoto no Yoritomo founded the Kamakura shogunate.
When the mysterious “Joe of Spades” (Jo Shishido) executes one of the bosses of a powerful syndicate, his colleagues, fearing for their own lives, call on the services of assassin agency Murder Unincorporated to take care of the problem. This unique entry showcases some of the most peculiar killing tactics to ever hit Japanese cinema!
Tajima is a private detective in charge of his own company, Detective Bureau 2-3. When warring criminal gangs go overboard by robbing U.S. military munitions, Tajima steps in to stop what the cops can't.
A sequel to Detective Bureau 2-3: Go To Hell Bastards!
One summer day, the chief monk of the Hojuin Temple dies. Harumichi rushes back to town hearing about his brother's death and requests for a grand funeral. He had been unwilling to take over the family business and had chosen a life as a middle school teacher far away from home, but considering the circumstances, he changes his mind. As the new chief of Hojuin, Harumichi scrambles around day after day for donations. He has kept strictly to the straight and narrow, until he passes a bicycle race track where the sounds of cheering fans induce him into a new way of life...
This rarely seen gem from master Suzuki casts teenage heartthrob Koji Wada as a young misfit who suddenly finds himself the unwitting pawn in an escalating family feud that ultimately leads to tragedy. Lean, mean, and stylish as always, this tale of youth-gone-wild is both vibrant and touching. Suzuki contrasts tranquil glimpses of traditional regional life with the emergence of the new rock 'n' roll youth culture and the greed and seething cynicism of encroaching Westernism. Also released under the title "Go To Hell, Hoodlums!", this is a melodrama as colorful, shocking, and exhilarating as one would come to expect from Japan's master filmmaker.
Maki, a porter at the Sakura Hotel, finds a body in Room No. 2 and picks up a piece of paper on which is written "one-third of the key", also the part of a key. From a newspaper he learns that the dead man is an official who has been detained as a suspect in a bribery case involving 150,000,000 yen and that another suspect named Matsunaga is still in custody. Maki realizes that if he can obtain the other two-thirds of the key, he will be a multi-millionaire.
A jazz bandleader, falsely accused of murdering his girlfriend, tries to stay one step ahead of the police as he dives into Tokyo's sin-city in search of the real killer in this dark and beautiful noir from master Seijun Suzuki.
1958 Newspaper Association Sweepstakes Winning Broadcast Drama Movie. A heartwarming and moving story that bloomed behind the competition between two newspaper reporters, one young and the other old, who followed the whereabouts of the distressed aircraft. It is an adaptation of the prize-winning broadcast drama recruited by the Japan Newspaper Publishers and Editors Week in 1958. The original author was Tsuneyuki Mori.
The young Takako Kuramoto has come to Tokyo to study and starts working for the rich Tashiro family as tutor of the daughter, Kumiko, while she receives attention from her two older brothers, Yukichi and Shinji. Meanwhile, the exact parentage of Shinji comes to light.
The fourth and final Japanese entry in the 1957 Venice Film Festival, Ubagaruma is also known as The Baby Carriage. Upon discovering that her father has a mistress, a young girl befriends the "other woman" and her child. Realizing that her half-sister is doomed to being regarded as an outcast, the heroine sets about to spiritually legitimize the girl. It was difficult for the festival judges to assess the film, since it apparently had been severely edited to conform with American censorship. The judges were, however, impressed by Ubagaruma's curious blend of comedy and drama.
A group of rank-and-file Japanese soldiers are jailed for crimes against humanity, themselves victims of a nation refusing to bear its burdens as a whole.
